Sir David Murray

19th Century landscape oil painting of a bridge over a river

C1900

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19 INCHES X 23 INCHES** John Bates Noel British, (1870-1927) On the Avon & In the Berwin Valley Oil on canvas, pair, both signed, also signed & inscribed verso Image size: 12 inches x 16 inches (each) Size including frame: 19 inches x 23 inches (each) John Bates Noel was born John Noel Bates in Worcester in 1870. He was the son of the landscape artist David Bates (1840-1921) but later on changed his professional name to avoid confusion. The family lived in Worcestershire as well as in Birmingham and it was highly likely that he was encouraged and taught by his father as their subject matter and style bear similarities, although John’s compositions tend to be more fluid and looser. By the turn of the century Noel was living in Malvern where he also taught art. He specialised in painting the rugged landscapes in and around the West Midlands, Worcestershire and North Wales. He exhibited at the Royal Academy from 1893-1909 and at the Royal Birmingham Society of Artists between 1892-1919. He also exhibited works at some of the major galleries of the time including the Manchester City Art Gallery and the Walker Art Gallery, Liverpool. The building in the painting 'On the Avon' is believed to be that of St Margaret's Church at Wolston in Warwickshire. The structures at the front of the church appear to be thatched hay ricks, which are similar to ones seen in an old postcard of the church seen from the river Avon...

Edward Henry Eugene Fletcher British, (1857-1945) Shipping in the Pool of London at Dusk with Tower Bridge in the Distance Oil on canvas, signed Image size: 19.5 inches x 29.5 inches...

Charles Jones British, (1836-1892) Sheep in a Landscape Oil on canvas, signed with monogram & dated (18)81 Image size: 25.5 inches x 44.25 inches Size including frame: 32.75 inches x 51.5 inches Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones...

Adolf Constantin Baumgartner-Stoiloff Austrian (1850-1924) The Escort Oil on canvas, signed & inscribed in pencil on stretcher Image size: 26.25 inches x 40.5 inches Size including frame: 32.25 inches x 46.5 inches Provenance: Omell Galleries, 43a Duke Street, London Adolf Constantin Baumgartner-Stoiloff was born Adolf Baumgartner in Linz, Austria on 10 March, 1850. Little is known about his early life although some sources suggest he was of Bulgarian extraction. He visited Russia during the 1880’s where he studied at the St Petersberg Academy of Fine Arts. He spent time travelling around Russia and Ukraine and began specialising in winter scenes featuring Cossacks on horseback. Many of his paintings depict Cossack military convoys moving at speed across a frozen landscape, as in these fine examples. He also produced animated scenes of horse sleighs...

George Stainton British, (1838-1900) Brading Haven, Isle of Wight Oil on canvas, signed & transcribed verso Image size: 23.25 inches x 35.5 inches Size including frame: 31 inches x...

William Mellor British, (1851-1931) Rydal Lake, Westmorland Oil on canvas, signed & further inscribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 34.25 inches x...

A late Victorian period painting by British artist, David W. Haddon, active (1884-1914). The canvas measures 20 x 14 inches and is signed low...

Provenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...

Artist/ School: British School, second half 20th century, signed lower left 'Champion' Title: The Battle of Trafalgar Medium: oil on canvas, framed Framed: 28 x 40 inches Canvas ...

Artist: Abraham Hulk, Jnr. (British 1851-1922), signed lower right corner Abraham Hulk Junior (or Abraham Hulk the Younger) was known for his aptitude in capturing the subtleties of ...

Figures by a Pond, with Cattle and a Church beyond by Sarah Ferneley (1812-1903) Oil on canvas 76.5 x 63.5 (30 ⅛ x 25 inches) Executed circa 1840 Beautifully presented in a heavy pe...

Artist/ School: English School, early 1900's Title: Doves or Pigeons in an ornamental park landscape setting. Medium: oil on canvas, framed Size : 10.5 x 15 inches Framed: 8 x 12...