Karen Woods

Morning Manhattan

2019

“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism, that does not involve crises, really. But the way in...

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views f...

“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism, that does not involve crises, really. But the way in...

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views f...

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views f...

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views f...

This Favrile glass "Morning Glory" vase by Tiffany Studios New York is a stunning example of paperweight glass, perfected by Louis Comfort Tiffany. This vase in particular displays p...

John Whorf (1903-1959) watercolor, boats in Barbados. Measures: 16 1/4" H x 23" W. In excellent condition, framed. Signed lower left. The Island men setting out for the day's catc...

Our Gallery is proud to be able to offer a new series of sculpture by the accomplished Los Angeles based artist John Szabo. These are all signed on the back and numbered 1/50. They a...

"Morning in the Highland" painting by John Morris. Signed oil on canvas.

Le Matin (Morning) Mezzotint, 1886 Signed and dated in the plate (see photos) Edition: at least 650 impressions in both states Reference: Wentworth 82 ii/I...

A dynamic, six-color print produced by esteemed Brand X Editions on Arches paper in a limited edition of 20.

A dynamic, contemporary, five-color screenprint on 100% rag paper. The 30 x 24 inches sheet with deckle edges is produced by an esteemed NYC printer and the title comes from subtle...

"Amarillo by Morning" Texas, USA - 2022 Available Sizes (Framed Size) Large: 70” x 118” Edition of 12 Standard: 52” x 84” Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Wagons evoke childhood memories of watching John Wayne Westerns on the BBC on cold winter evenings. No mode of transport is more emblematic of the great push West and the attendant dangers. For a storyteller of life on the final frontier, props don’t get any better, but finding an authentic one and taking it to the pre-researched location in the wilderness of West Texas is a challenge and an expense. Anyhow, those issues overcome, the biggest problem with photographing a wagon on the move is that it does not suit my style of photography which would tend to be to shoot towards the oncoming wagon. This is simply because the horses’ heads will be at least 10 feet in front of the people driving the wagon. One or other would be in focus, but never both. To have the foreground subject out of focus is a tension point in any photograph and to have the human characters out of focus would seem fairly suboptimal. I wrestled with this the night before the shot and finally it dawned on me what to do. I think it works and I have always wanted to have a picture with this title. I am sure they made it to Amarillo by morning. The whole image smells of old Texas...

"Amarillo by Morning" Texas, USA - 2022 Available Sizes (Framed Size) Large: 70” x 118” Edition of 12 Standard: 52” x 84” Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Wagons evoke childhood memories of watching John Wayne Westerns on the BBC on cold winter evenings. No mode of transport is more emblematic of the great push West and the attendant dangers. For a storyteller of life on the final frontier, props don’t get any better, but finding an authentic one and taking it to the pre-researched location in the wilderness of West Texas is a challenge and an expense. Anyhow, those issues overcome, the biggest problem with photographing a wagon on the move is that it does not suit my style of photography which would tend to be to shoot towards the oncoming wagon. This is simply because the horses’ heads will be at least 10 feet in front of the people driving the wagon. One or other would be in focus, but never both. To have the foreground subject out of focus is a tension point in any photograph and to have the human characters out of focus would seem fairly suboptimal. I wrestled with this the night before the shot and finally it dawned on me what to do. I think it works and I have always wanted to have a picture with this title. I am sure they made it to Amarillo by morning. The whole image smells of old Texas...

This dynamic screenprint is a signed, limited edition by Manhattan artist John Morning. His work is in the collection of The Metropolitan Museum of A...

Robert Stark (American, 1933 - 2014) was a luminist, painting principally in oil on canvas and panel. Luminism takes its name from light and refers to the subtle coloristic effects t...

Joseph McGurl is regarded as a leader of the current American landscape school. This has been confirmed by his inclusion in several important museum shows and his successful relation...

Wide view of Nantucket Harbor

Frank Corso was born in Syracuse, New York. Taking a keen interest in art at a very early age, he was inspired to draw and paint the landscape of the Finger Lakes region of Upstate New York. He had the opportunity to have very fine art teachers in high school who also happened to be fine painters, artists George Benedict and Nick Todisco, and through their influence he began to polish his painting style from an early age. After attending Onondaga Community College for architecture, and then realizing that the rigid structure of Architecture was not for him, he began elective courses in Fine Arts at Syracuse University, and here, for the first time he began to study abstract painting and design with professors Frank Goodnow...

American, b. 1939 Prominent 21th Century American landscape artist Peter Poskas has been painting New England for more than three decades. While his earliest pieces were reminiscent of Edward Hopper...

UNION SQUARE Depression Era Oil Painting WPA Realism American Scene Realism NYC Jo Cain (1904 – 2003) "Union Square," 24 x 36 inches. Oil on canvas, c.1940...