Helen Taylor

Helen Taylor, Tangled, Suffolk landscape

2020

​Helen Taylor (Contemporary) Now she knows she remembers Signed with monogram Oil on board 12 x 12 inches Helen Taylor’s practice follows an interest in belonging, connection, and ...

​Helen Taylor (Contemporary) The Blanket Oil on canvas 10 x 12 inches Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative y...

​Helen Taylor (Contemporary) Watching Blue Prisms Signed with monogram, inscribed with title verso Oil on board 10 x 10 inches 11x 11 inches including the...

​Helen Taylor (Contemporary) Siren Signed with monogram, inscribed with title verso Oil on board 12 x 12 inches 13 x 13 inches including the frame Helen ...

​Helen Taylor (Contemporary) The Blanket Oil on canvas 46 x 61 cm Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years...

​Helen Taylor (Contemporary) Half a world away Signed with monogram Oil on panel 50 x 70 cm Helen Taylor’s practice follows an interest in belonging, connection, and journeys. Sh...

Original vintage painting of a Lightning Storm, Southwestern Mountain Landcape. Oil painting on textured board by Morton Lawrence Schneider (1919-2000). This large scale semi abstrac...

Laimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the feeling lightness and joy, which i...

Motke Blum was born in Racacun, Romania in 1925. Early in his childhood, the Blum family moved to Bucharest where they settled in a house situated near a circus. The circus would become young Blum's greatest love. He befriended several of the clowns and other performers and, when not painting or playing in clay, Blum could be found enjoying the company of these spirited entertainers. These experiences would later become a recurring theme in many of his works of art. In 1938, he was taken by the Romanian Iron Guard. When the Germans invaded Romania, Blum was taken to a forced labor camp. Even during his imprisonment, he continued to create art, painting on the walls of the camp. He escaped the Nazi camp in 1944 and boarded an immigrants' ship to Israel. One of the three ships in the convoy was sunk by a German torpedo. Motke later incorporated shipwrecks, boats, and other maritime subjects into several of his paintings. Studies, Bezalel, Jerusalem, Enamel, Silversmithing, Painting and Sculpture. 1956 Seminar in the dep. of design in the royal silver factory of Zeist, The Netherlands. Over the course of his long and fruitful career, Blum showed internationally at over fifty one-man-shows with exhibits in Israel, Holland, England, Belgium, the United States, France, Australia, and more. His art has been commissioned for public buildings and by prominent figures in Israel and around the world, and a series of posters were commissioned by the Justice Ministry and the Ministry of Tourism. Group exhibition Rina Gallery, Jerusalem Artists: Motke Blum, Efraim Fima (Roytenberg, Ephraim) Zelig Segal, David Sharir, Joseph Halevi...

The Western Plain By Gray Smith (Australian, 1919-1990) Signed Lower Left Without Frame: 20" x 30" With Frame: 24" x 34" Gray Smith was an Australian artist, poet and jeweler who was part of the Heide Circle. While best known as the Australian artist Joy Hester's spouse, his most productive artistic period came later while married to Joan Upward in the '60s and '70s. Smith's modernist paintings often featured isolated figures in Australian outback...

Signed lower right. From the later 1950s, Vaughan painted landscapes without figures that verged towards complete abstraction: works in which colour is tessellated into compositions ...

Oil on board, signed verso. Reynolds made numerous paintings on the theme of ‘moth barn’, in addition to a lithograph dating from 1956. Moth Barn Interior 3 (1952) is a diminutive va...