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Fabien GranetVu d'ici - Watercolour, Painting on paper, Landscape, Seaside2022
2022
About the Item
Watercolour, Acrylic Painting on archival paper.
Work Title : "Vu d'ici" (EN : Seen from here)
Artist : Fabien Granet (FR)
The work is signed and dated on the back of the work. Unique work.
Size : 2X (10.5x14.8cm). With archival Mat, framed in a 21 x 29.7cm frame.
Born in 1970 the artist lives and works in France.
The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France.
" The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing "dream worlds" but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real."
Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures.
The drawn "landscapes" are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real.
In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making.
Solo exhibitions : 2021 "Les Indestinés" (Drawing Now Art Fair) Galerie Jean-Louis Ramand - Paris / 2017 "mise-en-paysage" galerie Tokonoma - Paris / 2015 "Shiftings" galerie White Project - Paris / 2012 "Risée" galerie G&G - Paris / 2011 "Transistoires" galerie P&Z - Angoulême / 2010 "Tandis que?
Group exhibitions (selection) : 2021 " SUMMER TALENTS " - Galerie Jean-Louis Ramand / 2019 " FEEL GOOD " Galerie Jean-Louis Ramand - Paris / 2019 " Naturalia " Mexico / 2019 " (re) mise-en-scène " Galerie Jean-Louis Ramand - Aix-en-Provence / 2019 " ScapeLand " Galerie Jean-Louis Ramand - Paris / 2019 " Blanc Ciel " espace d'art associatif La Perception - Creuse/ 2018 " Angle Mort " Ici. Gallery - Paris/ 2018 " Drawing in Gallery " Galerie ALB - Paris/ 2017 " Where form meets Art " Antwerp Art Weekend/ 2017 " Volume-Espace-Trait " art space Le Mur, Fontainebleau/ 2016 " Open Office " Un-Spaced gallery - Paris/ 2016 " Dessin & Contemporain " Art Center Les Modillons, Angoulême/ 2016 " 3 jours en Mai " Métamorphik Galerie, Lyon/ 2015 " Formats Raisin " Musée ARTEUM, Châteauneuf le Rouge/ 2015 " recto/verso " Fondation Louis Vuitton, Paris/ 2014 " High Hopes " DRM gallery, Paris/ 2014 " Mano A Mano " Espace CO2, Paris/ 2014 " Formats Raisin " Centre d'art Espace Vallès, St-Martin d'Hères/ 2013 " Collectif " DRM gallery, Paris/ 2012 " Formats Raisin, les vendanges sont finies " galerie Martagon, Malaucène/ 2012 " Écart Postal " SAFFIR galerie nomade, Marseille/ 2011 " After " galerie du Point Ephémère, Paris/ 2010 " Qui est le maître ? "Lemniscate Gallery, Toulouse/
- Creator:Fabien Granet (1970, French)
- Creation Year:2022
- Dimensions:Height: 11.82 in (30 cm)Width: 8.27 in (21 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:AIX-EN-PROVENCE, FR
- Reference Number:1stDibs: LU1826211420512
About the Seller
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- ShippingRetrieving quote...Ships From: AIX-EN-PROVENCE, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
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