Wood Paintings

Impasto Oil Painting of Melting Snow on English Moor Landscape by British Artist. Original on Canvas. Art measures 20 x 8 inches Frame measures 25 x 13 inches Colin Halliday is a ...

Boldly colored portrait of a the artist sketching by California artist Richard "Don" Klopfer (1920-2009). The seated figure is juxtaposed to a fun and vibrant two-toned background of...

Beautiful oil on canvas from the end of the 19th century figuring the portrait of a young woman. The painting is signed Y Pol on the bottom left . The artist in his performance perfe...

Discover the stunning alpine beauty of a small town nestled in a mountain valley, surrounded by a tranquil river and a majestic castle atop a cliff, providing a breathtaking view. In...

This artwork showcases the beauty of sailing boats and ships sailing gracefully on the sea waters. The artist's attention to detail is evident in the intricate depiction of the ships...

Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 26 x 17 inches in antique wood frame This vertical, contemporary portrait painting of sin...

original impressionist oil canvas painting. framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air...

Josep Lloveras Feliu (1922-2014) - Virgin Mary and child Jesus - Oil on panel Oil measurements 60x49 cm. Frame measurements 68x57 cm. Josep Lloveras y Feliu, was a painter and sculp...

"Zeus and Ganymede", oil and silver leaf on canvas, 39x39in / 100x100cm Inspired by the legend of Zeus and Ganymede. Shipped as it is, stretched, directly from the artist's studio.

Oil on canvas. "Sunshine Bliss: The Aroma of Summer Watermelon" In this painting, a vivid and joyful spectacle unfolds before us, as if a sunbeam has penetrated directly onto the c...

Signed lower right, 'Patricia Cunningham' for Patricia Stanley Cunningham (American, 1907-1984) and painted circa 1965. The first woman to serve as president of the Carmel Art Assoc...

Adriana Pincherle, (1905, Rome - 1996, Florence). A lady with a turban and green shadows in a landscape. Italian female painter, active in Rome and from 1943 in Florence. Painting signed and dated lower right: Adriana Pincherle. 1973. Oil painting on canvas. The simple composition, which represents a woman from behind, bears the influence of Matisse's avant-garde style, with bold and refined color combinations. The shape is created with color, creating an almost surreal and highly expressive effect. The painter once said: "My painting has always been figurative, not realistic. In this sense I felt very similar to the Informal movement, which, fundamentally, pushed my passion for color to the extreme." FREE SHIPPING in Italy and Europe Artist Biography: Pincherle Adriana Rome 25 December 1905 - Florence 8 January 1996 Adriana was born in Rome on 25 December 1905, into a family in which two cultures were intertwined: the Jewish one of her father, the engineer Carlo Pincherle, of Venetian origins and in love with painting, and the Catholic one of her mother, Isa di she. De Marsanich, a noble but decayed Hungarian. Adriana is the eldest child and two years older than her brother Alberto, known to the literary world under the pseudonym Alberto Moravia As Pincherle herself says about her, as a child she spent hours admiring her father who painted watercolours, and it was perhaps then that her interest in drawing and above all her particular sensitivity towards color was born. Thus, having completed her classical studies, she began to attend the "ladies" atelier of the engraver Alfredo Petrucci and the free nude courses at the Academy, where she met Mimmo Spadini and Scipione, and came into contact with Roman art. In 1931 she made her debut at the collective "First Roman exhibition of female art" at the "Galleria di Roma", while the following year, at the same gallery, she exhibited a solo show together with Corrado Cagli, already attracting the attention of critics, famous comment by Longhi, cited several times by Pincherle herself, who prefers the "sissy" between the two artists. As evidence of the results achieved by Adriana since her first works, we remember that among her works presented in 1932 there was also the famous "Standing Self-Portrait", now in the Uffizi Pincherle's growth passes through places and periods common to both the Roman School and the school of painters of the via Cavour group (Mafai, Raphaël, Scipione), with tangents and deviations, but his pictorial research arrives at original solutions independent of any label . Fundamental to the maturation of her art was her stay in Paris in 1933, in which Pincherle admired and studied closely the Fauves, Renoir and in particular Matisse. In the same year she exhibited for the first time in Florence at the Sala d'arte delle Nazioni with Milena Barilli...