Herbert Kornfeld

Oil on Canvas - #1100 Rental Boat by Bridge, Oxford, England

1992

ABOUT THIS PIECE This is a series of oil paintings of English landscapes, painted by the late American artist Herb Kornfeld who spent pa...

This is a beautiful, quiet and deeply contemplative piece from a Korean artist based in America, Kyoung Mi Lee (Lee Kyoungmi) The oil painting is on a specially constructed 3D birch wood panel to create a sensory visual effect, almost like looking through the looking glass. The centerpiece of the painting depicts a beautiful little park in Germany, near her home in Germany where Kyoung Mi lived for a spell. Due to work, Kyoung Mi has lived in various countries and whilst she loved her new homes, there is a sense of displacement and not belonging. This perhaps reflects the truth for many of us who travel and live in different places, moving away from home for work, love or simply to seek a new or different life. As such, the Greek torso...

About this piece This is an oil painting of a coastal landscape from Herb Kornfeld's visit to Nova Scotia. He loved the light and colors of the water, sky, boats, activity and trans...

This is a beautiful, quiet and deeply contemplative piece from a Korean artist based in America, Kyoung Mi Lee (Lee Kyoungmi) The oil painting is on a specially constructed 3D birch wood panel to create a sensory visual effect, almost like looking through the looking glass. The centerpiece of the painting depicts a beautiful little park in Germany, near her home in Germany where Kyoung Mi lived for a spell. Due to work, Kyoung Mi has lived in various countries and whilst she loved her new homes, there is a sense of displacement and not belonging. This perhaps reflects the truth for many of us who travel and live in different places, moving away from home for work, love or simply to seek a new or different life. As such, the Greek torso...

This is a beautiful oil painting by Cuca Romley. Ms Romley was a long time New Yorker now retired, and living in Spain, and enjoying the beaches in Spain and France and painting into her nineties. This beautiful oil painting is of the Flatiron building at dusk, of a bygone era, captured with a whimsical happiness and exquisite, fine, detail. Video available upon request Provence: from artist, this piece has not been previously owned, is from the artist’s storage...

This is a beautiful oil painting by Cuca Romley. Ms Romley was a long time New Yorker now retired, and living in Spain, and enjoying the beaches in Spain and France and painting into her nineties. This beautiful oil painting is of the Flatiron building at dusk, of a bygone era, captured with a whimsical happiness and exquisite, fine, detail. Video available upon request Provence: from artist, this piece has not been previously owned, is from the artist’s storage, but has some slight blemish at left corner, when viewed at an angle, as shown in picture. There is a series of original etchings and work from respected European artist and ex-New Yorker, Cuca Romley. Ms Romley is in her late eighties / early nineties, and currently based in Spain after spending much of her life in New York City. She was trained at The École nationale supérieure des Beaux-Arts (ENSBA), a distinguished National School of Fine Arts in Paris, France. The artist won several noted awards for her art in her native Spain, and in Paris, France. She worked as an artist and also had a career in advertising, illustration and interior design, in Spain, France and New York. As an artist, she has had solo and group exhibitions first Paris, France, Monaco, Japan, Spain and the US. ETCHINGS Cuca Romley’s etchings of both famous and little places around the world are depicted with a remarkable attention to detail, a style that belies her sophisticated sense of line and color. These etchings capture a bygone era of a city in flux, and a snap shot of a classic image of a place. Each plate is etched with patience and a thoroughness reminiscence of the earlier days of engraving, in exquisite and fine detail. Romley creates her intricate design on the etching ground that covers the copper plate. After the acid has etched the lines into the copper plate she engraves the details into the plate with a buril until the image is completed. For each individual print a master printer must ink the plate and wipe the surface clean. The plate is placed on the bed of the press and the previously wet French Arches paper 100% cotton covering the plate to pass through the press, and that completes the printing process. After the printing ink has dried for a couple of days, the etching is ready for the hand coloring by the artist. There are often more than 30 colors in one of Romley’s images. Each print can take up to 6 hours to color; these colors impart a subtle transparent effect that compliments the delicacy of the line. Exhibition (selection) 1933 Born in Madrid, SPAIN (age 81) 1952-55 Fashion Illustrator, SPAIN Prize - Galerias Preciado , Sindicato Nacional Textil, Madrid, SPAIN 2nd Prize - Salon Nacional de Dibujos de Alta Costura...

Born 1955 in Broken Bow, Nebraska. Lives and works in New York. AWARDS
 National Endowment for the Arts, Major Grant Robert Terry was best noted in his depictions of romantic moons...

Amish Farmscape #3, 1984, oil on canvas, 40 x 30 inches, signed and dated lower right; signed, dated, and titled verso About the Painting Amish Farmscape #3 is part of a multi-painting series of barns completed in the early 1980s for an exhibition at New York’s prestigious Sid Deutsch Gallery. Lewandowski painted this work at an important point in his career. It was the first major project undertaken by Lewandowski after his retirement from serving as the Chairman of Winthrop University’s Art Department, the last academic position he held after teaching for nearly thirty years. Lewandowski had been inspired to work on the series by a visit to Lancaster County, Pennsylvania. Like his friend and mentor, Charles Sheeler, Lewandowski had always been fascinated by vernacular architecture and the Amish barns of Pennsylvania brought back memories of rural scenes Lewandowski had painted in the Midwest much earlier in his career. Amish Farmscape #3 is a strong example of Lewandowski’s late precisionist work. The complexity of the composition and Lewandowski’s technical acumen are on full display. Being relieved of the burdens of teaching and administering a university art department likely allowed Lewandowski greater freedom and most importantly more time to complete the Amish Farmscape series. Although Lewandowski’s brand of precisionism changed throughout the years, he never deviated from the core tenets of the Immaculate School artists. In this work, we see simplified and flattened forms, the use of ray-lines to define light and space, the elimination of extraneous details, a polished almost machine-like finish, and the complete lack of visible brushstrokes, all hallmarks of the precisionist painters. Lewandowski was the last of the 20th century precisionists and in Amish Farmscape #3, we see just how successfully he continued to work in this style until his death in 1998. About the Artist Edmund Lewandowski was among the best of the second-generation precisionist painters. He was born and raised in Milwaukee, Wisconsin and studied at the Layton School of Art with Garrett Sinclair. Lewandowski achieved early success when in 1936 two of his watercolors were shown at the Phillips Collection as part of a Federal Art Project exhibition. Then, in 1937, his work was first exhibited at Edith Halpert’s Downtown Gallery which represented Lewandowski into the 1950s. Under Halpert’s guidance, Lewandowski continued to explore watercolor as his main medium during the 1930s and 1940s, since the gallery already represented Charles Sheeler, who worked primarily in oils. Sheeler became Lewandowski’s major influence as the primary leader of the ill-defined, but very recognizable Immaculate School artists, which included other Downtown Gallery painters, Niles Spencer, George Ault, and Ralston Crawford, as well as Charles Demuth and Preston Dickinson, both of whom died at a young age and had been represented by the Charles Daniel Gallery. Sheeler is credited with giving Lewandowski technical advice on how to make his paintings more precise and tightly rendered and by all accounts, Sheeler was a fan of Lewandowski’s work. Through the Downtown Gallery, Lewandowski’s paintings were accepted into major national and international exhibitions and purchased by significant museums and collectors. Franklin and Eleanor Roosevelt and Nelson Rockefeller acquired works by Lewandowski. He was included in the Museum of Modern Art’s important 1943 exhibition, American Realists and Magic Realists as well as juried exhibitions at the Whitney Museum of American Art, the Pennsylvania Academy of Fine Arts, and the Art Institute of Chicago. Lewandowski also completed commissions for magazines during the 1940s and 1950s, including several covers for Fortune. Throughout his career, Lewandowski explored urban and rural architecture, industry, machinery, and nautical themes. Looking back on his career, Lewandowski wrote, “My overwhelming desire as an artist through the years has been to record the beauty of man-made objects and energy of American industry on canvas. For as far back as I can recall, the cityscapes, farms and depictions of industrial power and technological efficiency has had a great attraction for me. I try to treat these observations with personal honesty and distill these impressions to a visual order.” Lewandowski is credited with extending precisionism to the Midwest and successfully continuing the style into the 1990s, three decades after Sheeler’s death and six decades after Demuth’s passing. Late in his career, Lewandowski enjoyed a resurgence of popularity as he was represented during the 1980s by New York’s Sid Deutsch and Allison Galleries...

Katharyn Gwendoln Truesdell - (American; 1909-1996) This colorful painting depicts a Southern California valley, likely near Sun City, over the mountains from Los Angeles and San Di...

Oil, acrylic, gesso on panel. One of a series. The UFO image has a compelling way of summing up or reflecting these norm-breaking times. These are also about composition, color, and ...

A vibrant and yet romantic sailing scene which was a favorite series by Della-Volpe. His compelling colorist approach has made his works desirable as he was one of the few artists post-war to be representative in style like Milton Avery and Wolf Kahn. Head to Sea has the hallmark intense and lovely coloration for which Della-Volpe is known. He came out of Abstract Expressionism in the New York school but then pivoted, like Milton Avery to representational, colorist work. The frame is a silvered gold leaf float frame of quality and has a rubbed, antiqued surface...

"Orbs" is a 38 x 50 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is estate stamped 202141 on verso. The painting has been...