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Johann Hermann Carmiencke
Sunset Along the River

1854

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    Autumn Idle, Catskills, New York, October 23, 1885 By. Jervis McEntee (American, 1828-1891) Unframed: 11.5" x 16" Framed: 20.5" x 25" Jervis McEntee was a landscape painter, born in 1828 in the Hudson River Valley in Rondout, New York. It was said that 'Nostalgia may well have been McEntee's middle name", and that he, always attempting to stir emotions in his viewers, often attached poetry to his paintings when exhibiting them. At a time when the Civil War and its after effects caused great disruption in America, McEntee's work may have provided a visual escape for the more educated. His works are rich with the colors of autumn and winter, and he, who often painted in the Catskill Mountains, preferred smaller views rather than panoramas. Usually detailed and simple, his works often reflect a sense of loneliness. As a youngster, McEntee would play in his parents attic, pretending it was an art studio. An unsuccessful attempt at business led McEntee back into the art profession where he studied in New York City under the influence of Frederic E. Church, master of the Hudson River Style, and soon had a showing of his own in the famous Tenth Street Studio Building by 1855. In about 1858, Mr. and Mrs. McEntee hired English architect Calvert Vaux to build a studio next to McEntee's fathers house in Rondout. There Jervis would spend most of his summers, painting the nearby Catskill Mountains, and returning to the city during the winter. At the outbreak of the Civil War, McEntee enlisted in the Union...
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  • Catskill Sawmill
    By John William Hill
    Located in Missouri, MO
    Afternoon In The Hudson River Valley, 1854 By. John William Hill (English, American, 1812-1879) Signed and Dated Lower Left Unframed: 20 x 30 inches Fra...
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    1860s Hudson River School Landscape Paintings

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  • White and Blue
    By Nicola Simbari
    Located in Missouri, MO
    Canvas Size: approx 32 x 39 inches Framed Size: approx. 37 x 45 inches Nicola Simbari is a painter of semi-abstract impressionist works. He is a colorist who favors brilliant tones...
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    Late 20th Century Impressionist Figurative Paintings

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  • El Capitain
    Located in Missouri, MO
    James Reeve Stuart (American, 1834-1915) El Capitain, 1870 Signed Lower Left 36 x 46 inches 46 x 56 inches James Reeve Stuart, well-trained portrait painter and teacher, was born in Beaufort, South Carolina, to one of the wealthiest families in the Antebellum South. Ancestors fled from Scotland, and one of them, John, was Superintendent of Indian Affairs of the Southern Colonies. The Stuart family owned several of the wealthiest plantations in the sea island area of South Carolina, and Stuart's parents owned the Ferry Plantation and it's Mansion "Roupelmonde" on Port Royal Island, adjacent to the Port Royal Ferry. Stuart's father, Colonel Middleton Stuart, died in 1840, and young Jimmie's education and upbringing was left to his many uncles. His uncle, Bishop Stephen Elliott...
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    1870s Realist Landscape Paintings

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  • La Peche a la Ligne
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    Located in Missouri, MO
    La Peche a la Ligne Henry-Gabriel Ibels (French, 1867-1936) Signed Lower Left 25.75 x 20 inches 35 x 29 inches Henri-Gabriel Ibels (30 November 1867 Paris – February 1936 Paris), wa...
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  • The Deer Hunters
    Located in Missouri, MO
    Laverne Nelson Black (American, 1887-1938) "The Deer Hunters" Signed Lower Left Canvas: 24 x 22 inches Framed: 30.5 x 28.5 inches Born in Viola,...
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    Early 20th Century American Impressionist Landscape Paintings

    Materials

    Canvas, Oil

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    A rare depiction of Lake Mohonk, this painting by Hudson River School artist Nelson Augustus Moore (1824-1902) features Sky Top Tower and the serene natural surroundings of the historic Mohonk Mountain House. This 19th century oil painting on canvas measures 12 x 17.75 inches. The painting is signed and dated at the lower right, signed again and titled "Lake Mohonk" on the verso. The painting is framed is ready to hang. Nelson Augustus Moore was born on August 2, 1824, in Kensington, CT. His artistic studies began under the tutelage of Thomas Cummings and Daniel Huntington in New York City. After returning home to Connecticut, Moore taught drawing classes and also opened a photography business. He and his brother operated this daguerreotype studio in Hartford, CT until 1864 when Moore chose to return to landscape painting. His landscapes consisted mostly of New England subjects. He kept a studio in New York, painting in the same building as Arthur Fitzwilliam Tait, James Hart and William Hart. Nelson Augustus Moore, while sharing in many ideologies with his contemporaries, felt no need to travel vast distances in search of grandiose and spectacular landscapes. He held a particular delight in the peaceful harmony of the local American countryside...
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