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William Mellor
On the Greta, near Barnard Castle; On the Lledr North Wales

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  • 19th Century pair of French townscape oil paintings
    By Henry Schafer
    Located in Moreton-In-Marsh, Gloucestershire
    **PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 15 INCHES x 13 INCHES** Henry Schafer German/British, (1841-c.1914) Chartres, France & Metz, Lorraine Oil on canvas, pair, both signed Image size: 10 inches x 8 inches (each) Size including frame: 15 inches x 13 inches (each) Henry Schafer was born in Hanover, Germany in 1841. Although little is known about his upbringing, he was known to have studied at the l'Ecole National de Beaux-Arts in Paris. After leaving art school, he travelled throughout Europe painting town scenes and buildings of Northern France, Belgium and Germany. By 1864, Schafer had travelled to England with his wife Theresa, to work in London where they settled and started a family. All four of their children were born in England. One of his daughters Emilie Anna Schafer (1871-1937) became a painter and art teacher. Around 1871, the family were living at 53 Vauxhall Bridge Road and in 1881 were recorded as residing at 6, Sophia Terrace, Beulah Road, Thornton Heath in Surrey, with Henry continuing to work as an artist. By 1891, he had moved to 7 St Peters Road in Islington where he lived for the rest of his life. Sometime around the turn of the century, he became a British subject. Schafer is believed to have died in London c1914. Many of his works depict the architecture of gothic cathedrals and churches, as in these two fine examples. He also produced interior studies of churches. Schafer's style resembles that of Alfred Montague...
    Category

    19th Century Victorian Landscape Paintings

    Materials

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  • 19th Century Highland landscape oil painting of sheep near Loch Awe
    Located in Moreton-In-Marsh, Gloucestershire
    William Watson Jnr British, (1847-1921) On the Mountains, Loch Awe Oil on canvas, signed & dated 1892, further inscribed verso Image size: 12.5 inches x 18.5 inches Size including frame: 18.5 inches x 24.5 inches A wonderful painting of Highland sheep resting near Loch Awe by William Watson Jnr. Loch Awe is located in Argyll and Bute in the Scottish Highlands and this scene is taken from the mountain side overlooking the loch. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Canvas, Oil

  • 19th Century landscape oil painting of the river Severn
    By Robert John Hammond
    Located in Moreton-In-Marsh, Gloucestershire
    Robert John Hammond British, (1853-1911) On the River Severn Oil on canvas, signed & inscribed verso in pencil to stretcher Image size: 15.25 inches x 23.25 inches Size including frame: 21.25 inches x 29.25 inches A lovely landscape scene of figures on the banks of the river Severn by Robert John Hammond. A man can be seen steadying a boat whilst a woman and her daughter wait by the bank. Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Oil, Canvas

  • Pair of 19th Century landscape oil paintings of lakes
    By Nils Hans Christiansen
    Located in Moreton-In-Marsh, Gloucestershire
    **PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 27 INCHES X 21 INCHES** Nils H Christiansen Danish, (1850-1922) Sunset Over the Lake & Moonlight over the Lake Oil on canv...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Canvas, Oil

  • 19th Century seascape oil painting of a hay barge on the Medway
    By Hubert Thornley
    Located in Moreton-In-Marsh, Gloucestershire
    Hubert Thornley British, (exh. 1858 -1898) Hay Barge on the Medway Oil on canvas, signed Image size: 23.5 inches x 17.5 inches Size including frame: 30.5 inches x 24.5 inches Hubert...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Oil, Canvas

  • 19th Century landscape oil painting of a horse & cart on a country track
    By James Edwin Meadows
    Located in Moreton-In-Marsh, Gloucestershire
    James Edwin Meadows British, (1828-1888) A Country Track Oil on canvas, signed & dated 1861 Image size: 29.5 inches x 47.5 inches Size including frame: 36.5 inches x 54.5 inches Jam...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Canvas, Oil

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  • "Shipyard" Realist Industrial Landscape
    By Robert Lavin
    Located in Austin, TX
    This painting is a 20th century realist landscape depiction of a shipyard by Robert Lavin. The piece is executed in oil on board and measures 10" x 24". Robert Lavin was born in New York City. His education included Townsend Harris, a prep school in New York followed by college at City College of New York. He also attended the National Academy of Art, where he studied as a painter. Studying the social realists of the 1930’s, Lavin, a former Marine pilot, portrayed steelworkers, roughnecks and trainmen. Lavin often painted his “proletarian ballets”- as one critic called them – to illustrate magazine advertisements. The Smithsonian Institution and other museums collected Lavin’s original paintings, which portrayed the laboring subjects with dignity and integrity. Lavin also illustrated stock certificates and books. Paper Money magazine praised him as “one of the greatest vignette artists of the 20th century.” In addition to this, Lavin was for a number of years an Associate Professor of Art at City College of New York, a position he left in the mid ‘60’s in order to devote himself full time to his painting. His commissions took him around the world, from the North Sea to the coast of Africa, from the slopes of Alaska to the Sea of Japan. As part of a series for Gulf Oil, he painted the royal family of England for the opening of a new refinery in Wales. Another portrait of one of the early Americanastronauts, appeared on the cover of Time Magazine. Other major commissions during these years included Readers Digest books...
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  • Lights of the Aurora
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  • Miner Hillard Milling Company
    By George William Sotter
    Located in New York, NY
    Signed lower right: G.W. Sotter; on verso: MINER HILLARD / MILLING Co.
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