Susan Goldsmith

AMETHYST FALLS, figurative landscape, pink, yellow, flowers, nature

2016

Original painting by Lisa Lebofsy

Original Painting by Lisa Lebofsky

8 piece artwork depicting a crossing of the Pulaski Bridge in Brooklyn, New York City. Alexandra Pacula (b. 1979) paints works exploring the dynamic energy of cities at night. Polis...

John Evans is a Boston based painter of seascapes, landscapes, and botanical gardens. John Evans (b.1945) received his MFA from Boston University, under the tutelage of James Weeks, David Aronson, and Philip Guston. Early in his career, he taught at both Boston University and Southern Methodist...

The whimsical elements and casual contemporary references Will Wilson incorporates in his paintings serve to offset their disciplined execution. Each painted subject is steeped in na...

Annette Davidek creates paintings that look like gorgeous biomes full of naturalistic forms, enticing viewers to enter a domain that is as familiar as it is strange. Variously sugges...

James Van Fossan's "Sky 52" is an original, handmade oil painting that depicts a skyscape of grey clouds arching through a blue sky with the sun in the background.

This 60 inch by 48 inch original textural painting on canvas is wired and ready to hang. It is signed by the artist on the back. The thick layering of paint, glitter and gold foil ma...

Surrealist Landscape with Feathered Object in Acrylic, Paper, and Gold Leaf Vibrant and colorful surrealist landscape by Oregon artist Hugh Webb (American, b. 1940). The main subject of this piece is a large Y-shaped object that appears to be covered in feathers created out of small ovals of paper. The landscape is comprised of a striped ground, with wispy blue tree-like object emerging from holes in the ground. Squares of pastel blue, teal, and pink float throughout the scene. The background is made of layers of distressed gold leaf. Unsigned, but was acquired from a collection of the artist's work. Board size: 24"H x 32"W Hugh Webb (American, b. 1940) earned a Bachelor of Fine Arts degree from the University of Utah and a Master of Fine Arts degree (1969) from the University of Oregon. Webb studied with Demetrios Jameson, Mark Sponenburgh, Gordon Gilkey, and John Rock...

acrylic on brushed aluminum, diptych One of the most powerful tools an artist possesses is an ability to bridge the gap between what is considered real and what is illusion. This ab...

acrylic on brushed aluminum One of the most powerful tools an artist possesses is an ability to bridge the gap between what is considered real and what is illusion. This ability to alter or enhance reality is the very crux of what an artist is all about, and their success at attaining this is usually the defining element as to their stature in the field, as either an abstract or realist painter. Occasionally a painter is able to combine these two distinct disciplines and create an art form, which holds a viewer’s attention by balancing the paradox of the flat painted surface with the illusion of depth and space. For over twenty years, David Kessler followed a Photo-Realist tradition, often depicting the Arizona desert landscape...

acrylic on brushed aluminum One of the most powerful tools an artist possesses is an ability to bridge the gap between what is considered real and what is illusion. This ability to alter or enhance reality is the very crux of what an artist is all about, and their success at attaining this is usually the defining element as to their stature in the field, as either an abstract or realist painter. Occasionally a painter is able to combine these two distinct disciplines and create an art form, which holds a viewer’s attention by balancing the paradox of the flat painted surface with the illusion of depth and space. For over twenty years, David Kessler followed a Photo-Realist tradition, often depicting the Arizona desert landscape...