Follower of Jacques Caillot, first half of the 18th century Ascent to Calvary

18th 18th Century

Annibale Gatti (Forlì 1827 - Florence 1909), attr. Allegorical Scene Oil on paper applied to board, 25 x 30 cm - with frame 36 x 42 The allegorical work, by analysis and stylistic...

Attr. to Karel Breydel, known as the Knight of Antwerp (1678 - 1733) Battle with knights and landscape in the background Oil on canvas, cm 44.5 X 36.7 Frame 52.5 x 45 cm The pain...

Giovanni Stefano Danedi, known as Montalto (Treviglio, 1612 - Milan, 1690) Penitent magdalene Oil on panel, 34 x 45 cm Framed, 44 x 57 cm Provenance: Giancarlo Sestieri Collecti...

Karl Breydel, called The Knight of Antwerp (Antwerp, 1678-1733) Battle scene between Christians and Turks Oil on canvas, 28.5 x 41 cm The painting under consideration, consideri...

Oil on Canvas. Set in a classical, richly vegetated landscape, the scene depicts the biblical episode from the book of Genesis that tells how the people of Israel, who are crossing t...

Oil on Canvas. The scene recounts the biblical episode from the book of Exodus in which baby Moses, whom his mother had entrusted to the river inside a basket to save him from the s...

Oil on copper. Flemish school of the seventeenth century. The painting, attributed by oral tradition to Frans Francken the younger (1581 -1642), depicts a miraculous healing perform...

The scene depicts a feast within a park enclosed by walls with arched gateways opening onto the countryside, and adorned on the right with an amphora on a small column and in the center, behind the figures, with a gushing fountain, with statues of cherubs and shells. Two couples of richly dressed ladies and gentlemen entertain themselves gallantly, surrounded by servants; one of the men is playing the violin, crouching in front of his lady, who, flanked by the damsel, follows the melody on the score held up by the dark-haired man at her side, while two musicians accompany the playing with flute and a mandolin; the other couple, in an attitude of intimate dialogue, listens on the left, while on the right the hunter returning from the hunt also observes the scene. Particularly prominent in the scene is the rich dress of the lady in the center, characterized by the wide back folds falling from her shoulders to create a cape. Such a dress corresponds to what was called "robe à la Watteau," named after the French painter Antoine Watteau who first portrayed ladies wearing this pattern. Antoine Watteau (1684 -1721), a French painter considered one of the most influential French exponents of Rococo painting, was the forerunner of the pictorial genre of gallant scenes, a genre that developed in France from the late 1600s and continued throughout the following century. The gallant scenes could be considered as the aristocratic version of the genre scene: characterized by music, dances, pleasant conversations between ladies and gentlemen surrounded by servants, they tended to enhance the costumes, fashionable clothes, and environments of the upper class, conveying a kind of detachment from the real times and places, projecting the viewer into an almost theatrical atmosphere of gestures, looks, colors and stage lights. Moreover, Watteau, along with the Fêtes galantes cycles, also distinguished himself for those inspired by the theater, absorbing his passion for the scenes and characters of that milieu from Claude Gillot...