Roland Kulla

North Ave. - Red iron steel girder bridge contemporary photorealist painting

2004

This painting captures a graffiti and rust covered steel bridge with bright blue skies and a sliver of green trees in and urban architectural setting. Rolland has always been fascinated by the built environment. Reflecting on what the structures tell about their builders as well as their interaction with nature and the results of time. He focuses on the engineering ingenuity that created Chicago’s many bridges. Structural elements are abstracted from their context and painted with a hard-edged realism on a scale that highlights the monumentality of the forms and the creativity necessary for their existence. Shown here is “Eight Track” Roland Kulla 8 Track...

I’ve always been attracted to the built environment. Bridges are a great subject. Each one is specially engineered to solve the problem of how to get across the void. While usually n...

A bridge to nowhere has been taking no one there for almost 70 years. The Liesenbrücken bridge has been rusting with iron will and doing little else since it was abandoned in favor o...

The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrig...

The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrig...

The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrigued her. This fragile balance between nature and her subject matter is as delicate as a paper lantern set adrift upon the sea. "Ocean Echo" captures this delicate balance in a an exquisitely executed painting . Two paper lanterns emanate a warm glow, as they cast rays of gold upon the water's surface. This acrylic painting is on a cradled panel which is beautiful on its own or can be floated in a frame. Contact the gallery for framing options. Christina Haglid Ocean Current acrylic on panel 6h x 6w in 15.24h x 15.24w cm CMH043 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Khawam’s first genre of paintings started in 1980 during the heights of the Superrealism movement in New York City where Khawam was the youngest among the group and in his first year...

'Xtraordinary' - depicts a San Francisco building with warm sunlight casting shadows that cascade across the facade of the green building with red inset window and trim. The piece i...

DAVID KESSLER (American born 1950 - ) Greyed Magic #2 (Water and Light Series) Acrylic on canvas Hand signed and titled with artist's studio stamp on verso 60 inches x 84 inches David T. Kessler was born in Park Ridge, New Jersey in 1950. He attended Arizona State University, where he received the award for Outstanding Graduate in Studio Art in 1972. In 1973, David was one of 12 painters accepted into the graduate program at The San Francisco Art Institute, where he received his M.F.A. in 1975. He is well known for his holographic airbrush paintings on aluminum. His paintings have been exhibited internationally since 1977, with shows in Tokyo, Strasbourg, Chicago, Los Angeles, Miami, Scottsdale, and New York. Kessler's paintings are in the permanent collections of The Strasbourg Contemporary Museum of Art, The Brooklyn Museum, The Minnesota Museum of Art, The Museum of the Rhode Island School of Design, The Santa Barbara Museum, The Barrington Art Center, and others. Within Arizona, his work is in the collections of The Phoenix Art Museum, The Scottsdale Center for the Arts, The Tucson Museum of Art, Arizona State University Art Museum, and Northern Arizona University Art Museum. Photorealism is a genre of art that encompasses painting, drawing and other graphic media. An American art movement that began in the late 1960s and early 1970s. Photorealism evolved from Pop Art as a counter to Abstract Expressionism as well as Minimalist art movements. Though Photorealists share some aspects of American realists, such as Edward Hopper, they tried to set themselves as much apart from traditional realists as they did Abstract Expressionists. Photorealists were much more influenced by the work of Pop artists and were reacting against Abstract Expressionism. The word Photorealism was coined by Louis K. Meisel in 1969 and appeared in print for the first time in 1970 in a Whitney Museum catalogue for the show "Twenty-two Realists." It is also sometimes labeled as Super-Realism, New Realism, Sharp Focus Realism, or Hyper-Realism. The first generation of American Photorealists includes the painters Richard Estes, Ralph Goings, Chuck Close, Charles Bell, Audrey Flack, Don Eddy, Robert Bechtle, Ron Kleemann, Richard McLean, John Salt, John Kacere, and Robert Cottingham. Photorealism's influence and popularity continues to grow, with new books such as Juxtapoz's 2014 book entitled Hyperreal detailing current trends within the artistic genre. Selected Museum and Public Collections: Achenbach Foundation (San Francisco, CA) Arizona State University Art Museum (Tempe, AZ) Barrington Arts Center (Barrington, IL) Brooklyn Museum of Art (Brooklyn, NY) Davidson College (Davidson, NC) De Anza College (Cupertino, CA) Minnesota Museum of Art (St. Paul, MN) Monterey Peninsula Museum of Art (Monterey, CA) Northern Arizona University Art Museum (Flagstaff, AZ) Phoenix Art Museum (Phoenix, AZ) Portsmouth Community Arts Center (Portsmouth, OR) Santa Barbara Museum of Art (Santa Barbara, CA) Scottsdale Center for the Arts (Scottsdale, AZ) Strasbourg Museum of Contemporary Art (Strasbourg, France) Tucson Museum of Art (Tucson, AZ) University of Minnesota (St. Paul, MN) Select Exhibitions Stricoff Fine Art, New York, NY Dean Day Gallery, Houston, TX Phoenix Airport Museum, Phoenix, AZ Susan Street Gallery...

'Lightness of Being' - depicts a white brick building with warm sunlight and shadows cascading across the facade of the warm bricks with white inset window. Birds flying are reflecte...

Artist: Ian Hornak (1944-2002) Title: Song of Zephyrus, Variation II Year: 1979 Medium: Acrylic on Canvas Size: 71 x 45 inches Inscription: Signed, dated, and titled by the artist. P...

Breaking Waves [2022] Please note that insitu images are purely an indication of how a piece may look I always enjoy panting the sea. Through careful observation i am inspired to capture the anatomy of waves as they break and wash to shore. In this large square painting in cool blues I have tried to create a calming immersive view. Artwork by Jo Quigley...