Gustave Loiseau

Le Pont Corneille a Rouen - Post Impressionist Oil, City Landscape by G Loiseau

1927

Signed and titled figures in cityscape oil on canvas circa 1920 by post impressionist painter Albert Andre. This stunning and good-sized work depicts a view of the Boulevard de Clichy, a famous street in the city of Paris, France on what appears to be a sunny but cool day. Signature: Signed lower left and titled & dated on original label verso Dimensions: Framed: 29"x35" Unframed: 22"x28" Provenance: New York, Durand-Ruel, Exhibition of Paintings by Albert André, 1 February -18 February, 1921 He came to Paris in 1889 as an industrial designer. At the age of 23 he enrolled at the studio of William Bouguereau at the Académie Julian, where he met Ranson, Louis Valtat and the young poet and dramatist Henry Bataille, who at the time was training as a painter. He illustrated L'étang de Berre by Charles Maurras and Les Petites Alliées by Claude Farrère. He produced cartoons for tapestries...

Signed figures in landscape oil on canvas circa 1940 by sought after French post impressionist painter Marcel Dyf. The piece depicts people enjoying a sunny winter's day at the port ...

Wonderful signed figures in landscape oil on canvas circa 1940 by French post impressionist painter Lucien Adrion. The painting depicts families enjoying a sunny summer's day at the ...

Signed post impressionist figures in cityscape oil on canvas circa 1960 by French painter Antoine Blanchard. The work depicts a bustling scene at Place de la Madeleine in Paris, France in autumn. The leaves on the trees are turning orange and brown and falling onto the wet ground below. Lights illuminate the shopfronts and the street lights glow as people walk along the paths and trams pass along the cobbled street. Signature: Signed lower right Dimensions: Framed: 20"x25" Unframed: 13"x18" Provenance: We wish to thank Rehs Galleries for confirming the authenticity of this work. This work is included in the catalogue raisonne of the painter under ref MDPME1318.0009 Southwest Gallery, Dallas, U.S.A. Antoine Blanchard trained at the École de Beaux-Arts in Rennes for three years. Then from 1932 attended the École de Beaux-Arts in Paris for four years. He painted exclusively Parisian street scenes in which the view is of an idyllic Paris in any season, but always in 1900. Blanchard received his initial artistic training at the Beaux-Arts in Rennes, Brittany. He then moved to Paris in 1932 where he joined the Ecole des Beaux-Arts. He won the Prix de Rome. Like Edouard Cortes (1882–1969) and Eugène Galien-Laloue (1854–1941), Antoine Blanchard essentially painted Paris and the Parisians in bygone days, often from vintage postcards. The artist began painting his Paris street scenes in the late 1950s. And like Cortès, often painted the same Paris landmark many times, in different weather conditions or various seasons. The most recurrent topics were views of the capital city on cloudy or rainy days. Showing streets busy with pedestrians in a rush to go home, and bright storefronts reflecting on wet streets. Many of the French Quarter art...

Oil on canvas figures in cityscape circa 1970 by French post impressionist painter Antoine Blanchard. The work depicts a bustling scene at the Boulevard Haussmann in Paris, France. Lights illuminate the shopfronts and the street lights as people walk along the paths in their coats and horse drawn carts pass along the cobbled street. Signature: Signed lower right and stamped with artist's cachet verso Dimensions: Framed: 27.00" x 29.00" (68.6cm x 73.7cm) Unframed: 18.00" x 22.00" (45.7cm x 55.9cm) Provenance: The Boydell Galleries - Liverpool Antoine Blanchard trained at the École de Beaux-Arts in Rennes for three years. Then from 1932 attended the École de Beaux-Arts in Paris for four years. He painted exclusively Parisian street scenes in which the view is of an idyllic Paris in any season, but always in 1900. Blanchard received his initial artistic training at the Beaux-Arts in Rennes, Brittany. He then moved to Paris in 1932 where he joined the Ecole des Beaux-Arts. He won the Prix de Rome. Like Edouard Cortes (1882–1969) and Eugène Galien-Laloue (1854–1941), Antoine Blanchard essentially painted Paris and the Parisians in bygone days, often from vintage postcards. The artist began painting his Paris street scenes in the late 1950s. And like Cortès, often painted the same Paris landmark many times, in different weather conditions or various seasons. The most recurrent topics were views of the capital city on cloudy or rainy days. Showing streets busy with pedestrians in a rush to go home, and bright storefronts reflecting on wet streets. Many of the French Quarter art...

Signed and dated oil on original canvas by French post impressionist painter Paul Madeline. This beautiful work depicts a mill on the bank of a river - water cascading over the rocks...

Ernst Link (Swiss, ∗ 14th of October, 1874 in Windisch, † 29th of June, 1935 in Bern) Stöckli with Clothesline • Oil painting on canvas approx. 25.5 x 26.5 cm • Pine frame approx. 34.5 x 35.5 cm (obvious signs of age) • Signed lower right A most pleasant depiction of a typical ‘Stöckli’ in bright sunshine with the a few shirts on the washing line, somewhere in the Canton of Berne in Switzerland. Such small cottages would sit next to the large farmhouses and upon retirement the old couple would move into it, to make room for the next generation to take up residence in the main building and run the farm. The Painting is in pleasingly good and clean condition, with no damage or restoration Ernst Linck was an important representative of the "Berner Schule" (Bernese school) led by the famous Ferdinand Hodler, which also included Traugott Senn, Emil Cardinaux, Eduard Boss...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...

Post-impressionist work by early 20th-century French painter Gaston Balande

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...