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Amsterdam City De Munt View Ca 1905 Masterwork oil painting Dutch Jan G Smits

e.g. 1920

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    This beautifully painted oil painting depicts a serene scene of a goat mother and her kid grazing in the forest thicket. The little goat has nothing to fear, because his mother is ne...
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  • Alpine Valley Landscape with Castle on Rock and Town at River Bend 19th Century
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  • Norwegian landscape Windmill and shepherd boy Collaboration two famous artists
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    Сollaboration work by two Norwegian artists: Morten Müller (1828-1911) and Olaf Christopher Dahl (1842-1895). Painted approximately in late 19th century (ca. 1870 - 1880). And this rare and awesome work of art should be considered for museum collection as well. Both painters presented in National Museum Oslo, Norway. Contrast picture of light and shadow, calm pastoral below and sky drama above. Oil painting on canvas, framed. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller - was born by the Christianiafjord at Holmestrand, in Vestfold County, Norway. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...
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  • French Genre scene Little joys in a military hospital 19th century Oil painting
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    Located in Stockholm, SE
    Signature lower left: Paul Louis Narcisse Grolleron (1848 - 1901). The French painter and illustrator, Paul Grolleron, remains best known for his many well-observed images of the Fra...
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  • Pastoral Landscape Meeting on Bridge Early 19th century Oil Painting on Canvas
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    Summer rustic scene depicts an idyllic picture of country life in which harmony and happiness reign. The muted, slightly blurry colors convey the artist's inner world and mood, while...
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  • View Coastal in Port of Toulon 19th century Russian Oil painting by A. Beggrov
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    Signed and dated: Tulon 1873, A. Beggrow (Beggrov), attributed Alexander Karlovich Beggrov (1841-1914) was a Russian landscape painter. He notable for his seascapes and Saint Petersb...
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    Late 19th Century Realist Landscape Paintings

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  • A. J. Bennett - Light and Shade - Post Impressionist Painting, South Africa 1919
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  • The Royal Stock Exchange By Isaac Israëls
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    Isaac Israëls 1865-1934 Dutch The Royal Stock Exchange Signed "Isaac Israels" (lower right) Oil on canvas Isaac Israëls' The Royal Stock Exchange offers a compelling perspective of the preeminent economic institution at the turn of the century. The bustling streets of Cornhill and Threadneedle, filled with London's iconic double-decker buses, converge towards the pinnacle of the renowned building, receding into the bright background. Israëls was known for riding double-decker buses, which allowed him to enjoy the city from an elevated vantage point. The unique point-of-view of The Royal Stock Exchange invites viewers to experience a transient moment as a tourist in the center of the city, above the bustling crowds. Born in Amsterdam in 1865, Isaac Israëls was a prodigious artist who demonstrated innate talent from a young age, much like his esteemed father, Jozef Israëls, a prominent member of the influential Hague School. Often called the "Amsterdam Impressionist," his association with the renowned Tachtigers, a group of Dutch artists and intellectuals, had a profound impact on his artistic vision. Sharing the belief that form must harmonize with content, the Tachtigers nurtured Israëls' development of a highly evocative and emotive style that perfectly complemented his emotionally charged subjects. While Israëls was identified as an Impressionist during his time, his distinctive technique, reminiscent of the master Paul Cézanne, was characterized by bold painterly brushstrokes, rich color palettes and a meticulous spatial arrangement, setting him apart as a masterful artist of his era. Early in his career, Israëls exhibited a keen eye for capturing the vibrancy of Amsterdam's streets and cabarets, skillfully portraying the energy and atmosphere of urban life with remarkable artistry. Drawn by the allure of Paris, he eventually made Montmartre his home, immersing himself in the vibrant artistic community alongside luminaries such as Henri de Toulouse-Lautrec and Edgar Degas. In this dynamic environment, Israëls' mastery of his style emerged, fueled by his deep appreciation for modern city life. In 1911, Israëls experienced his father's death, which led him to seek solace abroad. Reluctant to return to his homeland, he moved to London in 1913. Inspired by the bustling streets of West End, the lively pedestrians along the Thames and the iconic landmarks of Piccadilly Circus and Regent Street, as well as ballet students, Israëls found abundant creative inspiration in his new surroundings. Israëls' paintings of London, including this very work, are highly regarded for their energy and spirit. Considered rare gems in his oeuvre, his delightful creations perfectly capture the essence of London's dynamic vitality in the years before the onset of the First World War. During his lifetime, Israëls regularly exhibited at the Paris Salon and was celebrated for his ability to capture the beauty of everyday life in a way that was both poetic and poignant. His paintings are housed in the collections of prestigious museums worldwide, including the Van Gogh Museum in Amsterdam and the Brooklyn Museum. His oeuvre was prominently showcased in the Kunstmuseum Den Haag’s 2008-2009 exhibition Jozef and Isaac Israëls. Circa 1913-1914 Canvas: 40" high x 29" wide Frame: 49" high x 37 3/8" wide x 3" deep Provenance: Art Gallery Francois Buffa & Fils, Amsterdam Private Collection of Dirk Oud, Amsterdam Private Collection of Eric Ruck (George Idle Chapman, Chapman & Co.), London Private Collection of David Burn...
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