Karl Rudolph Sohn

Two Young Girls Going Through the Family Portraits Realistic Painting

1887

History Painting of the Greek story. The work was first painted in 1766 by Benjamin West. The original masterpiece is located in the Tate. According...

Modern pink and blue toned portrait of Abraham Lincoln by Texas born artist Clark Fox. The work features an intricate depiction of the former president that ...

Naturalistic portrait of Jim Derrick by the artist Lou Benesch. The portrait features a central figure clad in a cowboy hat, nice work shirt, and a gold bracelet leaning against a po...

Large scale black, red, and silver splatter portrait of a man painted in the style of Jackson Pollock/Abstract Expressionism. Signed by artist in lower right corner. Currently unfram...

Beautiful domestic portrait of two women in blue with linear style by Oris Robertson in 1967. Placed in a thin, black frame. Signed and dated in the top left corner. Artist Biograp...

Lovely portrait of an elderly Austin couple sitting in a dark toned interior. This work is done in the same loose brushwork style that Wayman Adams is famous for in his portraiture. This painting came out of the artist's Austin estate when he passed away. The piece is signed in the lower left corner and comes in the gold frame. Dimensions Without Frame: H 52.25 in. x W 40 in. Artist Biography: Wayman Adams was born in rural Indiana in 1883. His interest in art was cultivated at an early age by his father who was a horse farmer and an amateur artist. At the age of twenty-one Adams moved to Indianapolis to attend the John Herron Art Institute. It was here that Adams began to paint portraits, the subject matter for which he became best known. Having made a name for himself as a portraitist, Adams moved to New York City. While there he took two trips to Europe, the first in 1910 when he traveled to Italy with William Merritt Chase. Two years later he accompanied Robert Henri to Spain where he met fellow artist Margaret Borroughs, whom he married six years later. The couple had one child, a son named Wayman Jr. who was called "Snig." Approaching the canvas, Adams favored the alla prima style of painting that he learned from Chase and Henri. He would paint an entire portrait in one sitting, often only for three to four hours long, rather than over the span of several drafts and sittings. This loose and expressive style of painting gave his images an emotional immediacy, and made the portrait-painting experience more pleasant for the sitter. He became well known as a "lightning" artist and painted many prominent figures such as Presidents Warren Harding, Calvin Coolidge, and Herbert Hoover, tire tycoon B.F. Goodrich, and golfer Bobby Jones. As a portrait artist, Adams traveled throughout the country to fulfill commissions. This was not unusual for portraitists as they relied on wealthy patrons who could afford to commission paintings of themselves and their families. During the winter months, Adams spent a good deal of time in the South, especially in New Orleans. In addition to being a prolific portrait artist, Adams was also a teacher. In 1932 he and Margaret opened and taught at the Old Mill Art Colony in the Adirondack Mountains, and from 1935-36 he taught art in Taxco, Mexico. Adams also acted as a mentor to young Maltby Sykes...

Procaccini was born in Bologna, but his family moved to Milan when the artist was eleven years old. His artistic education was evidently familial— from his father Ercole and his elder brothers Camillo and Carlo Antonio, all painters—but his career began as a sculptor, and at an early age: his first known commission, a sculpted saint for the Duomo of Milan, came when he was only seventeen years old. Procaccini’s earliest documented painting, the Pietà for the Church of Santa Maria presso San Celso in Milan, was completed by 1604. By this time the artist had made the trip to Parma recorded by his biographers, where he studied Correggio, Mazzola Bedoli, and especially Parmigianino; reflections of their work are apparent throughout Procaccini's career. As Dr. Hugh Brigstocke has recently indicated, the present oil sketch is preparatory for the figure of the angel seen between the heads of the Virgin and St. Charles Borrommeo in Procaccini's altarpiece in the Church of Santa Afra in Brescia (ill. in Il Seicento Lombardo; Catalogo dei dipinti e delle sculture, exh. cat. Milan 1973, no. 98, pl. 113). As such it is the only known oil sketch of Procaccini's that can be directly connected with an extant altarpiece. The finished canvas, The Virgin and Child with Saints Charles Borrommeo and Latino with Angels, remains in the church for which it was painted; it is one of the most significant works of Procaccini's maturity and is generally dated after the artist's trip to Genoa in 1618. The Head of an Angel is an immediate study, no doubt taken from life, but one stylistically suffused with strong echoes of Correggio and Leonardo. Luigi Lanzi, writing of the completed altarpiece in 1796, specifically commented on Procaccini's indebtedness to Correggio (as well as the expressions of the angels) here: “Di Giulio Cesare...

Portrait Of A Man,head and shoulders in profile by Italian School, early 19th century oil painting on papier mache forming the lid of a snuffbox, stuck down on panel, tondo framed: ...

The Madonna & Child French School, 19th century presented in carved wood scrolled frame oil on canvas, framed frame: 27 x 20 inches canvas: 15.5 x 13 inches provenance: private colle...

Italian School, early 19th century 'Portrait of a Bearded Man' - possibly Saint Peter? oil on board, framed framed: 16 x 13.5 inches board: 12.5 x 9.5 inches provenance: private col...

Artist/ School: 17th Century Dutch School Title: Ladies Collecting Flowers Medium: oil painting on panel, framed Oval : 6.75 x 9.25 inches, frame...

Work on canvas