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José RoyoWomen by the Sea spanish oil on canvas painting mediterranean art1986
1986
$14,190.45
£10,787.11
€12,000
CA$19,942.55
A$21,684.68
CHF 11,425.71
MX$263,405.95
NOK 143,644.24
SEK 134,654.87
DKK 91,850.52
About the Item
Title: Women by the Sea
Artist: José Royo (Valencia, 1941)
Date: 1986
Medium: Oil on canvas
Dimensions: 73 × 60 cm (28.7 × 23.6 in)
Signature: Signed and dated lower right: Royo ’86
Frame: Unframed
Condition: Excellent. Firm and well-stretched canvas with a richly textured impasto, vivid colors and an even varnish layer.
Description
In Women by the Sea, José Royo displays his masterful command of Mediterranean light —a direct heir to Valencia’s luminist tradition. Three female figures, bathed in turquoise reflections and glowing whites, merge with the coastal landscape through vigorous, expressive brushwork.
Royo captures the fleeting moment with musical rhythm: fabrics flutter in the wind, sunlight dances on the water, and color becomes the true protagonist. Built upon ascending diagonals and subtle temperature contrasts, the composition conveys movement, sensuality and the brilliance of summer light.
His painting combines the lyricism of Mediterranean Impressionism with the sensual grace of the female form, positioning Royo among the finest continuators of Sorolla’s legacy. The impasto technique and luminous palette recall the spontaneity of Renoir and Monet, filtered through the passionate temperament of the Spanish Levante.
Artist Biography
José Royo was born in Valencia in 1941. A precocious talent, he began studying drawing and sculpture at the age of nine and entered the Escuela de Bellas Artes de San Carlos at fourteen. He trained under Adolfo Ferrer Amblat and later completed his education by traveling across Europe to study the works of Velázquez, Goya, Renoir, Monet, and, above all, Sorolla —whose influence proved decisive in shaping his artistic language.
From the late 1960s onward, Royo exhibited widely in Valencia, Madrid, and Barcelona, later expanding to London, Brussels, Copenhagen and Paris. By the 1980s, he had developed his mature style —a vibrant synthesis of light, movement and color that earned him international recognition as “the painter of Mediterranean light.” His works are represented in numerous private collections and galleries throughout Europe and the United States.
Related Artists
Joaquín Sorolla y Bastida, Cecilio Plá, Ignacio Pinazo, Julio Romero de Torres; internationally, Pierre-Auguste Renoir and Claude Monet.
- Creator:José Royo (1941, Spanish)
- Creation Year:1986
- Dimensions:Height: 28.75 in (73 cm)Width: 23.63 in (60 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sitges, ES
- Reference Number:1stDibs: LU1155217123932
José Royo
Born in 1941 in Valencia, Spain, Jose Royo began demonstrating his artistic talent early. When he was the age of 9, his father, a prominent physician and avid art enthusiast, employed private tutors to instruct Royo in drawing, painting, and sculpture. When Royo turned 14, he entered the San Carlos Royal Academy of Fine Arts in Valencia. Upon turning 18 Royo continued his artistic studies privately with Aldolfo Ferrer Amblat, Chairman of Art Studies at the San Carlos Academy. He also visited the major museums in Europe at this time to study the famous masters-Velasquez, Goya, Renoir, Monet, and Sorolla among others. During the mid-60's-early 70's Royo added more dimensions to his skills creating theatre sets and doing graphic illustration and restoration work. He also participated in competitions, gaining major distinctions. In 1968 he began to exhibit in Spain, specifically Lisbon, Madrid and Barcelona. With positive reception of his works in Madrid, Royo received commissions to paint the royal portraits of King Juan Carlos and Queen Sofia. He received subsequent commissions to paint the Judges of the High Magistrature and the Court of Justice, as well as prominent political and society figures. At the age of 25 Royo began feeling a growing desire to paint the land of his birth; to convey the light, the color and the intensity of Valencia and the Mediterranean. This meant a new focus and change of style in his work; he needed to perfect new ways to capture the light, the shadow and to work on classical composition styles. Through the 1980's Royo perfected his style of painting the Mediterranean and exhibited abroad, notably in London, Brussels, Copenhagen and Paris. He also participated in the International Geneva Art Fair. Beginning in 1989 and continuing until today, we see the development of Royo's "matured" style. His dramatic usage of color and "texturing" capture his subject matter with unique flair. Parallels can be drawn to the work of the European masters; for example, with Royo's "homage to the female form," we see the distinct influence of Renoir. It is the similar, almost portrait-like treatment of the female model, caught in a serene, contemplative moment, with the surrounding "bursts" of color from the floral landscapes where we see the "Renoir" in Royo's work. In fact, critics have concluded, "If the artwork of Renoir were blended with that of the 'Valencian painters' you would arrive at the canvasses approaching the uniqueness of the impressive work of Royo." Impressive parallels can also be drawn between Royo's work and that of the Spanish master, Joaquin Sorolla. Both were born in Valencia, both were classically trained, both "matured" into styles of painting capturing the dramatic visual essence of their homeland-Valencia and the Mediterranean Sea. They have both been described as "painters of the Light"; some have said, "of the Light of the South," that is, the southern coast of Spain.
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