Lajos Rezes Molnar

Woman With A Red Scarf

1930

Elegant Young Lady In The Landscape. Portrait depicting a beautiful young woman in the landscape dressed in a tulle dress and hat decorated with pink roses. The painting is in original very good condition, signed upper left corner. An American artist and illustrator, William H. McEntee (1857 - 1919) was active/lived in New York, Michigan. William McEntee...

Elegant Young Lady In The Landscape. Portrait depicting a beautiful young woman in the landscape dressed in a tulle dress and hat decorated with pink roses...

Lady Holding Bouquet Of Red Poppies. Portrait depicting a beautiful young woman holding bouquet of red poppies in a fine pink satin dress. The painti...

Portrait of a Military General Fine 19th C European, Neo -Classical half-length portrait of a Military General, a handsome man wearing military regali...

Nocturne Anna Raczka is a Polish contemporary artist. Since 2010 she is painting and drawing full time. For some time she was involved in graphic design, ceramics, clothing design, ...

Marilyn In Terry Cloth Robe, Norma Jean large paintig. Acrylic on artist shaped D2 canvas and wood panel. George Torjussen was born in Brooklyn, NYC in 1932...

"Annie Gets Her Gun" by Deborah McKenna, original oil on canvas board, 30" x 20", 35" x 25" in a solid wood frame. Annie Oakley (born Phoebe Ann Mosey; August 13, 1860 – November 3, 1926) was an American sharpshooter who starred in Buffalo Bill's Wild West. Oakley developed hunting skills as a child to provide for her impoverished family in western Ohio. At age 15, she won a shooting contest against an experienced marksman, Frank E. Butler, whom she married in 1876. The pair joined Buffalo Bill in 1885, performing in Europe before royalty and other heads of state. Audiences were astounded to see her shooting out a cigar from her husband's hand or splitting a playing-card edge-on at 30 paces. She earned more than anyone except Buffalo Bill himself. After a bad rail accident in 1901, she had to settle for a less taxing routine, and she toured in a play written about her career. She also instructed women in marksmanship, believing strongly in female self-defense. Her stage acts were filmed for one of Thomas Edison's earliest Kinetoscopes in 1894. Since her death, her story has been adapted for stage musicals and films, including Annie Get Your Gun. About the Bozeman, MT-based artist, Deborah McKenna: "Growing up in southern California in the 1950's and 1960's gave me an idyllic childhood. I grew up running free...

Adriana Pincherle, (1905, Rome - 1996, Florence). A lady with a turban and green shadows in a landscape. Italian female painter, active in Rome and from 1943 in Florence. Painting signed and dated lower right: Adriana Pincherle. 1973. Oil painting on canvas. The simple composition, which represents a woman from behind, bears the influence of Matisse's avant-garde style, with bold and refined color combinations. The shape is created with color, creating an almost surreal and highly expressive effect. The painter once said: "My painting has always been figurative, not realistic. In this sense I felt very similar to the Informal movement, which, fundamentally, pushed my passion for color to the extreme." FREE SHIPPING in Italy and Europe Artist Biography: Pincherle Adriana Rome 25 December 1905 - Florence 8 January 1996 Adriana was born in Rome on 25 December 1905, into a family in which two cultures were intertwined: the Jewish one of her father, the engineer Carlo Pincherle, of Venetian origins and in love with painting, and the Catholic one of her mother, Isa di she. De Marsanich, a noble but decayed Hungarian. Adriana is the eldest child and two years older than her brother Alberto, known to the literary world under the pseudonym Alberto Moravia As Pincherle herself says about her, as a child she spent hours admiring her father who painted watercolours, and it was perhaps then that her interest in drawing and above all her particular sensitivity towards color was born. Thus, having completed her classical studies, she began to attend the "ladies" atelier of the engraver Alfredo Petrucci and the free nude courses at the Academy, where she met Mimmo Spadini and Scipione, and came into contact with Roman art. In 1931 she made her debut at the collective "First Roman exhibition of female art" at the "Galleria di Roma", while the following year, at the same gallery, she exhibited a solo show together with Corrado Cagli, already attracting the attention of critics, famous comment by Longhi, cited several times by Pincherle herself, who prefers the "sissy" between the two artists. As evidence of the results achieved by Adriana since her first works, we remember that among her works presented in 1932 there was also the famous "Standing Self-Portrait", now in the Uffizi Pincherle's growth passes through places and periods common to both the Roman School and the school of painters of the via Cavour group (Mafai, Raphaël, Scipione), with tangents and deviations, but his pictorial research arrives at original solutions independent of any label . Fundamental to the maturation of her art was her stay in Paris in 1933, in which Pincherle admired and studied closely the Fauves, Renoir and in particular Matisse. In the same year she exhibited for the first time in Florence at the Sala d'arte delle Nazioni with Milena Barilli...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1924. The Italian. Very beautiful work where post-impressionism embellished with a few cubist touches form a harmonious w...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1939. The Beautiful Girl. With frame: 85.5x72.5 cm - 33.7x28.5 inches ; without frame: 73x60cm - 28.75x23.6 inches. 20F f...

Oil measures 46x38 cm. Frameless. Catalan painter trained in Olot and the Llotja in Barcelona, ​​where he was a disciple of Lluis Muntané. Through his travels he completes his train...

Canvas measures 33x41 cm. Frame measures 59x67 cm. He was born in 1951. Under the direction of the master Pedro Bermejo, he began his artistic career, quickly highlighting and observing in his works an unusual mastery of drawing. A very mature painter who has known how to stop time in all his works. His themes are preferably costumbristas although in his work the usual thing is to see eight century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, by the subject, of Maestro Palmero...