Unknown

Flowers on the Beach, Botanical Watercolor Landscape

1981

Beautiful mid century watercolor of a design proposal for the village Fair Antiques "Apple Barn" in Aptos, California by listed artist Jon Blanchette (American, 1908-1987). Circa 1960 Signed "Jon Blanchette" lower right. Information about location and previous owner is on verso. Acquired with a collection of the artist's work. Art size: 9"H x 12"W Jon Blanchette was born in Somerset, England on March 29, 1908. He immigrated to Battle Creek, Michigan in 1918. Artistically inclined at age six, he later studied at the Pittsburgh Art...

Serene nocturnal seascape by George Fotherly Hargitt (American/Scottish, 1837-1926). The San Diego harbor stretches out in front of the viewer, depicted from a vantage point above th...

Delicate watercolor of a carriage in front of two buildings by an unknown artist (20th Century). A carriage sits in front of two buildings, with bare trees framing the scene. This pi...

Beautiful mid century watercolor of stores in Aptos, California by listed artist Jon Blanchette (American, 1908-1987). Three stores sit side-by-side: a liquor store, a general store, and a pharmacy on the Old Aptos Village Boardwalk". They are brightly colored - green, yellow, and blue. In the background, there is a blue sky, green trees, and representations of the Aptos hills. Circa 1960 Signed "Jon Blanchette" lower right. Information about location and previous owner is on verso. Acquired with a collection of the artist's work. Art size: 9"H x 12"W Jon Blanchette was born in Somerset, England on March 29, 1908. He immigrated to Battle Creek, Michigan in 1918. Artistically inclined at age six, he later studied at the Pittsburgh Art...

Fishing Boats Along The Coast Watercolor painting depicting two fishing boats and fishermen along the oceanside by Robert Wayne Daley (American, 1922-1999). Rocks make up a pathway along the beach, while fishermen pull boats along the shore. Blue skies, with the ocean and hilltops making up the near distance. Signed "Robert W Daley...

Beautiful early 20th century landscape of the Alameda River below Mt. Tamalpais by Marius Schmidt (American, 1863-1938). Presented in a giltwood frame. Signed "Marius Schmit" lower l...

"Homestead" is a regional, American landscape by Pennsylvania Impressionist and New Hope School painter Harry Leith-Ross. The painting is a 14" x 19" watercolor on paper, signed "Lei...

Blooming Flower Pots is a Watercolor and Gouache over Pencil on White Paper .It is framed and ready to be shipped. One artists described Santoli's paintings as "Now that is a world class oil painting! Realistic casual brush work. The best I have seen. Delicious !! " Artist Statement: I simply love painting and my goal is to capture sunlight and color so that viewers can enjoy it as well. Eric...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Painted during the 2015 Winter Equestrian Festival in Wellington, Florida. A black and white depiction of a canal, is barely recognizable, due to Fenske's wild brushstrokes and lack...

A watercolor painting by Charles Burchfield from 1931. A still life botanical painting of a skunk cabbage in natural setting. Signed and dated in lower right, beautifully matted and framed in gold ornate frame. The painting has an excellent provenance through top New York Galleries including DC Moore...

Artist: Henry Waltermar Doane – American (1905-2002) Title: Old Martinez Year: circa 1970 Medium: watercolor on watercolor paper Sight size: 20 x 28 inches. Sheet size: 22 x 30 inch...