Harrison Fisher

Lovely Lady

"Louis Pullen, from Harrison Fisher, '08" Black and white portrait of a young fashionable woman. Signed lower right

Image of a woman wearing a robe and talking on the telephone. Signed lower left. Howard Chandler Christy had a long, colorful and varied career. He made his early rep...

Medium: Pen & Ink with White Gouache Heightening on Paper Signature: Monogrammed Lower Right Kent was trained as an architectural draftsman and studied architecture at Columbia University. He is best known for his illustrations of adventure stories, such as Melville's "Moby Dick," and his landscapes of remote places, such as Alaska, Tierra del Fuego, and Greenland. He favored a precise rendering of forms, with strong contrasts of light and dark.. American painter, illustrator, 1882-1971 Rockwell Kent won fame outside of illustration as an engraver, lithographer, mural painter, writer, lecturer and political activist. As an illustrator, Kent was equally noted for his own books: Wilderness, Voyaging, N. By E., Salamina, and This is My Own, as well as for those of others, such as Candide, Moby Dick, Leaves of Grass, and Canterbury Tales. Kent also made a great many distinguished illustrations for advertisers, among them Marcus & Company, Jewelers; Steinway & Sons; Rolls-Royce, and American Car and Foundry Company. Some of his advertising and humorous pictures were signed “Hogarth, Jr.” Born in Tarrytown Height, New York, Kent studied art with Robert Henri, Abbott Thayer...

Medium: Oil on Canvas Used for signage and marketing purposes. Thanhardt-Burger carved gilt frame. Painting is fully conserved. Client / Usage: K...

Date: 1979 Medium: Acrylic and Pencil on Canvas Laid on Board Dimensions: 20.75" x 13.25" Signature: Initialed Lower Center TV Guide Cover Illustration, June...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 40.00" x 30.00", Framed 47.00" x 37.00" Cover of the Saturday Evening Post, April 1, 1933.

TEMPT ENSEMBLE 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated...

This replica of the last self-portrait of Jean-Baptiste Greuze painted in 1804, executed by his daughter Anna at her father's side and recently rediscovered, provides us with a poignant image of the great artist, represented with panache despite the disillusions of life. 1. Jean-Baptiste Greuze Jean-Baptiste Greuze was the sixth child of a roofer from Tournus and retained a certain rusticity in his behaviour from his provincial childhood, beyond his taste for describing picturesque scenes of the countryside. He initially started training with a little-known painter from Lyon, Charles Grandon, before his genius was recognised in Paris where he became a full-time student of the Académie (of Painting) in 1755. He exhibited his work for the first time at the Salon during the summer of 1755, before leaving on a trip to Italy in the company of Louis Gougenot, abbot of Chezal-Benoît. Upon his return to Paris, Greuze became a prolific painter, participating widely in the Salons held between 1759 and 1765, to which he sent no less than 63 paintings: numerous genre scenes (The Marriage Contract, The Beloved Mother), but also portraits of his family circle, of courtiers and art lovers, or of his colleagues. The Academy closed the doors of the Salons to him in 1767 for not having produced his reception piece within six months of his reception, as was the tradition. He worked actively on this painting (Emperor Severus rebukes Caracalla, his son, for trying to assassinate him ) until the summer of 1769, tackling historical and mythological subjects for the first time. Once this was completed, he was then fully admitted to the Academy, but as a genre painter, and not as an historical painter, which had been one of the greatest humiliations of his life. Greuze then refused any participation in events organised by the Academy or its successor, the Academy of Fine Arts until 1800. Abandoning history painting, he gave a new twist to genre scenes, bringing them closer to history painting, as in this pair of canvases which constitutes some of his masterpieces: The Paternal Curse: The Ungrateful Son and The Paternal Curse: The Punished Son . Married in 1759 to Anne-Gabrielle Babuti, the daughter of a Parisian bookseller, his marriage was unhappy and his wife probably frequently unfaithful. The institution of divorce enabled him to record their separation in 1793, keeping his two daughters Anna-Geneviève, born in April 1762, and Louise-Gabrielle, born in May 1764, with him. Little is known about his daughter Anna except that she was herself a painter and lived with her father until his death. It is likely that most of the paintings she produced up to that date were attributed to her father, whose technique she shared to a great extent, making it extremely difficult to establish an autonomous corpus of her paintings. Greuze died in his studio at the Louvre on March 21st 1805. The attention paid to the expressivity of his characters and the emotional charge they convey enabled Jean-Baptiste Greuze to enjoy immense popularity with the eighteenth-century public, and they still constitute Greuze's true modernity. As the artist said, "I dipped my brush in my heart". Greuze was also an exceptional draughtsman and a portraitist of immense talent and exceptional longevity who painted both the Dauphin (the son of Louis XV and father to Louis XVI) and the young Napoleon Bonaparte. 2. Greuze's self-portraits Greuze was very much influenced by Dutch paintings during all his life. While the source of his inspiration for genre scenes can be found in Gerard Dou...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is included in numerous private and museum collections, among them the Burchfield-Penney Art Center, the Albright-Knox Art Gallery, the Castellani Art Museum of Niagara University, and the UB Anderson Gallery (all of which are located in Western New York...

Under Your Skin, 2019 Signed Oil on Linen 24 x 24 in 61 x 61 cm "Nigel Cox's sparse scenes pit realistic figures against vague or turbulent backdrops. The solitude exhibited in thes...

Oil on linen

Historically in Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. This 19th-century Tibetan Thangka, painted in rich red, green, and blue pigments, still maintains incredible vibrancy. The central figure is the Sakyamuni Buddha, seated in the diamond position with alms bowl...