Theodore Waddell

Winter

This is a framed painting on paper, using cattlemarkers. Jennifer Lowe has combined the landscapes, animals and the people of her native Montana with a unique approach to painting. ...

This is a painting on paper, using cattlemarkers, with a unique, handmade frame by a local Bozeman crafter. Jennifer Lowe has combined the landscapes, animals and the people of her n...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

The pristine, symmetrical and orderly landscape brings an unnatural stillness to John Hrehov's painting entitled "Glean". The rabbits are central to the sparse landscape, feasting on a freshly sown field. Straight lines and geometric patterns are used to compose a glossy concept of reality. The drawing is matted and framed in a simple black wooden frame measuring 26 x 30 inches. John Hrehov Glean graphite on archival paper 25h x 29w in 63.50h x 73.66w cm JHR003 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery...

Lisa Lala is well known for her palette knife oil paintings of Birds on a Wire. She explores the larger, intangible questions of our existence simply depicting birds quietly resting ...

Lisa Lala is well known for her palette knife oil paintings of Birds on a Wire. She explores the larger, intangible questions of our existence simply depicting birds quietly resting ...

Bull! Whether on Wall Street or in the legendary bullrings of Spain these powerful beasts demand immediate attention and respect! The trio, during their midday grazing, keep one eye on their surroundings while nourishment prepares them for the glory and unknown ahead. Artist James McGinley...

Signed oil on canvas animals in landscape by French expressionist painter Andre Brasilier. The piece depicts goats and birds in front of green trees with a blue sea beyond. This earl...

This artwork "Course de chevaux a Lonchamp (Horses Race in Lonchamp) c.1960, is an oil painting on canvas by noted French artist Gabriel Dauchot, 1917-1990. It is signed at the lower right corner by the artist. The canvas size is 18.65 x 7.5 inches, framed size is 21.85 x 11.85 inches. Custom framed in a wooden green frame. It is in excellent condition, the frame have a minor scratch a the lower side, barely visible. About the artist: Gabriel Dauchot was born on May 10, 1927 in Livry-Gargan 4 . Supported by the encouragement of his father, an architect, and painting from the age of fourteen 5 , Gabriel Dauchot, whose admiration goes to Maurice Utrillo and Chaïm Soutine 5 , received advice in 1940 from Émile Othon Friesz and Yves Brayer at the Académie de la Grande Chaumière , then entered the École nationale supérieure des beaux-arts in 1942 . He participated in Parisian Salons from his youth and was not yet twenty when the Katia Granoff 6 gallery , then the Cardo 7 gallery , organized his first personal exhibitions. “The winner is under thirty years old” observes Claude Roger-Marx , who does not fail to note “the atmosphere of disguise which is dear to him” as well as “the muted truculence which he gives to the opaque backgrounds where sing with distinction cold grays, greens, carmines and saffron” 8 when in 1951 the prize from the Society of Collectors and Art Lovers was awarded to Gabriel Dauchot. Waldemar George observed in the 1950s that if "his early works were treated in a realistic style which sometimes borders on populism, the painter tries to free himself from it and reacts against a literary art...