Henri Thomas

La toilette

1816-1918

This intimate portrait was composed by the Bulgarian-born French Expressionist painter Jules Pascin. Known as the "Prince of Montparnasse," Pascin made a name for himself throughout ...

A red-robed cardinal chuckles at the letter in his hand in this oil on canvas by the Italian painter Andrea Landini. The vibrantly hued piece illustrates the artist’s genius at rendering charming narratives in remarkable detail. Entitled The Letter, the work is a superb example of Landini's technical virtuosity — from the finely carved and upholstered chair to the neoclassical painting in the background, every detail is meticulously depicted. Such works satirizing the clergy would have been severely censured just a generation earlier. Yet, by the time Landini picked up the brush, the European public had grown discontent with the hypocrisy of the clergy, many of whom enjoyed lavish lifestyles. Cardinal paintings such as this became highly popular during the period, and Landini emerged alongside Georges Croegaert, Marcel Brunery and Jehan Georges Vibert as the leading painters of the genre. Born in Florence in 1847, Andrea Landini trained at the Academy of Fine Arts in Florence, first under the animal painter Riccardo Pasquini and later with religious painter Antonio Ciseri...

Léon François Comerre 1850-1916 French L'odalisque à l'éventail (The Odalisque with the Fan) Signed "Léon Comerre" (upper left) Oil on canvas Combinin...

A charming relic of a bygone era, this rare oil is the work of the inimitable American illustrator, Norman Rockwell. The iconic artist’s ability to render the details and nuances of ...

Jean-Pierre Cassigneul b.1935 French L’air qu’on respire (The Air We Breath) Signed “Cassigneul” (lower right) Signed, titled and dated "L’air qu’on respire / Cassigneul / 2001" (...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

Figurative oil on canvas painting of a young athletic male 24 x 20 inches, 29.5 x 23.5 inches vintage gold painted wood frame signed B. Sargeant in red in upper right hand corner T...

A striking, large-scale multi-color modernist portrait of Noir fiction writer Cornell Woolrich by Chris Pelletiere (American, B. 1942). Cornell Woolrich wrote the novel "The Rear Window." He studied at the Arts Students League and NY School of Painting and Drawing. Signed on verso with artist's information, and title "Portrait: Cornell Woolrich". Wood slat, basic frame. Image size; 50"H x 50"W. A painter, illustrator, and cartoonist Pelletiere cites his early influences as the pre-code crime and horror comics. " Life in the metropolitan area plays a significant role in my artwork. For many years he made sketches of people in the transit system. Chris Pelletiere is a painter, collage artist, illustrator, and cartoonist. His work is in the collections of the Metropolitan Museum, the Brooklyn Museum, the Museum of Modern Art, The New York Public Library and private collections of Stephen King...

Nice oval painting realized by an Italian master belonging to the Tuscan school at the end of 19th / beginning of 20th century. In excellent conditions.

Lovers by Michele Salmon (French b.1946) signed lower front and verso oil painting on canvas, unframed canvas size: 39 x 32 inches provenance: private collection, France Beautiful ...

Female Portrait is an original modern artwork realized in 1922 by Emilia Bertolé. Original oil painting on canvas. Hand-signed and dated by the artist...

A strong modernist oil painting depicted in the 1940's by Spanish painter Julio Moises. Mostly known for his abstract figures on canvas, this piece is a w...