Kevin Kearns

I Will Find the Way

2018

Springing is an oil on 1' wooden panel that sanded and finished on the side. There is no need for a frame Springing is 36 x 48 and was painted in 2022 and just delivered to the gallery. Look for FREE SHIPPING at checkout. If it is not offered the gallery will pay 50 % of the shipping. This Houston based artist has been making art for most of her life. She was trained at SMU where she earned her BFA and MFA in painting. Her first art instructor was Roger Winter...

A unique oil painting on a 100cm diameter thick timber panel, finished with a custom yellow copper frame. Ready to hang.

Primary Colour Series- Gladiolus Glorious is Shizico Yi's latest project. The series is continuation of her Sunlit Series, started from late spring 2023 and stretching into the whole...

Tombe du Ciel, (Night Fall), is an abstract oil and dry pigment painting with the unique and elegant look of pastel. A unique view of snow falling at twilight, rich in shades of dee...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Edward Avedisian ( 1936-2007 ) 8 X 9 Oil paint on wood plank panel with gold and purple figure This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...