Portrait Paintings

Lalu Prasad Shaw - Bibi - 15 x 22 inches Tempera on Board, 2020 (Unframed & Delivered) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Pras...

Work on paper

Born in Savannah, Georgia in 1912, abstract expressionist painter Morris Shulman studied at the National Academy of Design, Art Students League and Hans Hofmann School of Art in New ...

Figurative oil on canvas painting of a young athletic male 24 x 20 inches, 29.5 x 23.5 inches vintage gold painted wood frame signed B. Sargeant in red in upper right hand corner T...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Nylons and Bric-a-Brac by Orovida Pissarro (1893-1968) Oil on canvas 73 x 60 cm (28 ³/₄ x 23 ⁵/₈ inches) Signed and dated upper right Orovida 1951 Provenance Estate of the artist With John Bensusan-Butt, cousin of the artist G Hassell, 25th November 1988 With John Noott, 10th June 1992 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 141 (illustrated) Exhibition London, Redfern Gallery, Recent Paintings: Orovida, 3rd-26th January 1952, no. 51 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...

American artist Samuel Brecher (active NY, 1897-1982) Oil on Canvas, Signed lower right ‘S. Brecher’ Brecher was a very accomplished painter who won over forty prestigious prizes and awards during his career, and had numerous one-man exhibitions. Brecher’s works are included in many important private collections as well as the Metropolitan Museum of Art, the Walker Art Museum, the Smithsonian and the Newark Museum of Art. He is listed in Who’s Who in American Art and is a member of the Salmugundi Club* and the National Academy of Art Samuel Brecher was born in Boryslaw, Austria, a town near the Carpathian Mountains, now a part of Poland. His family came to New York in 1910, where Samuel graduated from Cooper Union* in 1921. He studied Art at the National Academy of Design* from 1921-1924, and continued studies under Charles W. Hawthorne in Provincetown, Massachusetts. Brecher was represented by several well known New York City galleries in the 1940’s and 1950’s including the Kraushaar Gallery, the ACA Gallery, the Hudson Walker Gallery and the Merrill Gallery. During his career he won over forty prestigious prizes and awards and had numerous one-man shows. Some of Brechers’s contemporary artist friends were Walt Kuhn, Reginald Marsh, Richard Haley...

Gloria Vanderbilt Mother and child, ca. 1968 Gouache on paper painting Hand signed by Gloria Vanderbilt lower right recto Unique Frame included Measurements: Framed 37 Vertical by 31 inches. Painting 27 Vertical by 21.5 inches This unique, poignant poignant portrait was done by the legendary Gloria Vanderbilt. It is signed on the front. As this work was done in the mid 1960s, it is believed to be a self portrait depicting the artist, and likely her son, Anderson Cooper. Held loosely in the original damaged vintage Heydenryk frame used by Hammer Galleries...

'Mother and Child II', watercolour on fine art paper (1970), by Raymond Debiève. In a clear nod to Picasso's influence both stylistically and in terms of subject matter (Picasso pain...

Dreaming Dali #2270 by Natasha Zupan Mixed-media on paper Measures: 13 in. H x 13 in. W One of a kind Signed lower right on recto by the artist Numbered on verso 2018 Natasha Zupan'...

Abstract Figure is an original contemporary artwork realized by the artist Behçet Safa (1934-2018). Mixed colored oil on canvas. Hand signed and dated on the back.

Feminine Figure is a modern artwork realized by Roberto Melli in 1930s. Mixed colored oil painting. Includes vintage frame (fair conditions) : 42 x 2 x...

Beautiful gouache on paper, by French artist, Etienne Ret, signed on top right. Etienne Ret was born in Bourbonnais, France on Jan. 6, 1900. Ret graduated from the College of Mesnie...

Antique American school modernist portrait oil painting. Oil on canvas. Signed. Framed. Image size, 20L x 18H.

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE The Fortune Teller by Orovida Pissarro (1893-1968) Oil on canvas 60 x 73 cm (23 ⁵/₈ x 28 ³/₄ inches) Signed and d...

Lady with harp is a modern artwork realized by Symbolist Painter of late 19 Century. Symbolistic painting of a lady with harp standing on a rock by the sea. Mixed colored oil on ca...

Portrait of Woman is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on board Beautiful and representative artwork of a female fi...

Noel Coward's Eye, #2257 by Natasha Zupan Collage on Paper Measures: 11.41 in. H x 8.26 in. W One of a kind Signed lower right on recto by the artist Numbered on verso 2018 Natasha ...

In this painting, Nussbaum portrays a Rabbi, or Rebbe outside the synagogue The vibrant colors used in this painting seem to overlay each other without being previous mixed. Ervin B...

Signed center right, 'Ketcham' for Hank Ketcham (American, 1920-2001) and dated 1990. Hank Ketcham, the creator of Dennis the Menace, was born in Seattle...

Portrait is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Not signed. On the back a portrait of a man. Don't miss thi...

A magnificent oil on canvas by Russian American WPA artist Nahum Tschacbasov (1899-1984), dating from 1943. Depicting a Maternity scene - or possibly a m...

Marian Schuster was 19 years old in 1954 and attended City College San Francisco where she studied Art. In the old school, Victorian, San Francisco, moneyed household that she was r...

Kostacis with his hummingbirds. Figurative popular scene in Renaissance atmosphere. Acrylic on canvas. Dimensions in centimeters 81 x 100 x 2 cm. Framed 105 x 124 x 5 cm. Dimensions In inches: 31.89 x 39.37 x 0.79 " . Framed 41.34 x 48.82 x 1.97 " Kostacis with his hummingbirds. Figurative Popular scene in Renaissance atmosphere. Acrylic on canvas. Outside scene where a group of people seem to experience extraordinary sensations surrounded by hummingbirds. In an urban environment with a Renaissance flair, the characters, dressed in original clothes of plural inspiration, seem to react ecstatically by the effects of the hummingbirds, which Kostacis seems to have under control with his wealthy and wise aura. The studied composition, the chromatic harmony, and the subtlety of the design of all the elements that make up the scene, give this painting a classic beauty. The author adds to all this his own brushstrokes of fine humor that wrap the whole theme in a casual irony, the same which surrounds all the stories that Igor Fomin...

A contemporary oil on linen board portrait of Marc, part of a series of portraits: 'Portrait in Landscape' by the Dutch artist Bernadette 'Berna' Van Baarsen. The painting is signed ...

'Portrait of Boy in a Chair', gouache on art paper, by Raymond Debiève (circa 1960s). Here the artist paints a young boy, very probably his son, Vincent, sitting in a chair posing fo...

'Boy with Anemones', oil on cardstock paper, by Raymond Debiève (1965). Here the artist paints a young boy having his breakfast with a beautiful bouquet of an...

Work on canvas Golden wooden frame 51 x 42.5 x 4.5 cm

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Overflight over the city. 1947, paper, mixed media, 23x20 cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his arti...

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

Female Portrait is an original artwork realized in 1931 by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Hand-signed on the lower right corner. ...

Artist/ School: French School, signed and dated 1960's Title: Interior scene with a figure in red jacket Medium: oil painting on board, framed. framed: 41.75 x 33.75 inches paint...

'The Red Headdress', pastel on art paper, by W. Worms (circa 1960s). A beautiful woman with contemplative expression and tender eyes is exquisitely portrayed by the artist. The treat...

Paul César Helleu is regarded among the most sought-after society portraitists of his era, and his Belle Époque works rival those of his contemporaries John Singer Sargent and Giovanni Boldini. He is best remembered for capturing the era's most beautiful socialites, including Consuelo Vanderbilt, the Duchess of Marlborough, the Comtesse de Loriol Chandieu and the Comtesse Mathieu de Noailles, among others. This work, however, stands out in that it captures the charming likeness of one of his art world cohorts, Mathilde See, a Parisian-born decorator and painter of floral still lifes. She is the essence of the modern woman, captured in her fashionable dress as she strolls along the flower-lined streets of Paris. Commanding in size, Portrait de Mathilde See fully displays Helleu's mastery over the medium of pastel. The muted palette of greys and blues is typical of the artist, bringing a harmony and cohesiveness to the composition. Furthermore, Helleu cleverly alludes to See's own artistic output with a backdrop of vibrant floral blooms, enlivening the canvas and complementing the greens and blues of the peacock feather adorning her hat. The portrait is all the more significant thanks to its provenance. It was previously in the collection of A. Alfred Taubman, one of America's most successful entrepreneurs and one-time owner of Sotheby's. Considering Taubman encountered some of the most noteworthy and beautiful works of art ever made through his auction house, the fact that he chose this portrait by Helleu to grace his collection is a testament to its import. Born in Brittany in 1859, Helleu moved to Paris in 1876 in order to study at the École des Beaux-Arts. Like so many other artists of his generation, he was trained there under the Academic master Jean-Léon Gérôme. That same year, he also attended the Second Impressionist Exhibition...

Small dark grey abstract expressionist painting of a figure's face by Dick Wray. The painting is currently unframed. Artist Biography: Dick Wray, a native Houstonian, born in Heigh...

Artist/ School: French Modernist School, late 20th century Title: Abstract figurative group, painted with amazing colors. Medium: oil painting on canvas, unframed. canvas: 39.75...

'The Cyclists Rest Stop in Honfleur' by Jean-Marie Luc Blanpain, oil on canvas (circa 1970s). The artist's depiction of the terrace of the well known Honfleur restaurant, 'Au Relais ...

Work on watercolor paper Gilded wood frame with glass pane 62,5 x 44 x 2,5 cm

Work on paper Gilded wood frame with glass pane 78 x 59 x 3 cm

Artist born in Vienna, Austria in 1887. Died in 1970 in Geneva. Work on canvas

Daniel Brennan Title: Partial Nude with Hat Medium: Oil on Canvas Year: 1969 Size: 51 x 31.75 inches Framed in a simple wooden frame (52 x 32.25 x 1 inc...

From the estate of Jerry Opper & Ruth Friedmann Opper Slit c. 1940-1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framing...

Signed lower left, 'Muff' for Orla Muff (Danish, 1903-1984), titled, 'Nana' and dated 1934. After winning a national drawing competition at the age of 14, Orla Muff studied with the theatrical painter, Carl Lund from 1917-1921. He followed this with extended study throughout Europe, including in Stockholm and Paris. He achieved widespread acclaim as a designer of elaborate Art Deco sets for prominent European revues and theatrical productions, including for Copenhagen’s Folk Theater and Max Reinhardt...

'Grand Prix Racer II', French School, oil on board (circa 1960s). The 'good ole' days' of Formula One (or Grand Prix) racing are depicted in this thrilling ...

Suhas Roy - Radha - 20.6 x 16 inches ( unframed size) Charcoal on Paper , 2012 * * FRAMED AND READY TO HANG DOOR DELIVERED IN INDIA * * UNFRAMED AND DOOR DELIVERED INTERNATIONALLY ...

'Portrait of Smiling Woman', pastel and crayon on art paper, by Raymond Debiève (circa 1970s). Is this a modern version of da Vinci's Mona Lisa? The simi...

'The Kids', pastel on paper (1967), by Raymond Dèbieve. Picasso's influence is undeniable in this artwork yet Dèbieve's own naive artistic style is on display ...

Rene GENIS (1922-2004) Boy with Duffle Coat Original watercolor and oil painting on paper Signed bottom middle 31 x 23 cm (c. 12 x 9 inch) Excellent condition

Work on canvas Gilded wood frame with glass pane 62 x 47 x 3 cm

Colorful abstract modern portrait painting of a couple by Texas artist Robert Sandman. Alternatively title "Unconscious Uncoupling" by the artist. While...

Colorful abstract modern portrait painting of an evil man by Texas artist Robert Sandman. As the artist explains, "The Black Hand, or La Mano Nera in It...

Prakash Karmakar - Untitled - 29 x 20 inches ( unframed size ) Dry Pastel on Paper , 1999 Prakash Karmakar was the most senior artist of Bengal . He was instrumental in the Bengal...

From the estate of Jerry Opper & Ruth Friedman Opper Black Floor c. 1940-1950's Gouache on Paper 15" x 18" Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

'Grand Prix Racer', French School, oil on board (circa 1960s). The 'good ole' days' of Formula One racing are depicted in this thrilling mid-century...

Heights & fast sketch. 1961. Paper, mixed media, 9,5x6 cm; 9x6cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in...

'The Fisherman', oil on canvas, French School (circa 1950s). A delightfully colourful depiction of a young fisherman admiring his considerable catch, a l...

Artist: Philippe Alfieri, Italian/American (1921 - 2009) Title: Portrait of a Woman in Purple Head Scarf Year: circa 1960 Medium: Oil on Canvas, signed l.l....