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An English Genre Landscape Painting Late Victorian 19th Century by W Stanley

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  • The Pet Bullfinch, A Portrait of Two Children by James Sant 19th / 20th Century
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    ‘The Pet Bullfinch’ James Sant CVO RA (1820-1916) oil on canvas 30 x 25 in. (76.2 x 63.5 cm.) James Sant was a well known Victorian painter particularly of women and children, as both portraits are allegorical subjects, i.e. a painting that can be interpreted to have a hidden meaning, often political or moral. Sant exhibited at the Royal Academy and in 1871 was appointed Principal Painter in Ordinary by Queen Victoria, having painted many portraits of the Royal children. One of his most famous being that of Prince Leopold and Princess Beatrice...
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  • Regency Sisters, A Portrait of Two Children - Fredrick Yeates Hurlestone
    By Frederick Yeates Hurlestone
    Located in Lincoln, GB
    Frederick Yeates Hurlestone (1800 – 1869) Regency Sisters Oil on Canvas Size: 153cm x 126cm framed Frederick Yeates Hurlstone (1800 - 1869) was an English portrait and historical painter. Hurlstone exhibited at the Royal Academy for many years. He was a member of the Society of British Artists and was President of the Society until his death. He was born in London, the eldest son by his second marriage of Thomas Y. Hurlstone, one of the proprietors of the "Morning Chronicle" (his granduncle, Richard Hurlstone, was a well-known portrait-painter a generation earlier). He began life in the office of his father's journal, but, while still very young, became a pupil of Sir William Beechey, afterwards studying under Sir Thomas Lawrence, and also, it is said, under Benjamin Haydon. His first original work was an altar-piece, painted in 1816, for which he received 20 pounds. In 1820 he was admitted as a student of the Royal Academy, where in 1822 he gained the silver medal for the best copy made in the school of painting, and in 1823 the gold medal for historical painting, the subject being "The Contention between the Archangel Michael and Satan for the Body of Moses". He first exhibited in 1821, sending to the Royal Academy "Le Malade Imaginaire" and to the British Institution a "View near Windsor". These were followed at the Academy in 1822 by "The Return of the Prodigal Son" and a portrait, in 1823 by five portraits, and in 1824 by his "Archangel Michael" and some more portraitsOne of his best early works was "A Venetian Page with a Parrot", exhibited at the British Institution in 1824. In 1824 also he contributed "The Bandit Chief" to the first exhibition of the Society of British Artists. He continued to send portraits to the Royal Academy until 1830, but in 1831 he was elected a member of the Society of British Artists, after which he seldom exhibited elsewhere. He was chosen president in 1835, and again in 1840, retaining the office until his death. He contributed to the society's exhibitions upwards of three hundred portraits and other works, among them being "The Enchantress Armida", exhibited in 1831; "Haidee aroused from her Trance by the sound of Music", 1834; "Eros", 1836; "Italian Boys playing at the National Game of Mora" and the "Prisoner of Chillon", 1837; "The Scene in St. Peter's, Rome, from Byron's Deformed Transformed", 1839; "The Convent of St. Isidore: the Monks giving away provisions", 1841; and a "Scene in a Spanish Posada in Andalusia", 1843. In 1844 and, for the last time, in 1845 he again sent portraits to the Academy. His subsequent works at the Society of British Artists included "The Sons of Jacob bringing the blood-stained garment of Joseph to their Father", 1844; "Salute, Signore", 1845; "A Girl of Sorrento at a Well", 1847; "Inhabitants of the Palace of the Cæsars—Rome in the Nineteenth Century" 1850; "Columbus asking Alms at the Convent of La Rabida" 1853; "The Last Sigh of the Moor" (or "Boabdil el Chico...
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  • Going To Market A Large English Genre Scene with Cattle
    By Charles Collins
    Located in Lincoln, GB
    Alfred Jerome Charles Collins (1851-1921) Going To the Cattle Market 176 x 88cm Canvas / 198 x 110cm frame This exceptionally impressive work has a romanticism attached to it, wit...
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  • Cattle Watering by Charles 'Sheep' Jones (1836-1892)
    By Charles Jones (b.1836)
    Located in Lincoln, GB
    Cattle Watering Charles Jones (1836 – 1892) Signed with monogram, dated ’62 (lower right) Oil on canvas 69cm x 58.5cm Framed size 93cm x 82cm Charles 'Sheep' Jones was a London pain...
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