Blendon Reed Campbell

Art Nouvau Beauty with Lilies

c1900

"Oil On Canvas, Art Nouveau Portrait By Leon Tirode (1873-1956)" Old oil on canvas, Art Nouveau style, portrait "Autumn" painted and signed by Leon Tirode (1873-1956), French school...

Early 20th century oil on board society portrait by French artist Rose Teitgen-Obeurer. Signed top left. A charming and characterful portrait of a fine lady...

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic composition, dream, men , romantic, flesh tones, portrait, earth tones, tonalist, nostalgia, early 20th century, naturalist, illustration, woman, flora, grey art, yellow shoes...

Frederick Dielman (Hanover 1847 – Washington 1935) - Portrait of a woman. 57x45cm. Oil on canvas, unframed. Work signed: "Frederick Dielman". Condition report: Painting subjected...

Frame size 83x73 cm. Mariano Tur de Montis (Ibiza 1904 -1994). Son of the Ibizan general Don Juan Tur y Palau, of an old patrician family on the island, and of Doña Cristina de Montis and von der Klee. Ibiza painter who felt great admiration for the Spanish classics and the influence of Central European painting of the late 18th and early 19th centuries, and especially that of the painter Manuel Benedito. He received multiple praises in his various artistic exhibitions not only in Ibiza, but also in Palma de Mallorca, Mahón, Barcelona, ​​Madrid and in European capitals such as London or Paris. When he was only fifteen, he decided to go to meet Sorolla - when he was painting "The Smugglers" in the vicinity of his family mansion - to find out what opinion he deserved on the first portrait he had made of his mother. A few years later, and undoubtedly encouraged by the praiseworthy response received, he was already successfully overcoming the successive sieves of artistic criticism, until he stood out with the “subtle and aristocratic” style that characterized him, in such relevant competitions as the National Exhibition de Bellas Artes or at the Paris Salon. Delving into his biography it is possible to recognize the main factors that would converge in this rapid and justified progression: the very cultural and artistic environment that surrounded him since his birth. The specific preparation with which his refined mother channeled his innate qualities and marked sensitivity. As well as, and above all, his own need to create beauty. Despite a brilliant degree in Law, he attended the Sant Jordi Academy of Fine Arts in Barcelona, ​​complementing his training in Rome, Florence and Paris. At the early date of 1925, the local press was pleased to transcribe the reviews of his exhibition in the Galerías Layetanas of Barcelona, ​​and in which the acquisition of one of his works "Frivolities" for the Museum of Art took place. Modern of Palermo (Sicily). After participating in 1926 in the Autumn Salon of Palma de Mallorca, together with Narcís Puget Viñas, and in 1929 in the Permanent Exhibition of Levante Art, one of his emblematic satisfactions would arrive: the praises that King Alfonso XIII himself dedicated to the stop before his painting Céfora, a painting in which his sister Guadalupe Tur de Montis was the model, during the National Exhibition of Fine Arts, held in Madrid. Oil that also deserved attention in the prestigious magazine La Esfera, which dedicated the cover of its number 20 of July 5, 1930, or the French magazine La Revue Moderne. In the magazine Arte y Hogar- in its number 56, the Marqués de Lozoya Director General of Fine Arts wrote a nice eulogy of the painter and his work in the photographic report dedicated to the beautiful and elegant Casa de los Tur de Ibiza. It was precisely in 1930, when Tur de Montis began to interact amicably and professionally, with a select group of painters, both Spanish (Pla, Rigoberto Soler, Amadeo Roca and Laureano Barrau...

Nymph with Child Feeding Swallows Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Dimensions: Image size 140 x 235 cm, frame size 145 x 240 cm Medium: Oil on canvas Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice...