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Gustav Prucha
Winter landscape oil painting of a horse and sleigh

C1910

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  • 19th Century Italian townscape coastal oil painting of Livorno, Gulf of Genoa
    By Arthur Joseph Meadows
    Located in Moreton-In-Marsh, Gloucestershire
    Arthur Joseph Meadows British, (1843-1907) Livorno, Gulf of Genoa Oil on panel, signed & dated (18)98, with signed & inscribed label on reverse Image size: 9.75 inches x 11.75 inches Size including frame: 17.75 inches x 19.75 inches An attractive townscape depicting fruit sellers at the port of Livorno, Italy by Arthur Joseph Meadows. The scene shows the view looking across from the harbour wall to the church of Santa Caterina...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Oil, Panel

  • 19th Century genre oil painting of two gentlemen in a garden
    By Frank Moss Bennett
    Located in Moreton-In-Marsh, Gloucestershire
    Frank Moss Bennett British, (1874-1952) In the Garden Oil on panel, signed & dated 1917 Image size: 11 inches x 13.5 inches Size including frame: 20 inches x 22.5 inches A charming genre scene of two gentlemen in 18th century costume in a garden by Frank Moss Bennett. The men drink wine and eat fruit at a linen covered table...
    Category

    Early 20th Century Victorian Figurative Paintings

    Materials

    Oil, Panel

  • 19th Century genre landscape oil painting of two Italian women near a vineyard
    Located in Moreton-In-Marsh, Gloucestershire
    Karel Frans Philippeau Dutch, (1825-1897) Home from the Vineyard Oil on panel, signed & dated 1867 with old label verso Image size: 11.25 inches x 15.25 inches Size including frame...
    Category

    19th Century Victorian Figurative Paintings

    Materials

    Oil, Panel

  • 19th Century continental townscape oil painting of a quayside on a river
    By Ludwig Hermann
    Located in Moreton-In-Marsh, Gloucestershire
    Ludwig Hermann German, (1812-1881) A Busy Quayside Oil on canvas, signed Image size: 15.75 inches x 22 inches Size including frame: 23 inches x 29.25 inches This atmospheric contin...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Canvas, Oil

  • 19th Century historical genre oil painting of the gunpowder plot conspirators
    By Ernest Crofts
    Located in Moreton-In-Marsh, Gloucestershire
    Ernest Crofts British, (1847-1911) The Gunpowder Plot; the Conspirators Last Stand at Holbeche Oil on canvas, signed & dated 1892 Image size: 11.5 inches x 17.25 inches Size including frame: 19 inches x 24.75 inches A dramatic historical painting depicting the last stand of the gunpowder plot conspirators at Holbeche House, near Dudley, Staffordshire by Ernest Crofts. It is the smaller version of a larger exhibition piece that was shown at the Royal Academy in 1892. Holbeche or Holbeach House was built in 1600 and is located close to Kingswinford near Dudley. The site became famous for being the last refuge of the fugitives from the gunpowder plot of 1605. After Guy Fawkes was arrested on the evening of 4 November, the remaining conspirators, including Robert Catesby, Thomas Percy and Stephen Lyttelton the owner of Holbeche House, fled London and headed for Warwickshire. Upon reaching Warwick Castle and Hewell Grange they raided weapons and gunpowder and then left with the Sheriff of Warwick, Richard Walsh and a posse of men in pursuit soon after. After reaching Holbeche House around 10pm on 7 November, they attempted to dry their damp gunpowder near a fire, but it caught fire and exploded, injuring a number of people and almost destroying the roof of the house. At around midday on 8 November, Walsh caught up with them and proceeded to storm the gates. During the short but fierce fight, several of the plotters including Percy, Catesby, Jack Wright...
    Category

    19th Century Victorian Figurative Paintings

    Materials

    Oil, Canvas

  • 19th Century genre landscape oil painting of three boys fishing on a river
    By William Bromley
    Located in Moreton-In-Marsh, Gloucestershire
    William Bromley British, (1816-1890) Gone Fishing Oil on canvas, signed Image size: 13.5 inches x 17.5 inches Size including frame: 18.75 inches x 22.75 inches A picturesque genr...
    Category

    19th Century Victorian Figurative Paintings

    Materials

    Oil, Canvas

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  • 19th century Dutch / European school, man out in a landscape with his dog
    Located in Woodbury, CT
    19th century Dutch / European oil on mahogany panel, landscape with a man out walking his dog. Wonderful painting, circa 1870, painted on one sheet...
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    1870s Victorian Landscape Paintings

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  • Antique English Harvest landscape with corn stacks, dog and view of the sea
    By Thomas Dingle Junior
    Located in Woodbury, CT
    Outstanding English Victorian 19th century Harvest landscape. Thomas Simon Dingle was the son of Thomas Dingle (1818-1904), known as a London landscape painter, but who, according t...
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    1890s Victorian Landscape Paintings

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    Oil, Wood Panel

  • English 19th century Victorian Cottage Garden Harvest landscape, with flowers
    By Charles James Lewis
    Located in Woodbury, CT
    This is a wonderful outstanding quality scene of an English cottage garden scene. The quality of the piece is amazing with a real understanding of how to make a very desirable painting. Charles James Lewis, was baptized at St Giles, Camberwell, London on 6 October 1830, son of Charles Thomas Lewis, a clerk at the bank of England, and his wife Sarah Hyde née Bennett (1805-1872), who married at Tottenham, London on 11 June 1825. In 1851, a 20-year-old student in painting, living at 17 Nelson Square, Camberwell with his 52-year-old married father Charles and a 64-year-old 'unmarried' Sarah Lewis. Charles married at Camberwell in 1854, Mary Ann Matilda Hammond Shetton, and in 1871, a 50-year-old landscape artist, living at 2 Cheyne Walk...
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  • 19th century City view of London from Fleet Street with St.Pauls, shops figures
    Located in Woodbury, CT
    Archer was born at Newcastle-upon-Tyne, in 1808. In 1820 he went to London, and became a pupil of John Scott, a noted engraver of animals. His apprenticeship was cut short when Scott became ill, and he returned to Newcastle. There, in collaboration with William Collard he etched a series of large plates of Fountains Abbey, after drawings by John Wilson Carmichael, and on his own produced several plates for Mackenzie's History of Durham. He then moved to Edinburgh, where he made a collection of drawings of the ancient buildings and streets of the city. In about 1830 he returned to London, and entered the studio of the engravers William and Edward Finden, who were then working on illustrations for the annuals and such publications as their Bible Illustrations, and The Ports and Harbours of Great Britain. After a few years the market for this kind of illustration declined, and Archer had to find less renumerative work engraving plates for the New Sporting Magazine. Having been elected a member of the New Society of Painters in Water Colours, he produced a series of drawings of St. Mary Overy, previous to its restoration, and of Lambeth Palace. Having accumulated more than one hundred drawings of London...
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  • Wonderful Victorian oil of a waterfall in the Welsh or English mountains
    Located in Harkstead, GB
    An idyllic view of a waterfall in full spate in an extensive mountainous landscape. Painted by a master of the subject, demonstrated by the fact that the artist became known as Edmund "Waterfall" Gill. Presented in what appears to be the original frame. All in all, a very handsome piece. Edmund Gill...
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    Mid-19th Century Victorian Landscape Paintings

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  • French 19th century Victorian Shipping scene at Sunset
    By N. Pauman
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    1890s Victorian Figurative Paintings

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