1940s Paintings
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Period: 1940s
Artist: Joseph Christian Leyendecker
"The Postman Always Drinks Twice", Preliminary Study for Life Magazine
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Unsigned
Preliminary study for Life magazine, Circa 1941. Features a study of the work titled; "The Postman Always Drinks...
Category
1940s Paintings
Materials
Canvas, Oil
Amoco Gas Advertisement
Located in Fort Washington, PA
Amoco Gas Advertisement
Category
1940s Paintings
Materials
Oil
Three Amoco Studies
Located in Fort Washington, PA
Signed by Artist Lower Right
Amoco Oil Advertisements
Category
1940s Paintings
Materials
Oil
General Douglas MacArthur
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Signed Lower Right
In the Timken War Bond campaign, JC Leyendecker completed more than a dozen paintings that were rep...
Category
1940s Paintings
Materials
Canvas, Oil
A Real Happy New Year, Amoco Advertisement
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Signed Monogram Lower Left
Sight Size 20.00" x 45.00", Framed 26.00" x 51.00"
This piece was used for at least two separate Amoco advertisements. "A Real Happy New...
Category
1940s Paintings
Materials
Canvas, Oil
Study for 'Happy Landing' Amoco Ad
Located in Fort Washington, PA
Medium: Oil and Pencil on Canvas
Signature: Unsigned
During his over four decades as the preeminent illustrator for The Saturday Evening Post, Joseph Christian Leyendecker's clever illustrations were eagerly anticipated by enthusiastic readership across the country, and none more so than his holiday designs. One of Leyendecker's most celebrated creations was his groundbreaking idea of the New Year's Baby. Originally portrayed as a fleshy sweet-faced child complete with tiny angel wings, the New Year's Baby gradually morphed into a worldly tot acutely aware of the social and political issues facing the nation at the time. In fact, Leyendecker's final Post cover illustration was the 1943 New Year's Baby.
Following the success of these Post covers, the artist was hired to create advertisements for the American Oil Company (AMOCO). Throughout the 1940s and through the final years of his life, Leyendecker produced ads incorporating his famed New Year's Baby into AMOCO advertisements, as in the present work, Happy Landing...
Category
1940s Paintings
Materials
Canvas, Oil, Pencil
New Year's Baby Hitching to War
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Signed Lower Left
The Saturday Evening Post unpublished cover, 1943
The story behind the New Year's Baby Hitching to War is a fascinating one: The...
Category
1940s Paintings
Materials
Canvas, Oil
Happy Landing, Amoco Advertisement
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Signed Lower Left
Sight Size 20.75" x 40.00", Framed 30.75" x 50.00"
During his over four decades as the preeminent illustrator for The Saturday Evening Post, Joseph Christian Leyendecker's clever illustrations were eagerly anticipated by enthusiastic readership across the country, and none more so than his holiday designs. One of Leyendecker's most celebrated creations was his groundbreaking idea of the New Year's Baby. Originally portrayed as a fleshy sweet-faced child complete with tiny angel wings, the New Year's Baby gradually morphed into a worldly tot acutely aware of the social and political issues facing the nation at the time. In fact, Leyendecker's final Post cover illustration was the 1943 New Year's Baby.
Following the success of these Post covers, the artist was hired to create advertisements for the American Oil Company (AMOCO). Throughout the 1940s and through the final years of his life, Leyendecker produced ads incorporating his famed New Year's Baby into AMOCO advertisements, as in the present work, Happy Landing...
Category
1940s Paintings
Materials
Canvas, Oil
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