Kate Starling

High Mountain Falls (Landscape, Colorado, Waterfall, Coors)

In his first solo exhibition with David B. Smith Gallery, Leon Benn floods the main gallery with large-scale paintings bounding with vibrant colors and hallucinatory observations of ...

In Lion in the Kitchen, his second solo exhibition with the gallery, Benn reflected on the textures and potential narratives of domestic space. After spending a season indoors with h...

Inspired by scenes from iconic American landscapes, ranging from arid deserts to lush forests, Jacobsen delves into humanity’s connection to nature and the technology that often mediates that experience. Embedded in the works is the recognition of nature’s immense power in contrast to its quickening fragility. Increasingly, under threat from the continuing rollback of regulations and protections in favor of exploitation for commercial gain, the double-edged sword of technology and the legacy of Westward expansion continue into the present day. For Jacobsen, American parks act as a foil to European colonization and resource extraction. While the creation of National Parks may be one of America’s greatest innovations, in preserving these beautiful and once wild places, they are in practice reduced to roadside attractions. Jacobsen states, “By elevating these picturesque landscapes we also diminish our own place in them. No longer are we participants in the divine dance but instead menacing spectators observing from stadium...

In his first solo exhibition with David B. Smith Gallery, Leon Benn floods the main gallery with large-scale paintings bounding with vibrant colors and hallucinatory observations of ...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...