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JC Spock
"Peaks: Valleys & Slopes" Mixed Media Painting

2020

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    Ana Hefco's (US based) "Beyond Sight" is an original, hand made resin painting (3 panels that are 36" x 24") that depicts an abstracted color field of blue, green and beige, that is ...
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  • White Sand Beach #06
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    Ana Hefco's "White Sand Beach #06" is an original, hand made resin painting that depicts an abstracted color field of blue, teal and beige, that is reminisce...
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    21st Century and Contemporary Landscape Paintings

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  • White Sand Beach #31
    Located in Denver, CO
    Ana Hefco's "White Sand Beach #31" is an original, hand made resin painting that depicts an abstracted color field of blue, teal and beige, that is reminisce...
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    21st Century and Contemporary Landscape Paintings

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    Resin, Wood Panel

  • White Sand Beach #36
    Located in Denver, CO
    Ana Hefco's "White Sand Beach #36" is an original, hand made resin painting that depicts an abstracted color field of blue, teal and beige, that is reminiscent of an aerial/satellite...
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  • White Sand Beach #27
    Located in Denver, CO
    Ana Hefco's "White Sand Beach #27" is an original, hand made resin painting that depicts an abstracted color field of blue, teal and beige, that is reminiscent of an aerial/satellite...
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    21st Century and Contemporary Landscape Paintings

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  • Hush, Tapestry-Like Landscape Painting, Semi-Abstract Mixed Media Artwork
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    “Hush” is part of my Tapestry series of semi abstract paintings that explore the simplification of shape, space, colour and texture in places I have visited. Some of these are specific to landscapes around my studio in Surrey, the South Downs and Devon but mostly they are a visual amalgamation of experiences, like a patchwork of memories and feelings from one or many places. Tapestry-like landscapes with bold mono-tone blocks which reflect the shadowy-shape of evergreen trees against more open hills and meadows. I see more when I’m not focused on the detail, painting intuitively with a mix of acrylics, inks, chalk and oil pastels to capture an emotive response to a place rather than the reality of a specific landscape. Brush strokes and marks are layered and carved with fluid lines that create imagined dream-like patterns. “Hush” is painted on a wood panel with muted shades of slate, moss, pebble and shell, contrasted with a bold graphic swathe of charcoal. Tamara Williams...
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