Victor Lind

"Soverign of the Seas" - Seascape with Sailing Ship

early 20th Century

Turbulent seascape by an unknown artist (20th Century). Just offshore, waves crash up against jagged rocks. The waves and rocks are rendered with impasto, creating texture and thickn...

Late 19th Century Original English Landscape of a Cottage in Cambria Wonderful original antique painting of a thatched cottage in Cambria by Thomas Noelsmith (English, 1840-1900), c...

Gorgeously detailed mountain landscape by an unknown Japanese artist (19th Century). Two waterfalls cascade down a lush valley, with trees and shrubs on the hillsides. Small building...

Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...

Beautiful mid century watercolor of a design proposal for the village Fair Antiques "Apple Barn" in Aptos, California by listed artist Jon Blanchette (American, 1908-1987). Circa 1960 Signed "Jon Blanchette" lower right. Information about location and previous owner is on verso. Acquired with a collection of the artist's work. Art size: 9"H x 12"W Jon Blanchette was born in Somerset, England on March 29, 1908. He immigrated to Battle Creek, Michigan in 1918. Artistically inclined at age six, he later studied at the Pittsburgh Art...

Beautiful mid century watercolor of stores in Aptos, California by listed artist Jon Blanchette (American, 1908-1987). Three stores sit side-by-side: a liquor store, a general store, and a pharmacy on the Old Aptos Village Boardwalk". They are brightly colored - green, yellow, and blue. In the background, there is a blue sky, green trees, and representations of the Aptos hills. Circa 1960 Signed "Jon Blanchette" lower right. Information about location and previous owner is on verso. Acquired with a collection of the artist's work. Art size: 9"H x 12"W Jon Blanchette was born in Somerset, England on March 29, 1908. He immigrated to Battle Creek, Michigan in 1918. Artistically inclined at age six, he later studied at the Pittsburgh Art...

A large and dynamic, Post-Impressionist cityscape showing a view of a picturesque Parisian street. In the foreground, a flower seller offers bouquets to fashionably-dressed pedestrians walking by a busy cafe where patrons are seated beneath striped umbrellas. Signed lower right, 'Jean Remy...

Late 20th century gouache landscape of "Les Baux de Provence" on paper by French artist Désiré Villain, signed bottom left and to the reverse and dated 199...

Date: 1918 Medium: Grisaille Gouache on Illustration Board Dimensions: 15.75" x 22.38" Signature: Signed Lower Right

Medium: Gouache on Illustration Board Signature: Signed Lower Right March 28, 1953 Magazine Cover of The New Yorker

Signed lower right 'a/a' for Ronald Rose of Art Associates, Toledo, Ohio. A substantial and detailed, architects illustration of this proposed St. Louis riverside development showin...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...