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James Emery Greer
Autumn Comes to Wet Mountain Valley, Colorado Landscape, Snow, Blue Green Yellow

20th century

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    Vintage mountain landscape painting, oil on canvas of horses pulling a Stage Coach along the Front Range of Colorado by Alfred Wands (1904-1998). Autumn trees, golden grass, river and snowy mountains. Presented in a vintage frame, outer dimensions measure 29 ½ x 35 ½ x 1 inches. Image size is 24 x 30 inches. Painting is in very good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Born in Cleveland, Ohio, Alfred Wands graduated from the Cleveland School of Art with honors. Following that, he spent six months in Paris studying at the Academie Julian. In the late 1920's, Wands returned to Ohio to teach painting at the Cleveland School of Art and the Cleveland Museum of Art. In 1930, Wands moved to Denver to direct the art program at Colorado Women's College. He remained at the Women's College for the next 17 years. During his time in Denver, Wands frequently traveled to Taos, New Mexico. He and his family spent eleven summers there between 1930 and 1940. By 1943, he had become the Camp Artist at the YMCA of the Rockies, where he taught summer art classes. He later became the Chairman of their Religious Programs and Adult Advisory Committees. By 1947, he quit his teaching position at the Colorado Woman's College to devote full time to his painting. By 1955, Wands opened his own studio and gallery in Estes Park, Colorado. Known as the "Dean of Colorado Landscape Painters", he served three times as the President of the Denver Artists Guild. He was the Chairman of the Denver Art Commission for 16 years. Wands was a long-time member of the Denver Artists Guild and the Denver Art Commission. He was also a member of the Cleveland Society of Artists, Ohio Watercolor Society, and Chicago Galleries Association. ©David Cook Galleries...
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  • Capitola, California, 1950s Framed California Seascape Marine Oil Painting
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    Capitola (California) is an oil on board painting by Jon Blanchette (1908-1987) circa 1955. Marine seascape painting with crashing waves and buildings along the coast painted in shad...
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  • Ghost Town, Prospector & Mule, Abandoned Buildings, Mining Town with Mountains
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    'Ghost Town' is a vintage painting with a lone Prospector with his pack mule standing in the ruins of an abandoned mining town, probably set in Colorado, set within a Mountain landscape with late summer, early autumn foliage by Harold Skene (1883-1978). Signed by the artist in the lower right corner, titled and dated by the artist verso. Colors include blue, green, golden yellow, pink, red, brown and white. Oil on board. Presented in a gold tone frame with antique finish, outer dimensions measure 29 x 35 x ⅞ inches. Image size is 24 ¼ x 30 inches. Expedited and International shipping is available - please contact us for a quote. A native of Massachusetts, Harold Vincent Skene graduated from Harvard University School of Architecture in 1906. After relocating to Colorado, he studied at the Denver Art Academy, the Broadmoor Art Academy and served as an assistant to artist, Allen Tupper True.
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    1960s American Impressionist Landscape Paintings

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  • Barns in Soquel, California, Vintage Landscape, Blue Green Red White Beige
    By Jon Blanchette
    Located in Denver, CO
    Barns in Soquel, California, vintage circa 1950s original signed oil painting on canvas board by Jon Blanchette (1908-1987). Barn and outbuildings with large trees in a California la...
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    "Plowing the Fields" is an early 20th Century American Impressionist landscape by Pennsylvania Academy graduate and teacher Henry McCarter. The 20" x 24...
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  • Young Lady Picking Wildflowers
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    Charles Chambers (American, 1880-1964) Young Lady Picking Wildflowers Signed Lower Right 10 x 13 inches 16.5 x 16.5 inches with frame C. Bosseron Chambers was known for figurative works in an illustrative manner, with many of them being either portraits or works with religious themes. An illustrator and teacher as well as painter, Chambers was born in St. Louis, Missouri on May 1882. His father, a young Irish captain in the British Army, was a convert to the Catholic Church, and his mother was the daughter of a French family long established in St. Louis. Charles, the youngest of several children, was sent to the Preparatory and Grammar Schools connected with St. Louis University in his earliest years, and his education in his chosen art was begun under Louis Schultz of the Berlin Royal Academy, with whom he spent six years. His next master was Aleis Hrdliczka of the Royal Academy of Vienna, and he later studied with Johannes Schumacher of Dresden for six years. After matriculating at St. Louis University, Chambers began his professional career at Palm Beach, Florida, a place chosen because of his mother's failing health. From this period in his artistic productions date the fantastic figure compositions exhibited at the St. Louis Exposition, together with portraits of Colonel Mitchell for the Missouri Historical Society; Joseph Jefferson, the great American actor; young Master Haven; Henry Phipps; Henry M. Flagler; Mrs. Voorhis and others. In 1916, he moved to New York City, and established himself in the Carnegie Studios, Carnegie Hall, where he occupied a splendid atelier. Here he produced the Light of the World, the most popular religious painting of the early 1900s in the USA. He was a member of the Society of Illustrators, established in 1901 in New York City, and the Salmagundi Club, an early important art club in New York City. He illustrated Sir Walter Scott's, Quentin Durward, in the Scribner Classics for Young People. His work was exhibited at the well-known John Levy Galleries in New York City in the 1930s, and his work is now in several public collections in St. Louis and Chicago, including Chicago's St. Ignatius's Church, Missouri Historical Society in St. Louis, and the Osceola Club in St. Augustine, Florida. Chambers is listed on p. 145 of Currier's Price Guide to American Artists at Auction, 6th ed. 1994, written & compiled by William T. Currier, Currier Publication, Stoneham, MA. Reviews of his artwork have appeared in various publications, including the following: "Chambers' Seven Dolors criticized by Emily Genauer" Art Digest v. 13 March 15, 1939, p. 58. "From Angels to men: Recent portraits, John Levy Galleries" Art Digest v. 10 Nov. 15, 1935, p. 12. "Exhibition, John Levy Galleries" Art News...
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