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Style: Expressionist
Medium: Metal
Alpine Trees, landscape, expressionist, Modern, Abstract, Metal
Located in Deddington, GB
Inspired by a late evening drive up to Les Gets in the French Alps. Glimpses of landscape from the car window - snow on branches, lights flickering through the trees, all set against...
Category
2010s Expressionist Metal Paintings
Materials
Metal
"Happiness in the Air" Expressionist Landscape with Waterfall
Located in Austin, TX
A colorful and idyllic expressionist landscape with a waterfall by Dominique Boisjoli.
38" x 26" Acrylic and Gold Leaf on Paper
Category
21st Century and Contemporary Expressionist Metal Paintings
Materials
Gold Leaf
Strongman and Fire eater circus, coney island influences colorful carnival
Located in Brooklyn, NY
Oil on board mounted on a wooden frame suitable for immediate hanging. The board has been primed with an acrylic pumice gel giving the surface a rough texture visible from the photo...
Category
2010s Expressionist Metal Paintings
Materials
Brass
'Babel III' Mixed Media on Canvas
Located in Rye, NY
Alberto Letamendi, is an artist from Ordizia (Basque Country) born in 1964. In his work, whether in painting or sculpture, he uses various techniques with a preference for natural ma...
Category
2010s Expressionist Metal Paintings
Materials
Iron
Girl In A Blue Chair
By Wyona Diskin
Located in Aramits, Nouvelle-Aquitaine
Wyona Diskin, American (1915 - 1991)
Girl In A Blue Chair
Acrylic on canvas partially painted over wire mesh, Unsigned. Framed.
Measurements: H 70.5 x W 49.5 x D 1.25 inches
Wyona ...
Category
1970s Expressionist Metal Paintings
Materials
Wire
"Ingosi" African American Portrait, Abstract Collage, Colors
By Onzie Norman
Located in Detroit, MI
"Ingosi" is an abstracted collage portrait of an artist holding the symbolic tool of his work - his paintbrush. Ordinarily the view of an artwork is as seen by the artist, this rever...
Category
2010s Expressionist Metal Paintings
Materials
Stainless Steel
Portrait of a Geisha
By Roland Strasser
Located in Amsterdam, NL
Roland Strasser (1895-1974)
"Japanese Geisha"
Signed lower right
Oil and gold leaf on canvas, measures: 76 x 46 cm
In fine white-wash wood frame.
...
Category
1930s Expressionist Metal Paintings
Materials
Gold Leaf
A Rose for My Faithful Fiend, Collage on Medal , 11 x 11, Blotter, Custom Frame
By Inez Storer
Located in Houston, TX
A Rose for A Friend by Inez Storer is oil on medal with mixed media. It is 11 x 11 and mounted on a wooden display box so there i s no need for a fr...
Category
Early 2000s Expressionist Metal Paintings
Materials
Metal
Beauties Series: Beauty and the Bird
By Jackie Felix
Located in Buffalo, NY
An original acrylic on paper expressionist painting by American contemporary female artist Jackie Felix.
This painting from Felix's Beauty Series was exhibited in the artist's solo ...
Category
1980s Expressionist Metal Paintings
Materials
Silver Leaf
"Il motivo di un viaggio" by Enzio Wenk, 2006- Acrylic on Metal, Urban Landscape
By Enzio Wenk
Located in Bresso, IT
Translated title: "The reason for a trip"
Acrylic on metal plate.
Category
Early 2000s Expressionist Metal Paintings
Materials
Metal
"Figura Danzante" by Enzio Wenk, 2018 -Acrylic, Enamel, Figurative Expressionism
By Enzio Wenk
Located in Bresso, IT
Translated title: "Dancing figure".
Acrylic paint and enamel on canvas.
The artist sells the handmade, original and one-of-a-kind piece, but he reserves the right to duplicate it...
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2010s Expressionist Metal Paintings
Materials
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Girl & Plants Enamel Glazed Ceramic Plaque Israeli Artist Awret Naive Folk Art
By Irene Awret
Located in Surfside, FL
This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret (these are generally hand signed Awret Safed on the verso. I just have not opened the frame to check) the actual glazed ceramic is 10.25 X 14.75 inches.
It depicts a girl or woman with potted plants, birds, pomegranates and other fruits and flowers in a naif, folk art style.
Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves.
When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border.
Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order.
Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures.
A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation.
Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium.
Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret - who would later become her husband. Among the other artists in the workshop were Herbert von Ledermann-Vütemberg, a sculptor from an aristocratic family with Jewish roots, Léon Landau, and Smilowitz, who perished in the camps in the East. Irène and Azriel tried to bribe a German officer to prevent Smilowitz's deportation. Not only were they unsuccessful, but they were almost put onto the same train. Jacques Ochs was another artist with whom they became friends in the camp. Ochs, a French-born Protestant who lived in Belgium, was interned as a political prisoner. He remained in Belgium after liberation.
After the war the Awrets immigrated to Israel and made their home in Safed. They continued to work, and were instrumental in founding Safed's artists' quarter.
The Beit Lohamei Haghetaot (Ghetto Fighters' House Museum) art collection holds works donated by Awret. These date from her time in Malines camp and from her stay in Brussels after the war, when she was in the company of orphans who had hidden while their parents were sent to Auschwitz. Her highly expressive works have made their way to exhibitions at theTel Aviv Museum, the Haifa Museum of Modern Art and the Modern Art Gallery in Washington, D.C., as well as into the private collections of such individuals as Dr. Jonas Salk...
Category
1950s Expressionist Metal Paintings
Materials
Enamel
Original Oil, Golden Summer-Sunlit , Award UK Artist, landscape, expressionism
Located in London, GB
The painting was painted Plein Air, in Artist's own garden of the memorial roses she planted.
This is Rosa Albertine, the first Old English variety Artist Shizico Yi planted in her garden in 2016, before her late dog died.
Old English Roses...
Category
2010s Expressionist Metal Paintings
Materials
Gold
Girl & Rooster Enamel Glazed Ceramic Plaque Israeli Artist Awret Naive Folk Art
By Irene Awret
Located in Surfside, FL
This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret is signed Awret Safed on the verso. the actual glazed ceramic is 10X15 inches.
Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves.
When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border.
Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order.
Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures.
A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation.
Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium.
Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret...
Category
1950s Expressionist Metal Paintings
Materials
Enamel
'Begiak I' Mixed Media on Canvas
Located in Rye, NY
Alberto Letamendi, is an artist from Ordizia (Basque Country) born in 1964. In his work, whether in painting or sculpture, he uses various techniques with a preference for natural ma...
Category
2010s Expressionist Metal Paintings
Materials
Iron
'Ahaztuak Los Suenos' Mixed Media on Canvas
Located in Rye, NY
Alberto Letamendi, is an artist from Ordizia (Basque Country) born in 1964. In his work, whether in painting or sculpture, he uses various techniques with a preference for natural ma...
Category
2010s Expressionist Metal Paintings
Materials
Iron
'Izaraak I' Mixed Media on Canvas
Located in Rye, NY
Alberto Letamendi, is an artist from Ordizia (Basque Country) born in 1964. In his work, whether in painting or sculpture, he uses various techniques with a preference for natural ma...
Category
2010s Expressionist Metal Paintings
Materials
Iron
'Itsasorantz IV' Mixed Media on Canvas
Located in Rye, NY
Alberto Letamendi, is an artist from Ordizia (Basque Country) born in 1964. In his work, whether in painting or sculpture, he uses various techniques...
Category
2010s Expressionist Metal Paintings
Materials
Iron
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Find a wide variety of authentic Metal paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Topher Straus, Sax Berlin, Jimi Gleason, and Bruce Murphy. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Metal paintings, so small editions measuring 0.1 inches across are also available
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