A simply beautiful image of a young Indian Girl. A truly emotive image of this turn of the century figure. Oil on board, signed lower left and dated 1898. The Pomo are an indigenous people of California. The historic Pomo territory in northern California was large, bordered by the Pacific Coast to the west, extending inland to Clear Lake, and mainly between Cleone and Duncans Point. One small group, the Northeastern Pomo of the Stonyford vicinity of Colusa County, was separated from the core Pomo area by lands inhabited by Yuki and Wintuan speakers. Raised in Potter Valley near Ukiah, California, Grace Carpenter Hudson was an acclaimed painter of Native American subjects, especially the Pomo Indians of coastal and inland Northern California. After attending public schools in Ukiah and San Francisco, she enrolled in San Francisco’s California School of Design as a teenager, studying there for five terms with Virgil Williams, Raymond Yelland, and others. In 1890, the artist married John Hudson, a physician for the San Francisco and North Pacific Railroad Company, who quit practicing medicine to research the Pomo Indians and follow his interests in archeology and ethnography. With her husband, she returned to Ukiah and became known to locals as the Painter Lady. Hudson achieved a national reputation during her lifetime. She produced her first important work, National Thorn, which depicted a sleeping Pomo baby in a cradle basket, in 1891. Two years later, she painted a crying Pomo infant, a work she called Little Mendocino. The popularity of the second painting which was exhibited at the 1893 World’s Columbian Exposition in Chicago and at the 1894 California Midwinter International Exposition in San Francisco’s Golden Gate Park, confirmed her reputation and direction. In 1900-1901, Grace Hudson had become exhausted from supplying the demand for her popular paintings; she took a solo vacation in the Territory of Hawaii, relaxing and refreshing herself. While there, she completed 26 paintings of Island scenes and Japanese, Chinese and Hawaiian people. By the time of Hudson’s death in 1937, she had completed over 684 numbered oil paintings, most depicting the Pomo people.
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