Nude Paintings

The painting was created in 1987, the year of the artist's death and thus a late work. The classically modern nude is depicted with a tendency towards cubism, the colours are luminous.

ABOUT THE ARTWORK "Rising in Unity," this poignant artwork, explores themes of kinship, growth, and the nurturing aspect of nature. The two figures stand as mirror images, their sha...

This superb oil on canvas painting of a nude study is dated 1970 and signed lower left. We have not been able to decipher the artist's signature (please check the pictures for inform...

This painting was 1stDibs curator Brooke Wise's number 1 favorite. She called it: a more tender and revealed version of David Hockney's 82 portraits and a still life. A beautiful c...

Mid-century figure study of an African American man by American Impressionist artist Genevieve Rogers. Unsigned, but acquired with a collection of her...

'Woman with Blue Eyes', oil on board, by Peter Robert Keil (1985). A topless redhead gazes out to the viewer with her intense blue eyes. A mysterious blue hand sneaks into view from ...

Juice me up! is a fine oil on canvas realized in 2018 by Anastasia Kurakina. Signed and dated in ink on higher right margin. This original painting explores the common Kurakina's...

Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting in the studio of Professor Jan Świtka. He made his de...

Vibrant contemporary nude figure in neon orange on a purple abstract background by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Romero (American, b-1985)...

This surreal neo-expressionist nude portrait is by Spanish artist Pep Suari and features a woman pouring water from a pitcher into the "Dream Fount...

Shana’s portraits adorned two covers of Time Magazine. Shana’s work is about the face and eyes. Young face, old face, black or white. Her subjects are confused, lonely, ragged and ...

Vadym Mykhalchuk "Selfie"

Artist: Vadym Mykhalchuk Title: Nastya Year: 2018 Style: Pop Art Materails: Oil on canvas Height: 100 cm Width: 80 cm

Shana’s portraits adorned two covers of Time Magazine. Shana’s work is about the face and eyes. Young face, old face, black or white. Her subjects are confused, lonely, ragged and ...

Painted from a sketch from life, a nude, female figure sits with an orange cloth draped around her shoulders. Ramiro places the figure on a pedestal, draped in white linens. The figure's back is revealed, curving sensually and naturally, hair pulled up in a bun to accentuate her form. Signed: Angel Ramiro Sanchez in lower right corner Angel Ramiro Sanchez was born in 1974 in Maracaibo, Venezuela. At age six was accepted with full scholarship into the Instituto the Niños Cantores del Zulia, school for musically gifted children. At age fourteen he began five years of apprenticeship with the realist painter, Abdon J. Romero, an eminent specialist in murals for churches and public buildings. In 1993, a study grant from Mgr. Gustavo Ocando Yamarte, Founder the Niños Cantores, enabled him to travel to Florence, Italy, where he studied at the renowned Accademia di Belle Arti, graduating Magna Cum Laude in 1997. At the same time, he was enrolled at The Florence Academy of Art,founded by painter Daniel Graves, where he received a diploma in Painting. Ramiro was appointed senior painting instructor at The Florence Academy of Art in 1997, and is currently Director of the Advanced Painting Program. Ramiro paints only from life, searching for accuracy beyond physical appearance to reach the psychological state of his subject. He believes the painter must draw his information from "all five senses" to tell the complete human story. Ramiros work is predominantly represented by th e Grenning Gallery in Sag Harbor, New York, but also Scriba Gallery, venice, Italy, Jack Meier Gallery, Houston, Tx. Ramiros works can be found in numerous private collections in Europe, The United States and South America. Public collections include: The Fondazione Stelline, Milan, Italy. The Fremantle Foundation for Foreing Artist in Tuscany at Villa Peyron, Florence, Italy and The Muscarelle Museum of Art at the College of William and Mary, Williamsburg, VA. USA. He shares his life and passion for art with his wife, the artist Melissa Franklin-Sanchez. Education 1993-1997 Florence Academy of Art, directed by Daniel Graves, Florence, Italy. 1993-1997 Accademia di Belle Arti di Firenze Graduated Magna Cum Laude, Thesis: Historic and Technical Notes of Academic Realism Today. 1995 Florence, Italy: Michael John Angel...

This art piece is part of the series of unique sizable works called 'Home alone'. By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey ...

Signed with initials lower left, 'H.V.S.' for Hans Voigt Steffensen (Danish, born 1941) and painted circa 1985. Additionally signed, and titled, 'Charlotte'...

Woman in orange is an oil painting on cardboard, realized in 2018 by the emerging artist Anastasia Kurakina. Mixed colored oil on canvas. This beautiful artwork represents a woman....

This art piece is part of the series of unique sizable works called 'Home alone'. By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey ...

Shana’s portraits adorned two covers of Time Magazine. Shana’s work is about the face and eyes. Young face, old face, black or white. Her subjects are confused, lonely, ragged and ...

Brightly colored nude by California artist Don Klopfer (1920-2009). Signed and dated "Klopfer 93" upper left corner. Presented in a white slat frame. Canva...

Watercolor, mixed media, using resists and metalic paints and old pastels. For Octopus and cephalopod fans. Janet Morgan’s explosive art captures the exu...

Artist/ School: French School, circa 1970's Title: Reclining Nude Model on a Red Sofa within an interior setting Medium: oil painting on canvas, unframed Size: painting: 19.75 x ...

Strange women VI, 2015 Acrylic on canvas pad 23.62 H x 17.71 W in. 60 H x 45 W cm "Strange women" is a cycle of eight canvases that represents a female ...

Mythological V (Blem), 2016 Acrylic marker on canvas sheet (signed and dated front left corner) 23 5/8 H x 17 3/4 W in. 60 H x 45 W cm (reproduced at page 43, in the catalogue 'Mythi...

Acrylic and acrylic ink on paper Signed in pencil, verso 10.5 x 8 inches, sheet 18.5 x 16 inches, frame This work is offered by ClampArt, located in New York City. Price includes frame.

Remembrance of Things Past NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fish, sing of Nature's beauty, put down roots, and, later, develop a style of painting all his own. The Boston native moved to New York after attending the School of Practical Art on the G.I. Bill, where he began his career in the art department of Lever Brothers. But he had bigger dreams, and soon established the Bonart Studio, a commercial art business. RCA Records, the Ideal and Transogram toy companies, and the Schrafft’s candy and chocolate company were among the studio’s clients. The business a success, he began to take vacations. He liked Montauk so much that he built a house in Hither Hills...

Stamped, verso, with the estate stamp for Victor Di Gesu (American, 1914-1988) and painted circa 1958. A substantial, Post-Impressionist style figural oil showing a young woman seat...

"Suspend" is an evocative contemporary op art painting, depicting a female nude lounging amongst a planar background of optics and geometric visual effects. Vibrant colors of violets, reds, yellows and blues in geometric patterns create illusion and optical effects that surround and absorb the figure in this painting by Emily Roz. Referencing op art and a 1970's sensibility, volumizing shaded stripes, polka dots, stripes and radiating lines of color in contrasting angles creates a distorted planar ground that the figure extends across, facing away from the viewer. Emily Roz, "Suspend" acryla gouache on paper, 12 x 16 inches, 2020 Emily Roz (b. 1972, New Haven, CT) is a New York based artist. She has had multiple solo exhibitions at Front Room Gallery...

Nude In Orange NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fi...

Golden Lady Comes framed (white) see image Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk fro...

Caritas Romana, 2003 Acrylic on canvas 118.11 H x 78.74 W in. 300 H x 200 W cm Alexandru Rădvan is known for his large works in which he examines ancient myths and mythologies throu...

Shana’s portraits adorned two covers of Time Magazine. Shana’s work is about the face and eyes. Young face, old face, black or white. Her subjects are confused, lonely, ragged and ...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

The Rite of Spring 2, 2016 Acrylic on canvas 82 43/64 H x 139 3/8 W in. 210 H x 354 W cm The artist's reference on fundamental myths of humanity and their analysis from the perspect...

The Rite of Spring, 2016 Acrylic on canvas 82 43/64 H x 133 55/64 W in. 210 H x 340 W cm The artist's reference on fundamental myths of humanity and their analysis from the perspect...

"La Cage Aux Fowls" A tongue in cheek swipe at the artist and his muse, the nude and of course the chicken. An oil on canvas circa 1980, signed G. Lester of Ardsley, New York (Americ...

Despite it's undramatic title, "Living Room", this oil painting is cloaked in mystery. A woman lies prostrate before a large brown fireplace in what appears to be a gesture of anguish. Her face is not revealed while the contours on the red wing chair...

Bright and vibrant this mixed media on paper is a lovingly created study. Excellent condition Angela was born in 1946 and studied art at Kingston Art College, London. Her early c...

Signed lower left 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated "51". Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtma...

Multidisciplinary artist Kim Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and th...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: The Early Hours Year: circa 1964 Medium: Oil on Canvas Size: 44 in. x 21 in. (111.76 cm x 53.34 cm) Frame Size: 50 x 27 inches

Prakash Karmakar - Beach series - 8 x 7.5 inches (unframed size) Mixed Media on paper , 2004 Inclusive of shipment in a roll form. Style : Legendary master artist Lt. Prokash Karmak...

Sunny and bright watercolor and ink painting of a nude female figure in a kneeling pose against a bright yellow background by Kei Mitsuuchi, 1994. Signed and dated lower left. Orig...

Bold Fauvist colors and a fun patterned background with flower and plant motifs characterize this unique and colorful depiction of a nude female in orange by California artist Don Klopfer...

For Pierre-Auguste Renoir, Impressionism's pre-eminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled Après le bain presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. Après le bain conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 Gabrielle with a Rose (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers. Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. Circa 1898 Canvas: 43 1/2" high x 35 1/2" wide Frame: 57 3/4" high x 49 1/4" wide Provenance: Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899) J. Pereire Collection, France (1966) Sam Salz, New York (before 1981) Claus Virch, Paris French Compagny, Inc., New York Larry Silverstein, New York (circa January 1987) Le Clos de Sierne Gallery, Geneva Galerie Heyram, Paris (October 1987) Francis Gross M.S. Rau, New Orleans Literature: B. Schneider, Renoir, Berlin, 1957, p. 95 (illustrated in color, p. 83) M. Gauthier, Renoir, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet') F. Fosca, Renoir, L'homme et son obra, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath...

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

Soricieres, depicts a covenant of witches as they convene at the top of a fabled mountain in Germany, the Broeken. The legend states that on a single night of the year, St. Walpurgis...