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Robert Antoine Pinchon
Near Rouen - 19th Century Impressionist Oil, Snowy Landscape by Robert Pinchon

1910

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  • Jardin eclaire par la lune - Impressionist Oil, Night Landscape by Marie Duhem
    By Marie Duhem
    Located in Marlow, Buckinghamshire
    Signed and titled oil on canvas landscape circa 1910 by French Impressionist painter Marie Duhem. The work depicts a gated garden surrounded by bushes and trees and a tall tree in the centre. There are stars in the dark blue night's sky and the glow of the moon can be seen low behind the bare trees. Signature: Signed lower right/further signed and titled on original label Dimensions: Framed: 34"x29" Unframed: 26"x21" Provenance: The collection of the painter's family Marie Duhem, was born in Guemps on March 18, 1871 and died in Douai on July 9, 1918. Marie Duhem's parents ran a lace factory. From her childhood, she became familiar with the work of model designers. She becomes the student of the painter Adrien Demont...
    Category

    Early 1900s Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • Le Quai d’Orsay - Impressionist City Landscape Oil Painting by Luigi Loir
    By Luigi Loir
    Located in Marlow, Buckinghamshire
    Signed figures in cityscape oil on canvas circa 1890 by French impressionist painter Luigi Loir. The piece depicts people at the Quai d'Orsay, situated on the left bank of the River Seine in Paris, France on what looks to be a cold winter day in the city. Signature: Signed lower right Dimensions: Framed: 20"x16.5" Unframed: 13"x9.5" Provenance: Private French collection Blanchet & Associes - Paris He first exhibited at the Paris Salon in 1865 with a Landscape at Villiers-sur-Seine which brought him a certain amount of recognition. He was a regular exhibitor at the Salon des Artistes Français. Obtaining a third-place medal in 1879, and a second-place medal and a gold medal in 1889 at the Exposition Universelle in Paris. He was decorated with the Légion d'Honneur in 1898. Born in Austria to French parents who served the exiled French Bourbon royal family, Luigi Aloys-François-Joseph Loir moved with his family and the Bourbons to the Duchy of Parma in 1847. In 1860 his family returned to Paris following the expulsion of the Bourbons from Parma. But Luigi remained in the city, having enrolled, at the young age of eight, at the Accademia de Belle Arti. He eventually rejoined his family in Paris in 1863. There he studied with the decorative painter and set designer Jean Pastelot, making his Salon debut in 1865. Loir painted mainly views of Paris, in all seasons and at different times of the day or night. Loir was the Paris painter par excellence, capturing and expressing all aspects of the life of the city at all hours of the day and night. He may be criticised for excessive attention to the process, but his invaluable powers of observation are undeniable. Apart from those of his canvases which are in museum collections, his best-known works include: Preparations for the Fun Fair (acquired for the Salle d...
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    Late 19th Century Impressionist Landscape Paintings

    Materials

    Oil, Canvas

  • Fin de jour, Automne - Impressionist Oil, Figures in Landscape by Henri Duhem
    By Henri Duhem
    Located in Marlow, Buckinghamshire
    Signed and titled impressionist landscape oil on canvas circa 1910 by French painter Henri Duhem. The work depicts a view of Place Sainte-Ame, Douai in the north of France. It is aut...
    Category

    1920s Impressionist Landscape Paintings

    Materials

    Oil, Canvas

  • Study for "Notre Dame" - 19th Century Oil, Boats & Figures on River by M Luce
    By Maximilien Luce
    Located in Marlow, Buckinghamshire
    Oil on paper laid on canvas. Signed & dated 1899 lower right. This work is included in Tome II of the Catalogue Raisonne by Denise Bazetoux- Ref: 159 This work is a plein air stud...
    Category

    1890s Impressionist Landscape Paintings

    Materials

    Canvas, Paper, Oil

  • Grosse Mer - Etretat - Impressionist Seascape Landscape Oil by Maxime Maufra
    By Maxime Maufra
    Located in Marlow, Buckinghamshire
    Impressionist oil on canvas seascape painting circa 1895 by French artist Maxime Maufra. This stunning work depicts a sailing boat on a vast ocean. The choppy water is painted in greens and blues. The white clouds rolling across the blue sky are beautifully shaded in purple tones. Signature: Signed lower left and titled on original label verso Dimensions: Framed: 22"x25" Unframed: 15"x18" Provenance: This work is included in the catalogue raisonne of Maxime Maufra under reference 284 Durand-Ruel, Paris (acquired directly from the artist on 5 April 1895) Durand-Ruel Galleries, New York (acquired from the above in 1895) Marlborough Fine Arts, Ltd., London (acquired after 1949) Dr. Renate Davis, London (acquired from the above) Lyon & Turnbull London, 28 November 2013, lot 111 (consigned by the above) Private Collection, New York (acquired from the above sale) Sotheby's New York, 15 November 2017, lot 101 (consigned by the above) Maufra spent several years in England, notably in Liverpool, with his father, who wanted him to become a tradesman. He decided to take up painting instead and returned to France in 1883, attracting the attention of Octave Mirbeau in his very first exhibition, and subsequently being noticed by Frantz Jourdain in 1894 and Fontenais in 1901. In 1886, he successfully exhibited two seascapes at the Salon, following which he visited Brittany in 1890, making the acquaintance of Gauguin and Sérusier in Pont-Aven; he collaborated with them on the decoration of the Pouldu Inn in 1894. He maintained his acquaintance with the Nabis group artists Henry Moret and Gustave Loiseau. He travelled in l'Isère, Belgium, and Algeria (1913), as well as Paris, the Ile de France, Brittany and Normandy. From 1895, the Galerie Durand-Ruel assured the success of his work. Maufra settled in Montmartre for about ten years during which he painted the old quarters of Paris, often around the church of St Séverin. He then turned to Brittany and Normandy for inspiration in keeping with a resolve to paint only from nature, his seascapes in particular finding favour. The influence of the Nabis on his work remains limited except in the 'synthetic' organisation of the composition. He was an admirer of Sisley and Pissarro, whose influence can be seen in his paintings. Maufra, like Valtat, went to some extent beyond Impressionism to become a forerunner of Fauvism in his use of colour. An important retrospective exhibition of Maufra's work, prefaced by René Domergue, was organised in Paris around 1950. In 2001, his work was represented in the exhibition Painters and the Sarthe Region ( Les Peintres et la Sarthe) held at the Musée de la Reine Bérengère (for the 19th century) and the Abbaye de l'Épau (for the 20th century) at Le Mans. In 2003, his work appeared in the group exhibition Brittany, Land of Painters ( Bretagne, Terre des Peintres) at the Musée des Beaux-Arts in Vannes. Museum and Gallery Holdings: Bergues: Seascapes Boston: Dusk in Douarnenez; Departure of Fishing Boats Buffalo: Transport Quittant Le Havre Chicago: Douarnenez the Town of Light Cholet: Flood Cincinnati (AM): The Coast, Bay of Douarnenez (Vue de Douarnenez) (painting) Helsinki: St-Guénolé Le Havre: Moonrise in Brittany Manchester: Springtime in Lavardin Montpellier: Hills of Morgat Mulhouse: Low Tide Nantes (MBA): La Prairie d'Amont (1888, oil on canvas); Pointe du Raz; Heavy Swell; The Loir Dam in Poncé (oil on canvas) Paris (Mus. d'Orsay): Brittany Landscape...
    Category

    1890s Impressionist Landscape Paintings

    Materials

    Oil, Canvas

  • Deux Couseuses - Impressionist Oil, Figures in Landscape by Ferdinand Deconchy
    Located in Marlow, Buckinghamshire
    A stunning large oil on canvas circa 1900 by French painter Ferdinand Deconchy. The work depicts two seamstresses dressed in blue blouses and skirts...
    Category

    Early 1900s Impressionist Figurative Paintings

    Materials

    Canvas, Oil

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