Larry Horowitz

"Dusk Reflections" oil painting of a vibrant pink sunset over water

2020

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the d...

From an incandescent sunset on Long Island Sound to an iconic pop-kitsch ice storage bin at the neighborhood corner store, Rob Brooks offers us a visual journey from the real to surr...

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the di...

The rhythm of the waves marks time, like the breath. Moment to moment, its intensity fluctuates like emotion. Thoughts linger and pass, like a veil of fog. At the shore I am reminded to be present. It provides a place for contemplation and reflection. I identify with the strength and vulnerability of the ocean when a storm is brewing or passing, when the surf is up, when the fog looms or is lifting, when the horizon is obscured, or the sky begins to clear, I find beauty in these moments of transition. I bring this experience into the studio as I interpret the smells, sounds, feelings, and energy of the water or the quiet movement of fog. The process is fluid, moving between freedom and control, accident and intention, as I push and pull the paint to convey and realize my visual and emotional experiences. BIOGRAPHY Annie is a British painter and printmaker. She moved to New York City in 1989 and worked at the British Consulate. Art remained a part of her life during those years, but in 2006 she left and begin a new chapter, returning to a life with art at the very center and enrolled in an MFA program at the The New York Academy of Art. This provided the instruction, immersion and creative freedom to develop her skills and artistic voice and proved to be a fruitful time bringing with it several awards including a Post-graduate Fellowship, Prince of Wales Scholarships, and travel awards to Normandy, France and St Barts, in the French West Indies. After the fellowship Annie left New York for the East End of Long Island and spent two wonderful years in the quiet hamlet of Orient, as Artist-in-Residence at the William Steeple Davis House. It was here that Annie met and became a studio assistant to Master Printmaker Dan Welden...

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the di...

25th Street, by Elise Zoller, 24 x 30 in. oil on panel. Elise Zoller has recently embarked on a series of plein air paintings of sites around Salt Lake City and in the smaller towns of Utah from Hurricane to Huntsville. She has enjoyed meeting people along the road and learning about the history of the state. “Plein air work can be physically demanding, but there is no substitute for working from life. Light and shadow dance in subtle ways a photograph cannot capture. Even the wind and the fragrances it carries inform the work. Scenes come alive when you stand in one place for a few hours. You’ve got to get to know a spot,” Elise says. “While I work, all manner of people come up and talk to me about their towns and their lives. I’ve met a downwinder from Enterprise, pie bakers in Veyo, pony cart...

In his first solo exhibition with David B. Smith Gallery, Leon Benn floods the main gallery with large-scale paintings bounding with vibrant colors and hallucinatory observations of ...

In Lion in the Kitchen, his second solo exhibition with the gallery, Benn reflected on the textures and potential narratives of domestic space. After spending a season indoors with h...

Inspired by scenes from iconic American landscapes, ranging from arid deserts to lush forests, Jacobsen delves into humanity’s connection to nature and the technology that often mediates that experience. Embedded in the works is the recognition of nature’s immense power in contrast to its quickening fragility. Increasingly, under threat from the continuing rollback of regulations and protections in favor of exploitation for commercial gain, the double-edged sword of technology and the legacy of Westward expansion continue into the present day. For Jacobsen, American parks act as a foil to European colonization and resource extraction. While the creation of National Parks may be one of America’s greatest innovations, in preserving these beautiful and once wild places, they are in practice reduced to roadside attractions. Jacobsen states, “By elevating these picturesque landscapes we also diminish our own place in them. No longer are we participants in the divine dance but instead menacing spectators observing from stadium...

In his first solo exhibition with David B. Smith Gallery, Leon Benn floods the main gallery with large-scale paintings bounding with vibrant colors and hallucinatory observations of ...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...