Barnaby Fitzgerald

Moon and the Frittata

1988

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

John Cobb knew he wanted to be an artist since he was 9. In 1976, he entered Rhode Island School of Design where his realist tendencies were ostracized. Using the money intended for ...

Born in 1933, Otis Huband declared his intention to be an artist at age 6. He earned his BFA and MFA at Richmond Professional Institute of the College of William & Mary, now Virginia...

Vera Barnett is best known for creating elements of her composition—by sewing and painting plastic, building objects with cardboard and tape, and assembling found objects—then settin...

Vera Barnett has taken on a range of themes in her works, producing multiple series of paintings inspired by phobias, famous artworks, or most recently the written word in her exhibi...

Vera Barnett has taken on a range of themes in her works, producing series of paintings inspired by phobias, famous artworks (as in her series "Classical Plastique,") or most recentl...

Painting: Oil on Canvas Dimensions: 26 in x 36 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Novosibirsk, Russia, and currently live...

Oil paint on canvas Hand-signed on the back by the artist Louis-Paul Ordonneau is a French painter born in 1975. He lives and works in Paris. In 1999, he set up his studio in tempo...

Frantz Lexy’s “Waiting for flowers to bloom” is an oil pastel and acrylic painting showing a nude woman in a vibrant outdoor landscape. She is surrounded b...

Descriptive 2, 2013 Acrylic on canvas, (Signed, Front left lower end) 27.55 H x 19.68 W in. 70 H x 50 W cm The artwork "Descriptive 2" was part of the solo show “Epic”. This exhibit...

Free Study - The Pond, 2021 acrylic on cardboard 119 H x 79 W cm 46 27/32 H x 31 7/64 W cm The series of painted cardboards by Alexandru Rădvan is about our moments of 'respiro' ab...

Inspired by scenes from iconic American landscapes, ranging from arid deserts to lush forests, Jacobsen delves into humanity’s connection to nature and the technology that often mediates that experience. Embedded in the works is the recognition of nature’s immense power in contrast to its quickening fragility. Increasingly, under threat from the continuing rollback of regulations and protections in favor of exploitation for commercial gain, the double-edged sword of technology and the legacy of Westward expansion continue into the present day. For Jacobsen, American parks act as a foil to European colonization and resource extraction. While the creation of National Parks may be one of America’s greatest innovations, in preserving these beautiful and once wild places, they are in practice reduced to roadside attractions. Jacobsen states, “By elevating these picturesque landscapes we also diminish our own place in them. No longer are we participants in the divine dance but instead menacing spectators observing from stadium...