Knute Heldner

Northern Minnesota Twilight

c. 1930

By the great California Impressionist, Samuel Hyde Harris. "Above the Beach" c. 1940s Oil on Board 12 x 16 (image) 18 3/4 x 23 1/4 (framed Signed Titled Verso At 14 years of age Sa...

By the great California Impressionist, Sam Hyde Harris. Image Size: 12 x 16 inches Framed Size: 14.25 x 18 inches Signed and Titled Verso At 14 years...

By the great California Impressionist, Samuel Hyde Harris. "Lone Pine (Cottonwoods)" c. 1940s Oil on Board 16 x 20 (image) 23 x 27 (framed) At 14 years of age Sam Hyde Harris was already a successful commercial artist. A 1903 letter of recommendation from Andre & Sleigh, stated that, "We have the pleasure in stating that Samuel Harris (aged 14 ½ years) has given every satisfaction during the 8 or 9 months he has been engaged in our Artists Department." After moving to California with his family Harris got a job as painter of signs, billboards and hand-lettered show cards in 1906. He developed a reputation for doing excellent commercial work and opened his own commercial art studio by 1914. His commercial art business received a boost in 1920 when he was hired by the Atchison, Topeka, and Santa Fe Railway Company to work on their poster advertising. He was later hired to do artwork Southern Pacific Railways as well. He began studying painting with Hanson Puthuff in 1906, and continued studying throughout much of his life. As early as 1920 he was exhibiting with the California Art Club. He continued exhibiting his paintings for the next fifty plus years including with the Painters and Sculptors of Southern California, the Pacific Advertising Club Association (1929), the San Gabriel Artists Guild, the Laguna Beach Art Association and many other venues. He won countless awards in hundreds of exhibitions throughout Southern and Northern California. Sam Hyde Harris was "Highly recognizable because of his six-foot-three stature and cigar." He "was known for his jovial personality and his love for his adopted California and her landscape." He preferred painting en plein air to the studio. He loved the outdoors. Harris's paintings employ a progressive composition, pushing the viewers eye to an unexpected place. He taught art classes at the Chouinard School of Art (1935) and for many Clubs and Groups. He met and married Marion Dodge in 1945. They moved to Alhambra in 1946. He bought Jack Wilkinson Smith's "Artists' Alley" studio on Champion Place in 1950. He loved looking at the San Gabriel Mountains from his Champion Place studio. Biography submitted by Maurine St. Gaudens, Administrator, Marion Dodge Harris Estate: Sources: Maurine St. Gaudens, Marian Yoshiki-Kovinick, Gary Lang...

By the great California Impressionist, Samuel Hyde Harris. "Along the River" c. 1930s Oil on Board Signed Lower Left Image Size: 12 x 16 inches Framed...

Laverne Nelson Black (American, 1887-1938) "The Deer Hunters" Signed Lower Left Canvas: 24 x 22 inches Framed: 30.5 x 28.5 inches Born in Viola,...

Framed Size: 29 x 38.5 inches Lilian MacKendrick was a natural born artist. She had a talent that was intuitive and a searching artistic intellect. The daughter of Russian emigrants, she grew up in the art world of New York's Armory Show. A graduate of New York University with a degree in Fine Arts, she went on to study sculpture at City College of New York as well as painting at the Art Students League. Her early attempts were in the non-objective field. Despite her tremendous admiration for the great European painters of the 18th & 19th centuries (she copied, as a learning exercise, all the drawings of Goya and Rembrandt in this country), her tastes, since childhood, were for Oriental rather than American and European painting which she found "too violent." But she continued her exploration of the fusion of East and West, arriving at a synthesis that has been described, among other things, as a "recovery of the image." Some of her work, however, has echoes of the work of the French masters Pierre Bonnard and Henri Matisse; a reference that the artist herself would not find offensive. She regularly spent summer vacations in France. Many observers of her work say that her paintings make them feel that life is good again; that there is something wonderful and exciting about the world they are eager to see when they wake up in the morning, and that her paintings are 'singular and striking'. Jane Janson's statement in regards to MacKendrick's 1958 exhibition at Hirschl & Adler Galleries easily applies to some of her painting: "Her range of blazing summer color and exuberant pattern captivate the eye, and lend renewed zest to a realm which has been ignored for awhile, and to which we return with instinctive delight." "Has seen" is the operative phrase because her works are rarely seen these days, although there are over 400 works in private collections. A devastating flood in her studio in 1984 destroyed a number of works. Permanent Collections Museum of Fine Arts of Houston, Texas Wadsworth Atheneum, Hartford, CT Walker Art Center, Minneapolis, MI Galeria d'Arte Contemporanea, Bordighera, Italy Metropolitan Museum of Art, New York Georgia Museum, Athens, GA Brandeis University, Boston, MA Bezalel Museum, Jerusalem, Israel Hirshhorn Museum, Washington, D.C. Exhibitions Georgia Museum of Art, Athens, GA Galerie Benezit, Paris USIS, Ostend, Belgium Audubon Artists, New York Witte Museum of Art, San Antonio, TX New York City Center Third Biennial of American Painting, Bordighera, Italy Florida Gulf Coast Art...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

This work by Nell Blaine was exhibited at the Poindexter Gallery, as well as the Tibor de Nagy Gallery, both in New York City. It is signed lower left, and signed, titled, and dated ...

This is a beautiful Cape Cod Massachusetts spring landscape with a rural farm and water behind it was painted by American artist Aldro Thompson Hibbard (1886-1972). Hibbard was born in Falmouth, Vermont and later became one of the founders of the Rockport Art Colony, living on Cape Ann in Massachusetts and summering in Jamaica, Vermont. Trained at the Boston Museum School, Hibbard carried forth the tenets of traditional academic art into the 20th century. He became very well-known for his New England...