Van Zevenberghen Georges

Judgment of Paris, Georges Van Zevenberghen, Brussels 1877 – 1968, Signed

1937

André Hallet Liège, Belgium 1890 – 1959 Kisenyi, Rwanda Belgian Painter 'The Water Carriers' Signature: Signed bottom left, placed and named on reverse Medium: Oil on canvas Dimensions: Image size 100 x 80,50 cm, frame size 120,50 x 100,50 cm Biography: Hallet André was born in the Liege in 1890, emerged as a luminary in the world of Belgian post-impressionist painting. His oeuvre, a testament to his profound talent, has graced the walls of over 60 museums worldwide, including the venerable Louvre in Paris, France. Hallet’s artistic repertoire was as expansive as it was breathtaking. He wielded his brush with mastery in a multitude of genres, creating enchanting landscapes, bustling cityscapes, serene garden views, captivating marine scenes, evocative genre depictions, and intimate portraits that breathed life onto his canvases. The journey of André Hallet’s artistry began under the tutelage and guidance of R. Heintz. He honed his craft further at the Academy in Liege. It was in the South of France that Hallet discovered the transcendent allure of light and the sun, infusing his work with a cheerful and impressionistic burst of color. The vibrant hues of his palette mirrored the radiant landscapes he encountered in Flanders and the Mediterranean, from the sun-kissed shores of Southern France to the picturesque vistas of Italy. In 1920, Hallet embarked on a new chapter, working in the enchanting city of Bruges before ultimately settling in Leuven. Each location left its mark on his art, contributing to the rich tapestry of his creative journey. A turning point in Hallet’s life came in 1934 when the Belgian government sent him to Congo. Later, in 1947, he found his home on the shores of Lake Kivu in Kisenyi, present-day Rwanda. It was here that he would spend the remainder of his life, captivated by the mesmerizing beauty of the African landscape. He passed away in 1959, leaving a lasting legacy. During his time in Africa, Hallet forged a deep connection with Tutsi king Mwambi Matura III of Ruanda-Burundi. This relationship inspired a series of exquisitely detailed portraits, offering a glimpse into the regal splendor of the king’s family...

Romantic Portraits Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Medium: Oil on canvas Dimensions: Image size 67,50 x 62,50 cm, frame size 69,50 x 64,50 cm Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice Mareels (1893 – 1976), Guy Onkelinx (1879 – 1935), Georges Rogy (1897 – 1981), José Storie (1899 – 1961), Charles Swyncop (1895 – 1970), Maurice Schelck...

Hubert Malfait Astene 1898 – 1971 Sint-Martens-Latem Belgian Painter 'Sitting Nude' Signature: Signed top left Medium: Oil on canvas Dimensions: Image size 90 x 60 cm, frame size 114 x 84 cm Biography: Malfait Hubert was a Belgian painter who belonged to the third Latem School. He was born in 1898 in Astene, Belgium, as the son of the local municipal secretary Jules Malfait. Growing up amidst influential figures like Emile Claus, Valerius De Saedeleer, and Albijn Van den Abeele, who were friends of his father, Malfait developed an early affinity for art. During the war years, he studied at the Gent Academy of Fine Arts alongside Jules De Sutter. A pivotal moment in Malfait's career occurred in 1924 during the exhibition "Laethemsche Kunstenaarskolonie," where he met critics André De Ridder, Paul-Gustave van Hecke, and Georges Marlier. This led him to become an integral part of the avant-garde expressionist group around Gustave De Smet, Frits Van den Berghe, and Constant Permeke. Progressive Brussels galleries strongly supported him, considering him the flagbearer of a new generation of expressionists. Despite economic challenges and the bankruptcy of Le Centaure, Malfait's primary supporter, in 1932, he continued to shape the Brussels art scene. Emmanuel de Bom defended him, asserting the vitality of expressionism. Malfait reemerged in 1934 with an exhibition at Galerie Louis Manteau. In the 1930s, Malfait was a prominent figure in the Gent art scene, showcasing his works at venues like Ars and later at Galerie Vyncke-van Eyck. The economic crisis and Le Centaure's bankruptcy affected Malfait, but he resurged in 1934 with an exhibition at Galerie Louis Manteau. The war years marked a shift in Malfait's exhibitions, with major solo shows occurring in 1944. He exhibited paintings in Galerie Brueghel and drawings in Galerie Apollo. The Museum voor Schone Kunsten in Oostende organized an extensive retrospective just before his death in 1971. Malfait's artistic evolution saw him transition from impressionism to expressionism, influenced by Eugène Laermans and Jakob Smits...

Baes Emile Brussels 1879 – 1953 Paris Belgian Painter Female Nude Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 65 x 54 cm Biography: Baes Emile was b...

Margaret France Robinson New Orleans 1908 – 1985 American Painter ‘Golden Gate Bridge, Californian Coast’ Signature: Signed lower right Medium: Oil on canvas Dimensions: Image size ...

A Walk in the Park Martin Alfred Luik 1888 – 1950 Stavelot Belgian Painter Signature: Signed bottom right Medium: Pastel on board Dimensions: Image size 34 x 50 cm, frame size 45,5...

Sunbathing by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 29 x 36 inches very good condition provenance: from the artists estate, France Josine Vignon (1922-2022) was a French artist living on the Rue Beautreillis in the Marais district of Paris. She painted with a beautiful style, largely influenced by the Impressionist and Post Impressionist...

Signed oil on canvas circa 1920 by French post impressionist painter Henri Lebasque. The work depicts a nude brunette woman lying on a beach, her arm draped over her head covering her face. A beautifully brushed piece. Signature: Signed lower left Dimensions: Framed: 22"x27" Unframed: 13"x18" Provenance: With thanks to Denise Bazetoux for confirming the authenticity of this work This painting is included in the Catalogue Raisonne of Henri Lebasque - Volume I No. 1409 Maitre Blache, Versailles, 21st November 1967 Lot 117 Maitre Lombrail, Enghien-les-Bains, 23rd September 1984 Sotheby's, London, 1st July 1987 Lot 317 Miromesnil Fine Art, Paris - 1988 Henri Lebasque studied at the École des Beaux-Arts in Angers, then, after moving to Paris in 1886, studied briefly under Bonnat, then under Humbert, whom he assisted in the decoration of the Panthéon. More importantly, he met and learned from Pissarro. In 1893 he met Luce and Signac at the Salon des Indépendants, and as a result he adopted Pointillism for a few years. In the 1900s he lived in Lagny with his family and painted landscapes of the neighbouring Marne forest. His painting underwent drastic changes when he discovered the south of the country. He would thereafter live in other French regions: Vendée, Brittany and Normandy, where he stayed at Les Andelys for some time, but his home from home was between Sanary and Nice. He painted members of his family in the settings in which he lived, mostly in Provence. His work shares some themes of his friend Bonnard. But although he exhibited with the Fauves, and admired Matisse, Rouault, Dufy, Valtat and Manguin (who introduced him to the Midi), he remained distinct from them in style. Lebasque was well known in his lifetime. He collaborated on the decorations of the Théâtre des Champs-Élysées and of the Atlantic liner Paris. He is remembered for: Nymphs at their Bath; The Sunshade; Girl with Hydrangeas; Great Nude on a Pink Sofa. He took part in the following collective exhibitions: Salon des Indépendants, 1886; Salon des Artistes Français; and later the Salon d'Automne, of which he was a founding member in 1903 and on whose committee he sat until his death. A set of his works was shown in 1937 at Masters of Independent Art ( Maîtres de l'Art Indépendant) at the Petit Palais. In 1957, 20 years after his death, a retrospective exhibition was held at the Musée des Ponchettes in Nice, and in 1981 his works were exhibited at St-Paul-de-Vence. Museum and Gallery Holdings Angers: The Artist's Mother Geneva (Petit Palais): The Child's Toilette (1900) Lille (MBA): Notre-Dame under Snow Nantes: Vallée de la Garde Paris (MAM): The Cigarette; Nude; Woman with Necklace

This painting depicts a whimsical scene of a nude sun bather resting by the lake with the trees and vegetation on the background. The bright colors and quick brush strokes are what m...

This painting depicts a whimsical scene of a nude sun bather resting by the sea shore on a blanket with the coast in the background. The bright colors and quick brush strokes are wha...

In "Harmony of Solitude," Linda Clerget captures the serene intimacy of two distinct moments, united by the tranquil beauty of nature and the soothing presence of the woman. "In Swe...

In "Sweet Playa", Linda Clerget captures the essence of a moment on a Mediterranean beach in a raw manner. A nude woman stands on the warm sand, bathed in the golden light of the set...