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Ben ShahnSuzanna and the Elders, American Watercolor, Signed, 1940s1948
1948
About the Item
A modern interpretation of the biblical story Suzanna and the Elders.
Signed lower right
Ink and wash on paper
The Downtown Gallery
Felix Landau Gallery
Ernest Brown & Phillips, Ltd., London - Leichester Galleries
Charles Alan Company,NY
Nardin Galleries, New York
Condition report: The work is in overall good original condition with vibrant fresh colors and done on heavy stock watercolor paper.
It is housed in an elegant frame under glass. The paper stock is glued to a board.
There is bubbling of the paper from the board. This is mostly visible with raking light when looking into the light source.
With frontal viewing, the bubbling is not visible.
In the extreme edge of the paper in the upper right quadrant, the paper has folded back as a result of contact with the matt.
This is very minor and is only visible if paper shifts down from matt.
Housed under glass
- Creator:Ben Shahn (1898-1969, American)
- Creation Year:1948
- Dimensions:Height: 22.5 in (57.15 cm)Width: 31.5 in (80.01 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38537674602
Ben Shahn
Ben Shahn (1898 – 1969) was a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content. Shahn began his path to becoming an artist in New York, where he was first trained as a lithographer. Shahn's early experiences with lithography and graphic design is apparent in his later prints and paintings which often include the combination of text and image. Shahn's primary medium was egg tempera, popular among social realists. Shahn mixed different genres of art. His body of art is distinctive for its lack of traditional landscapes, still lifes, and portraits. Shahn used both expressive and precise visual languages, which he coalesced through the consistency of his authoritative line. Shahn is also noted for his use of unique symbolism, which is often compared to the imagery in Paul Klee's drawings. His art is striking but also introspective. He often captured figures engrossed in their own worlds. Although he used many mediums, his pieces are consistently thoughtful and playful.

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