Peter Max

Peter Max, Original Painting Lithograph "Flowers" thick, bold, acrylic strokes

2003

This 24" x 30" acrylic on canvas painting, 'Sunset on Grand Canyon,' by Dragana Milovic is a fantastical abstracted landscape inspired by the Grand Can...

Surrealist Landscape with Feathered Object in Acrylic, Paper, and Gold Leaf Vibrant and colorful surrealist landscape by Oregon artist Hugh Webb (American, b. 1940). The main subject of this piece is a large Y-shaped object that appears to be covered in feathers created out of small ovals of paper. The landscape is comprised of a striped ground, with wispy blue tree-like object emerging from holes in the ground. Squares of pastel blue, teal, and pink float throughout the scene. The background is made of layers of distressed gold leaf. Unsigned, but was acquired from a collection of the artist's work. Board size: 24"H x 32"W Hugh Webb (American, b. 1940) earned a Bachelor of Fine Arts degree from the University of Utah and a Master of Fine Arts degree (1969) from the University of Oregon. Webb studied with Demetrios Jameson, Mark Sponenburgh, Gordon Gilkey, and John Rock...

Beautiful painting with acrylics and oils, gold and silver inks and features a seaInspired by yoga as a means of meditation and sublime states of consciousness

This unique painting begins with her new ZIGZAG series in which we can see her surrealist airs shared with her colleague and ex-husband Pedro Friedeberg, like all the works of art by...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...