Oil Paintings

Vincent Mazzocchini (France, 20th Century) created this unique French landscape oil on pressed wood board painting. This delightful composition is on rather unusual media. The lands...

Artist: George Grosz, German (1893 - 1959) Title: Aroused Year: 1940 Medium: Oil on Paper, signed l.r. Paper Size: 24 x 18 in. (60.96 x 45.72 cm) Frame Size: 36 x 30 inches Prove...

Signed expressionist oil on canvas portrait circa 1942 by French painter Jean Albert Pougny. The work depicts a violinist in an interior. Signatur...

Le Cirque is a rare and most sought after image by the artist of the circus by collectors of Bombois. This painting shows the circus ring where the performers would perform, the audi...

"Mother and Daughter" Expressionist Portrait in Oil on Cardstock Mid Century expressionist portrait by unknown artist Jane W. Grace (American, 20th C...

'Market Day in Piazza Grande, Locarno, Switzerland', oil on board, by unknown artist (1947-48). Locarno is an utterly charming Italian-speaking resort located on the northern shore o...

Frederick Serger Genre: Post Impressionist Subject: Flowers, Poppies Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Czech, Vienna, Austria and Munich, Germany. During World War I, Serger joined the Austrian Army and served in the Balkans. Once his service ended, he traveled to Paris where he resumed his art training and eagerly joined the Ecole de Paris (School of Paris) artists’ movement. During this period, he was greatly influenced by the Impressionist, Post-Impressionist, and Expressionist movements. While living in Paris, he met and married Helen Spitzer. Serger and his young wife moved from Paris to Scoczow, a city on the Polish-Czech border. They remained in Scoczow for 12 years and he continued to work as an artist, exhibiting in museums in Cracow and Warsaw, Poland. He also showed at the Paris Salon de Tuilleries and the Salon d’Automne. He was part of the generation of expat artists, mostly jewish known as the School of Paris. They created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists Marc Chagall, Chaim Soutine, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. Many École de Paris artists lived in the iconic La Ruche, a complex of studio apartments and other facilities in Montparnasse on the Left Bank, at 2 Passage Dantzig, built by a successful sculptor, Alfred Boucher, who wanted to develop a creative hub where struggling artists could live, work and interact. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, included Emmanuel Mane-Katz, Abraham Mintchine...

Ernst Samuel Geiger (Swiss, ∗ 1.2.1876 Turgi, † 16.12.1965 Neuenstadt) The Church of Ligerz in the Vineyards along the shore of the Lake of Bienne in Switzerland • Oil paint impast...

After his academy Theo Meier moved to Germany where he came into contact with Max Liebermann and German expressionists from Die Brücke. Inspired by Paul Gauguin, he left for Tahiti at the age of 24. The influence of Paul Gauguin and the German Expressionists can be clearly seen in his works. After a year in Tahiti, he moved toBali where he found the culture and art that he had missed in Tahiti. He settled in Sanur and befriended the other artists who had settled in Bali, such as Rudolf Bonnet, Walter Spies, Antonio Blanco...

Expressionist style self portrait of the artist, Cornelis Ruhtenberg (1923-2008), oil on board painted in 1949. Signed by the artist on verso. Interior scene of the artist painted in...

Genre: Avant-Garde Subject: Abstract Medium: Oil Surface: Canvas Country: Mexico Dimensions: 25 3/4" x 19 3/4" x 3/4" Dimensions w/Frame: 27" x 21 1/4" THE VICTIM Yonia Fain Oil, 1947 Although this oil painting’s subject is predominantly abstract, there is a faint echo of a figural shape at its center. A figure wearing Tefillin, An organic form appears to be pinned to a hammer shaped object, reminiscent of a crucifix. This tool may be a reference to one of the Soviet Union’s symbols. Moreover, it is likely a direct reference to the persecution Fain faced as a Russian Jew in Bolshevik Russia. The contrast between colors, geometric lines, and organic curves is indicative of Fain’s collaboration with Diego Rivera, as well as the time he spent in Mexico. The primary hues communicate the hardship the artist underwent and his cathartic ability to reproduce those emotions through paint. In addition to being a renowned artist and award-winning poet, Yonia Fain is among the few survivors to triumph over the turmoil of the 20th century. Fain’s abundant body of artwork and poetry pays tribute to the hardship many experienced during the Russian Revolution, Nazi invasion of Poland, and World War II. The persecution Fain experienced forced him to immigrate to several countries including China, Mexico, and the United States. Yonia Fain was born in Russia in 1914. When he was only 10-years-old, he and his family fled from the Bolshevik Revolution to Poland. There he pursued his studies at the Academy of Fine Arts and hoped to continue his education in Paris. He was awarded B.A. and M.F.A. degrees from the University of Poland. In 1939, the artist and his wife Helen moved to Warsaw when the town they lived in, Vilna, became occupied by the Soviet Union. Although they managed to escape the Nazis, Fain was apprehended by Soviet military...

Oil on wood, Sold with frame Total size with frame is 71,5x90,5 cm Jacques Berger is a Swiss artist born in 1902 and died in 1977

Work on canvas with a frame; total size 80x93 cm

The setting reminds us of a Rear Window by Alfred Hickcock but Evergood did it 8 years before. It's most likely Greenwich Village since Evergood lived there. This is a very big and heavy to lift painting Signed lower left Framed 56 x 51 in a period very heavy rustic wood frame. Exhibited Center Gallery, Bucknell University, PA, among others venus. gallery label remnants on verso - The Walker Art Center, Minneapolis The Whitney Museum of American Art Annual 1949 - Label Provenance: Naomi and Walter Rosenblum Best Viewed with a top gallery light...

Alphons (Alfons) Müller (Swiss, * 24.8.1898 Mitlödi, † 8.6.1955 Biel) ' Im Häfeli ' The small harbor at the Lake of Biel / Bienne in Switzerland • Oil on artist board, ca. 47 x 38 cm • Frame, ca. 54 x 45 cm • Signed bottom right Alphons Müller lived and worked in the watch industries in Biel/Bienne in Switzerland up to about 1933. He then decided to become a full-time artist and painted landscapes, still lifes, portraits/nudes in various styles up to his early death in 1955. Alphons Müller was the proverbial hardworking bohemian artist. He lived in a small cold room above a pup and often struggled to make ends meet. On one hand he would paint commercial views of local beauty spots - often of the Lake of Bienne. These paintings were generally executed using very thin paint layers (to make the expensive material last longer ...) in a very bright impressionist style. On the other hand, he would create intelligent, generous and deep reaching images - especially during the war. In the late thirties he meets his two loyal patrons, the baker Werner Gass and the pharmacist...

A powerful American Expressionist School study of poppies shown informally arranged in a lilac container. A heavily-impastoed oil showing bravura brushwork and demonstrating an elega...

Portrait of harlequin by Vassyl Khmeluk was executed in circa 1946-1947. This impressive stylistic artwork by Khemluk falls well into a series of portraits masterfully created by the...

Alphons (Alfons) Müller (Swiss, * 24.8.1898 Mitlödi, † 8.6.1955 Biel) Wrath of the Wind - Oil on artist board, ca. 58.5 x 50 cm - Frame, ca. 71 x 62 cm - Signed and dated (19)40 to...

Estate stamped and accompanied by a COA from the estate. The history of the New York School painters is still being written, but Price earned a well-deserved place from the beginnin...

This painting of a lush, wooden landscape with a house by a lake was painted by New Mexico, female artist Mabel Dodge Lujan in the 1940's. It signed "M...

Mystery Italian Expressionist still life. This magnificent oil on board came from the estate of a retired Italian diplomat that had a place in Miami. He had wonderful art and antiques including 2 Giorgio Morandi paintings...

Genre: Avant-Garde Subject: Abstract Mexican Landscape Medium: Oil Surface: Canvas Country: Mexico Dimensions: Yonia Fain Oil, 1947 Although this oil painting’s subject is predominantly abstract, there is a faint echo of a figural shape at its center. A figure wearing Tefillin, An organic form appears to be pinned to a hammer shaped object, reminiscent of a crucifix. This tool may be a reference to one of the Soviet Union’s symbols. Moreover, it is likely a direct reference to the persecution Fain faced as a Russian Jew in Bolshevik Russia. The contrast between colors, geometric lines, and organic curves is indicative of Fain’s collaboration with Diego Rivera, as well as the time he spent in Mexico. The primary hues communicate the hardship the artist underwent and his cathartic ability to reproduce those emotions through paint. In addition to being a renowned artist and award-winning poet, Yonia Fain is among the few survivors to triumph over the turmoil of the 20th century. Fain’s abundant body of artwork and poetry pays tribute to the hardship many experienced during the Russian Revolution, Nazi invasion of Poland, and World War II. The persecution Fain experienced forced him to immigrate to several countries including China, Mexico, and the United States. Yonia Fain was born in Russia in 1914. When he was only 10-years-old, he and his family fled from the Bolshevik Revolution to Poland. There he pursued his studies at the Academy of Fine Arts and hoped to continue his education in Paris. He was awarded B.A. and M.F.A. degrees from the University of Poland. In 1939, the artist and his wife Helen moved to Warsaw when the town they lived in, Vilna, became occupied by the Soviet Union. Although they managed to escape the Nazi Holocaust, Fain was apprehended by Soviet military...

In an article published in Le Figaro (Paris, March 19, 1964), Raymond Cogniat comments on Czóbel’s unique artistic style. He writes: “...Czóbel, who arrived Paris in the first years...

"The Saint of the Flaming City" is an original oil painting on canvas by Raymond Breinin. It depicts a group of figures looking over an abstracted and green city as the colors of fire rage through the sky. The artist signed and dated the piece in the lower right. This painting was lent by the David Barnett Gallery to the Art Institute of Chicago for their 52nd Annual Exhibition. 30" x 40" art 39 3/4" x 49 3/4" frame Raymond Breinin, Russian/American painter & designer (1910-2000), was born in Vitebsk, Russia, where he commenced his art studies with Uri Pen (who was also the first teacher of Marc Chagall) and later attended the Vitebsk Academy of Art where Malevitch was the director. He came to the United States with his family in 1922. When he came to America he attended classes at the Art Institute of Chicago and the Chicago Academy of Fine Arts. A painter of murals for the WPA, he was invited to join the Downtown Gallery in New York City, one of the foremost galleries at the time, where he exhibited in one man shows and group shows over a period of 18 years. The winner of numerous major prizes at the Chicago Art Institute and other museums, he also won the $1000 purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition. He designed the sets and costumes for Anthony Tudor's ballet, "Undertow" produced by the American Ballet Theater. He executed commissions for "Life", "Fortune" and "Redbook" magazines, for the Capehart Corporation, Eli Lilly...

Artist: Alexander Raymond Katz, Hungarian / American (1895 - 1974) Title: Nude with Fruit Basket Year: circa 1949 Medium: Oil on Canvas Size: 48 x 33 in. (121.92 x 83.82 cm)

A substantial, sunlit landscape showing a fruit-tree in blossom in the foreground with verdant fields receding towards rolling hills beneath turquoise and lavender clouds. Signed ...

Just discovered within an exceptional private west coast collection, the signature and inscription on this incredible small oil on paper, is at the moment, undecypherable, we are res...

Park Landscape Russian-Polish, born in 1909 Born in Saint Petersburg, Russian Empire Studied painting in Paris and Warsaw Selected Public Collections Muzeum Historyczne M. St. Warszawy (Historical Museum of Warsaw), Poland Muzeum Narodowe w Warszawie (National Museum in Warsaw), Poland Muzeum Pomorza Srodkowego w Slupsku (Museum of Central Pomerania in Slupsk), Poland Muzeum Wojska Polskiego (Polish Military...

MANE KATZ [Katz Emmanuel] 1894-1962 Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli) Title: Fishermen by the Boats, circa 1941 Techinique: Original Signed Oil Painting on Canvas Size: 51 x 61 cm / 20.1 x 24 in Additional Information: The work is signed "Mane Katz" on the right hand side. This work was painted circa 1941. Provenance: Graham Gallery...

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Untitled, Vases Medium: Oil on Masonite, signed and dated LL Size: 18 x 15 inches

Noted German Expressionist artist Fritz Schwaderer, was classically schooled in fine art in Germany in the early-mid 1920’s. Schwaderera...