Emile Albert Gruppe

Bathers

c.1925

Walter Emerson Baum (1884-1956). Portrait of a Nude Red Headed Woman, ca. 1940. Oil on canvas, 16 x 20 inches; 24 x 28 inches framed. Signed lower r...

George Henry Hall (1825-1913). Cupids, 1875. Oil on canvas, 6 x 9.25 inches; 10 x 13.25 inches framed. Original frame with label verso. Excellent condition with no damage or restoration. Signed and dated lower right. Price on request Biography: Birth place: Manchester, NH Addresses: Primarily in NYC from 1852 Profession: Still-life, genre, portrait painter Studied: between 1849-52 in Paris and Rome; and Düsseldorf Royal Acad. with Eastman Johnson Exhibited: PAFA, 1853-68; Royal Acad., British Inst., Suffolk Street Gal., all in London, 1858-74; Brooklyn AA, 1861-81; NAD, 1862-1900; AIC, 1888; Boston AC, 1881, 1889 Member: ANA, 1853; NA, 1868; Century Assn. Work: MMA; BM; BMFA Comments: Best known for his still-lifes, he specialized in detailed and vividly colored fruit and flower...

Beautiful ca. 1970s Pop Art painting of a reclining nude woman based on Tom Wesselmann's 1968 screenprint, Nude with Still Life. Oil on canvas, 30...

Francis Vendeveer Kughler (1901-1970. Manhattan Skyline from New York Harbor, ca. 1940. Oil on canvas mounted to masonite, 24 x 30 inches. Unframed. Excellent condition with no conservation. Signed lower right. 1901–1970 Born in New York City Kughler was educated in New York City public schools and art schools: De Witt Clinton High School, Cooper Union, the Mechanics' Institute and the National Academy of Design School of Art where he met Charlotte Livingston, an artist, whom he was later to marry. During this period he was the winner of a Tiffany scholarship, which provided him a summer of landscape painting at the Louis Comfort Tiffany estate at Oyster Bay, L.I.In the 1940s, Kughler became the President of the Salmagundi Club a well-known club in Washington Square in New York City that had been the singular gathering place for such great artists as Childe Hassam, William Merrit Chase...

Tod Lindenmuth (1885-1976). St. Augustine, c.1935. Oil on primed panel, 12 x 14 inches. Signed en verso. Excellent condition. Unframed. Biography: Birth place: Allentown, PA Death place: St. Augustine, FL Addresses: St. Augustine, FL/Rockport, MA Profession: Painter, graphic artist, block printer Studied: Chase Sch. A.; & with Robert Henri, Ambrose Webster, George Elmer Browne, W.H.W. Bicknell. Exhibited: AIC; S. Indp. A., 1917-19, 1922-28; PAFA Ann., 1917-18, 1923, 1927-33; Salons of Am., 1922-24; Rockport AA; PAFA (prize); Corcoran Gal. biennial, 1930. Member: SC; A. Gld., St. Augustine, Fla.; Rockport AA; Provincetown AA. Work: PAFA; NYPL; MFA, Houston; Newark Mus.; Pa. State Col.; Allentown Mus. FA; Bibliothèque Nationale, Paris; Springfield Mus. A.; Kansas City AI; LACMA; TMA; Rochester Mem. Gal. A founder of the Provincetown Art Association and one of the original Provincetown Printers, Tod Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles. Although he was much influenced by Abstract Expressionism, his subject matter was realistic enough to be recognizable. He did linoleum cuts and was one of the first to work with that medium, and towards the end of his life, he experimented with collage. In the 1930s, he had commissions for the Public Works of Art Project and the Works Progress Administration. Lindenmuth was born in Allentown, Pennsylvania. He studied with Robert Henri at the New York School of Art in Manhattan, and in Provincetown with E. Ambrose Webster and George Elmer Browne. He first exhibited in Provincetown in 1915, and between 1917 and 1928 served on the jury for the Provincetown Art Association’s ‘First Modernistic Exhibition”. He exhibited regularly with the Society of Independent Artists in New York. He married artist and illustrator Elizabeth Boardman Warren...

Beautiful 1931 painting by American artist, Giovanni Martino (1908-1997). Oil on canvas measures 25 x 30 inches. Measures 35 x 39 inches framed. The scene depicts what is definitivel...

Wilson Irvine A Summer Afternoon, circa 1915 Signed lower left Oil on canvas 25 x 30 inches Provenance: Gift of the artist, c. 1930 Private Collection, Iowa, c. 1930 By Descent, Private Collection Iowa Private Collection, West Virginia, 2017 Exhibited: Art Institute of Chicago, Special Exhibitions: Paintings by John W. Alexander, Wilson Irvine, Edward Redfield, Maurice Sterne, Sculpture by Chester Beach...

Mid century figurative landscape of a nude female figure with tree at El Capitan, Yosemite, California by Margaret Wherry Ziegler (American, 1909-1989). Signed "M. Ziegler" lower right. Displayed in a rustic new silver gilt frame. Image, 24"H x 12"W. Margaret Wherry Ziegler was born in Cincinnati, Ohio on November 27, 1909. At a young age she traveled with her parents to the Philippines, Japan, India, Italy, Greece, and Europe. She studied art at the Cincinnati Art Academy, Minneapolis Art Institute, the University of the Philippines, and the California College of Arts and Crafts. While in Japan she studied Japanese brush painting...

Antique American impressionist painting of two nude bathers in a landscape. Oil on canvas, circa 1900. Signed lower right. ...

Antique American impressionist landscape with a nude bather by Henrik Hillblom (1863 - 1948).

Childe Hassam 1859-1935 American The Bather Signed and dated “Childe Hassam” (lower right) Oil on canvas Considered by many to be America’s foremost Impressionist painter, Childe Hassam composed his tranquil and intimate oil on canvas The Bather in the early years of the 20th century. The creation of the artwork aligns with a period of Hassam’s career where the artist’s palette was transforming, matching ever closer with the pale and pastel hues of French Impressionists like Claude Monet. Even the subject — a nude woman — represents a greater alignment with the Impressionist project, as artists of the movement and their non-mythological and non-biblical nudes still generated cries of indecency. With Hassam’s signature brushwork and attention to color, The Bather serves as a dream-like vision, serene and sensuous, of a young woman bathing in a lush forest. While the artist's skill for landscape painting is on display, it is Hassam's command of form, light and color that brings this canvas to life. He creates a captivating composition, placing the nude subject in the bottom left of the canvas. The soft, undulating curves of the woman's body in contrapposto and the glow of her fair skin are balanced by the strong verticals and deep earth tones of the tall trees to her right. Hassam delicately frames the nude in the vivid blues of the distant water, building luminous color that further draws the viewer’s eye and results in a somewhat voyeuristic appeal — endowing his nude with both a natural innocence and an intentional sensuality. Born in Dorchester, Massachusetts, Childe Hassam began his artistic career as a freelance illustrator, working for national publications such as Harper’s Weekly, Scribner’s Monthly, and The Century. His first solo exhibition of watercolors took place in Boston in 1883, and he quickly catapulted onto the international scene, winning a bronze medal at the Exposition Universelle in Paris in 1889. The year before the present work was created, he received the Webb Prize from the Society of American Artists for another landscape painted at Gloucester. Hassam would receive numerous other awards throughout his career, most notably the Gold Medal for Distinguished Services to Fine Art from the American Dealers Association. A true master, Hassam depicted a way of life characteristic of both American and French society, and his work elucidates a critical chapter in American art history. Today, his work resides in the Oval Office of the White House and in numerous important museums, including the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, DC and the Museum of Fine Arts in Boston, among others. This painting will be included in Stuart P. Feld's and Kathleen M. Burnside's forthcoming catalogue raisonné of the artist's work. Circa 1905 Canvas: 24 1/2“ high x 20 18” wide Frame: 35 7/8“ high x 31 1/4” wide x 3 1/4“ deep Provenance: Private Collection of William Young...

"Marguerites" is a painting by the impressionist Maestro Ivan Roussev. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, signed Weight...