Thomas Eyre Macklin

'Arcadia, ' a very large British Neoclassical Arts & Crafts painting

1911

The Triumph of Bacchus, a large oil painting by Ferdinand Leeke Oil-on-canvas, German, 1918 Frame: height 175cm, width 227cm, depth 10cm Canvas: height...

Measuring nearly two metres in height, this fantastic large painting will be an excellent addition to a large, grand interior space. It is the work of the Italian painter Angelo Urba...

This exquisite painting is based on the famous 17th-Century work, ‘Marina del Porto’ by Salvator Rosa. This beautiful version was created in the 18th Century. The scene depicts the ...

Large Victorian painting of children resting outdoors by J.O. Banks English, late 19th Century Frame: Height 91cm, width 111cm, depth 10cm Can...

Italian oil painting of Venice in giltwood frame Italian, 19th Century Frame: Height 60cm, width 75cm, depth 5cm Canvas: Height 46cm, width 61c...

This beautiful painting was created in the 19th Century by an artist working in the English School of painting. The scene depicts a chapel which is situated within a walled enclosure...

Mikhail Yakhilevich (Israeli, Russian) Boating 116x89 cm oil on canvas Michael Yakhilevitz was born in 1956 in Moscow. He graduated from The Stage Design Department of The Moscow Ar...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited for a residence in Colombia, and subsequently he has travelled to Mexico, Guatemala and Cuba. The experience of Central America affects his painting so much that it becomes gestural and dominated by strong and bright colors. Contact with indigenous communities contributed to the formation of his thought and poetics, which suggests accessing an irrational dimension that cannot be explored through science and technology.

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited for a residence in Colombia, and subsequently he has travelled to Mexico, Guatemala and Cuba. The experience of Central America affects his painting so much that it becomes gestural and dominated by strong and bright colors. Contact with indigenous communities contributed to the formation of his thought and poetics, which suggests accessing an irrational dimension that cannot be explored through science and technology.

I am not afraid to define it as a metaphysical painting, - says Angelo Crespi - and right in the suffix "beyond" (in Greek "meta") also of the title "Oltremare" the intent to climb over the wall of the sensible and the real is revealed. There is another vein to which the new paintings of Nahmad refer and it is that of Romanticism, in the strong idea that art should represent the sublime, not the beautiful. The skies like John Constable, thick with purplish blue clouds (such as "Rainstorm over the Sea" of 1828 which anticipates by a century modernity), the stormy seas like William Turner, give the viewer the idea of infinity and vastness of nature compared to the finitude and misery of the human. If Caspar Friedrich...

Karen Shahverdyan „Eleven“ 129 X 147cm, oil on canvas