Yugal Kishor Sharma

Lotus Pond, Wash on Cloth, Pink, Blue, Green by Indian Artist "In Stock"

Tapas Ghosal - Untitled - 42 x 54 inches ( unframed size) ) Acrylic on Canvas , 2022 *** Framed ( packing : complimentary; shipping cost would need to be extra) Style : In Hindu philosophy, the 'Antahkaran' refers to the totality of two levels of mind , namely the Buddhi, the intellect or higher mind, and the Manas, the middle levels of mind which exist as or include the mental body. It refers to the entire psychological process, including mind and emotions. Ghoshal’s paintings weaves an Antahkaran, creating structural spaces, sometimes meditative & melancholic in nature. His contemplative mind, enters into the inner realm of reality, dissects it and extracts a kind of mystic silence. The extant contemplative in wardress in him got charged with meditative spirituality through his association with this heritage city. Benaras, started flowing in his canvasses both through landscapes and human faces. Since 1995-96 his Benaras paintings started transforming. Initially his landscapes contained reflection of naturalness transformed through melancholic chiaroscuro. Gradually the naturalness started disintegrating into expressionistic structures. At a certain stage during 2004-05 some of these structures yielded into abstractions shedding all the links with naturalness. Then again the sign-symbols integrated into geometrical structures reflecting traces of original locations. About the Artist and his works : Born : Born in 1965. Tapas spent his childhood and early youth in the quiet idyllic environment of rural Bengal. The soothing lyrical landscape and the intrinsic mythical past within the rural life made a great impact in his inner being, which aroused in him love for beauty, spiritual in nature, making him contemplative and inward looking. Educational Qualification : 1989 : Graduation in Painting from Govt.College of Art and Craft, Kolkata (First Class First) 1992 : Post Graduate in Painting from Benaras Hindu University, Varanasi (First Class). Solo Exhibition : 1993 : The Centre Art Gallery, Kolkata; 1994 : Gallery Katayun, Kolkata; 1997 : Gallery Katayun, Kolkata; 1997 : ABC Art...

Prasanta Sahu - Incomplete Investigation - 36 x 36 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Prasanta’s inventiveness in his works lies as much i...

Mahjabin Majumdar - My Beloved Assassin - 60 x 54 inches (unframed size) Acrylic on Canvas Inclusive of shipment in ready to hang condition. This striking acrylic on canvas encompas...

Atin Basak - Untitled - 30 x 26 inches ( Unframed size ) Acrylic on Canvas Work will be shipped unframed in roll form For shipment in framed form - extra shipping , packing would ...

Anil Kumar Yadav - Aradhana-15 - 36 inches Dia (unframed size) Acrylic on Canvas , 2022 STYLE : Anil Kumar Yadav is an Artist from Kolkata who was bo...

Bratin Khan - Christ Charcoal & Pastel on Canvas, 30 x 24 inches, 2009 The anecdotes and narratives of Krishna's life are generally titled as Krishna Leela. He is a central character in the Mahabharata, the Bhagavata Purana and the Bhagavad Gita, and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero, and as the universal supreme being. His iconography reflects these legends, and shows him in different stages of his life, such as an infant eating butter, a young boy playing a flute, a young man with Radha or surrounded by women devotees, or a friendly charioteer giving counsel to Arjuna. He is sometimes accompanied by cows or a calf, which symbolise the divine herdsman Govinda. Alternatively, he is shown as a romantic and seductive man with the gopis (milkmaids), often making music or playing pranks. Style : Marked for the refined handling of line work and palette, his painterly compositions, reflect influences of folk art and Bengal School. The renderings are poetic and the narratives mythical, folklore-inspired or religious. His curvaceous and languid figures, often accompanied by a surrounding halo, are set amidst a natural habitat. The imagery features Buddha, Krishna, other legendry icons as well as pretty damsels and lotus flowers. Figures dominate the whole thinking process of his paintings with different subjects such as mermaids, musicians (Classical Musicians , Rajasthani Folk Singers and Baul Singers) and mythological figures appearing in his works. He was deeply influenced by the life Sri Aurobindo and thus enlightened beings. Such as Buddha, Jesus and Krishna are also a recurring theme in his Golden Man series. His focus on detail and remarkable skill over the line make his style unique. He uses a traditional method of tempera painting which goes back to the Indian miniature though the material he uses is totally contemporary. Knowledge of the wash technique further enables him to create a soft, twilight effect in his paintings. About the Artist and his work : Born : 1969, West Bengal. Education : 1993 Bachelor of Fine Arts (Painting), Visva Bharati University, Santiniketan. Selected Solo Exhibitions : 2000 - Classic Source, Mumbai. 1999 - Rightlines Art Gallery, Bangalore. 1993 - Grindlays Bank Gallery, Kolkata. Selected Group Exhibitions : 2007 - ‘A Brush with Durga’ ,Gallery Kolkata, Kolkata. 2002 - 'Gems of Bengal Art...

Stillness. 2022. Oil on canvas, 55x38 cm Contemporary painting with gondolas by artist Clara M. Aguasca in pink colors

Realistic landscape painting by Edie Nadelhaft - Oil on canvas, 16 x 20 inches. An avid motorcyclist, Edie Nadelhaft takes annual weeks...

Landscape painting, evening road scene titled "May 27 (8.59pm)" by Edie Nadelhaft - oil on canvas, 36 x 48 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

Landscape painting, evening road scene titled "Long Pond Road Again" by Edie Nadelhaft - oil on canvas, 12 x 16 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

This 31.5" x 39.4" acrylic on canvas landscape painting by Ewa Miazekk-Mioduszewska depicts the deteriorating structure of a small chapel with a black rectangular scaffolding structu...

This 31.5" x 39.4" acrylic on canvas painting by Ewa Miazek-Mioduszewska features an abstracted and colorful architectural interior of Temple Vilnius with a portal and stylized Corin...