Luis Ricardo Falero

Seduction - Orientalist Oil, Nude Female Figure in Interior by Luis Falero

1893

Signed nude in interior oil on canvas circa 1900 by French academic painter Delphin Enjolras. The piece depicts a red-haired nude resting on a bed in a lush boudoir with a sheer scar...

Signed nude oil on original canvas circa 1910 by French post impressionist painter Georges D'espagnat. The work depict a nude woman seated on a stall turned away from the artist. Paintings hang on the wall and there's a vase filled with pink and red flowers on the wooden mantlepiece beside her. Signature: Signed upper left Dimensions: Framed: 30"x26" Unframed: 22"x18" Provenance: Private French collection. Exhibition stamp verso From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...

Signed oil on canvas of figures in a landscape by French cubist painter Camile Hilaire. The piece beautifully depicts three nude bathers - two blonde and one brunette - resting on th...

A beautiful oil on original canvas circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicats a nude woman in a yellow shawl standing by a blue vase filled with pink, red and white flowers. Signature: Signed lower right Dimensions: Framed: 28"x20" Unframed: 21"x13" Provenance: Doyle New York - May 2003 From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...

Signed and dated nude figure in interior oil on canvas by French post impressionist painter Pierre De Belay. This work depicts a painting of Pierre De Belay's wife - Helene. Here she...

Wonderful oil on canvas circa 1960 by French modernist painter Maurice Brianchon. The work depicts a blonde-haired nude seated on a wooden chair turned away from the artist with her chin resting in her hand. Signature: Signed lower left Dimensions: Framed: 38"x33" Unframed: 29"x24" Provenance: Fondation de L'Hermitage (Lausanne) - Exhibition Maurice Brianchon 13th October 1989 - 28th January 1990 As a young man, Maurice Brianchon studied at school in Le Mans before joining the École des Beaux-Arts in Bordeaux. He went on to study at the École des Arts Décoratifs in Paris, remaining there from 1917 to 1923 and working under the direction of Eugène Morand. It was here that he met and became friends with Oudot and Legueult. When he exhibited for the first time at the Salon d'Automne he was immediately elected as a member. He received the Blumenthal Award in 1924 and the Carnegie Prize in 1939. He was a founder member of the Salon des Tuileries and was appointed to serve on the committee in 1941. He also exhibited at the Salon de la Société Nationale des Beaux-Arts in Paris. He took part in major exhibitions abroad, including the Venice Triennale, Antwerp, Rio de Janeiro, New York, Madrid, Brussels and Stockholm. He soon made his mark as a decorative artist, creating stage sets for the Opéra for a production of Griséldis (1922) in collaboration with Legueult, and for Noble and Sentimental Waltzes ( Valses Nobles et Sentimentales) (1938), Sylvia (1941) and The Model Animals ( Les Animaux Modèles) (1944). He created a large, decorative piece entitled Symphony at the Palais de Chaillot, where he worked with Chapelain-Midy, Planson and Oudot. He also decorated the Lycée Janson-de-Sailly with murals. With his wife Marguerite Louppe he produced three large panels commissioned by the state in 1942 for the Conservatoire. The Gobelins and Aubusson tapestry works produced tapestries after his cartoons. He also produced cartoons for...

Jacob Collins is a leading figure in the contemporary revival of classical painting. In this beautiful painting, a brunette woman lies in wonder next to a sleeping red-headed man with a goatee in a bed of white silk sheets...

Oil on canvas Canvas size: 18 x 21.5 inches Framed size: 26 x 29.5 inches Signed lower right

Nude 1960s. Oil on canvas. 60x73 cm "Nude" is a captivating and elegant artwork that celebrates the female form in a tasteful and artistic manner. Through skillful brushwork, the artist aims to convey the woman's beauty and allure, inviting viewers to appreciate the timeless fascination and artistic exploration of the nude human figure. Aleksandra Belcova...

Looking Out by Vadim Zang is an oil painting that is 18" x 14"". This is painted in the style of Impressionism. Vadim Zanginian was born in Armenia in 1965. He is a graduate from A...

In "Female Curve," a 24" x 36" oil on canvas, Natalia Aandewiel captures the sensuous form of the feminine mystique with an impressionistic touch. Swirls of cerulean, blush pink, and...

"Male Curve" is an evocative 36" x 24" oil painting by Ukrainian artist Natalia Aandewiel that captures the essence of masculine grace. Rendered with a raw, earthy palette, the comp...