Linda Pochesci

Sulle Orlo dell Estate

2020

Painted in a highly realistic manner, Linda's sharp-edged compositions of domestic arenas are nevertheless surreal images that confound careful scrutiny. Depictions of visionary home...

Painted in a highly realistic manner, Linda's sharp-edged compositions of domestic arenas are nevertheless surreal images that confound careful scrutiny. Depictions of visionary home...

Painted in a highly realistic manner, Linda's sharp-edged compositions of domestic arenas are nevertheless surreal images that confound careful scrutiny. Depictions of visionary home...

Evoking a centuries-past sensibility, Catherine McCarthy's passionately rendered yet lyrical images form enigmatic art works that are rich with metaphorical allusions to the artist's...

Painted in a highly realistic manner, Linda's sharp-edged compositions of domestic arenas are nevertheless surreal images that confound careful scrutiny. Depictions of visionary home...

John Gibson is a native of Massachusetts, born in Boston in 1958. He attended the Rhode Island School of design (where he earned a BFA in 1980), before earning his post-graduate degree from the prestigious master’s program at Yale. Gibson had his first one-man show at the University of Massachusetts in 1984, and he began showing in group exhibitions in the Boston and New York areas in the late 1980s. In the early 1990s Gibson’s paintings began to focus on pyramidal compositions of spheres resembling children’s playground balls, decorated in the manner of colorful soccer balls. Executed in oil on wooden panel, these pieces began to attract generous critical praise for Gibson from the pages of the Boston Globe, the Partisan Review, and the New Yorker, among others. Gibson’s paintings are filled with subtle yet provocative disjunctions, which challenge the viewer’s initial perceptions of the pieces. While these images would seem at first to be fairly simple atmospheric, realistic renderings of colorful balls, a closer examination will reveal that the surfaces of Gibson’s paintings are deeply scored by the artist in geometric patterns that sometimes conform to, and in other instances defy, the outlines of the spheres rendered in paint. An invisible substructure is suggested in these incisions, which also serve to reinforce the physicality of the painting. Some pieces also include incised and/or painted suggestions of shadowy architectural spaces (arches, hallways, shallow niches) in which the balls are placed. The scale of the objects rendered is ultimately unclear: the balls could be of the large, inflatable type, but they alternatively suggest the density of much smaller decorated wooden croquet balls...

Jamel Akib Born in Leigh-on-sea, Essex in 1965 to English and Malaysian parents, Jamel moved to North Borneo at the age of five. At thirteen he returned to England to pursue his edu...

Atlantic Enclosure 58x58cm including Black wooden Frame A graduate of Glasgow School of Art, Brander gained a BA (Hons) in 2011 Early on, Garry discovered an interest in old buil...

Jamel Akib Born in Leigh-on-sea, Essex in 1965 to English and Malaysian parents, Jamel moved to North Borneo at the age of five. At thirteen he returned to England to pursue his edu...

Jamel Akib Born in Leigh-on-sea, Essex in 1965 to English and Malaysian parents, Jamel moved to North Borneo at the age of five. At thirteen he returned to England to pursue his edu...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Peter Lyons’s still lifes self-consciously participate in the tradition of religious icons, which embody a measure of the divinity they depict. The painted...