Post-Impressionist Portrait Paintings
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Style: Post-Impressionist
Period: 1910s
Queen Mary Greeting School Children - British 1910 royalty portrait oil painting
Located in London, GB
This lovely British Post Impressionist oil painting is by noted artist Gerald Spencer Pryse. Painted circa 1910 the painting depicts Queen Mary greeting a large group of school child...
Category
1910s Post-Impressionist Portrait Paintings
Materials
Oil
Jelle Troelstra, Portrait Of A Seated Woman, Oil Painting
Located in Cheltenham, GB
This early 20th-century oil painting by Dutch artist Jelle Troelstra (1891-1979) depicts a seated woman wearing a floral top and dark grey dress.
With eyes closed and hands held upo...
Category
1910s Post-Impressionist Portrait Paintings
Materials
Canvas, Oil
Family Portrait in Market - British 1914 art Post Impressionist oil painting
Located in London, GB
This charming early twentieth century Post Impressionist portrait oil painting is by British Jewish female artist Amy Julia Drucker. Of German descent, Drucker was born in England i...
Category
1910s Post-Impressionist Portrait Paintings
Materials
Oil
Maria Van Rysselberghe au coin du feu
Located in Palm Desert, CA
"Maria Van Rysselberghe au coin du feu" is a portrait painting by Post-Impressionist Théo van Rysselberghe. The portrait is signed lower right, "Atelier Van Rysselberghe". The framed...
Category
1910s Post-Impressionist Portrait Paintings
Materials
Canvas, Oil
La Toilette - Post-Impressionist Nude Oil Painting by Georges D'Espagnat
Located in Marlow, Buckinghamshire
Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir.
Signature:
Signed lower right
Dimensions:
Framed: 45"x34"
Unframed: 37"x26"
Provenance:
Private collection - Netherlands
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style.
D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...
Category
1910s Post-Impressionist Portrait Paintings
Materials
Oil, Canvas
Fillette jouant au bois - 20th Century Fauvist Figurative Oil by Louis Valtat
By Louis Valtat
Located in Marlow, Buckinghamshire
Signed fauvist figurative oil on panel by French painter Louis Valtat. The work depicts two girls playing with red marbles. Behind them we see the legs of elegantly dressed ladies - ...
Category
1910s Post-Impressionist Portrait Paintings
Materials
Oil, Panel
Femme à la cravatte by Ludovic-Rodo Pissarro - Portrait painting
Located in London, GB
Femme à la cravatte by Ludovic-Rodo Pissarro (1878-1952)
Oil on canvas
65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches)
Signed lower right, Ludovic Rodo
Executed circa 1910
This work is accompan...
Category
1910s Post-Impressionist Portrait Paintings
Materials
Canvas, Oil
'The White Bonnet', Paris, Royal Academy of Fine Arts, Copenhagen Art Museum
By Henrik Schouboe
Located in Santa Cruz, CA
Initialed lower left, 'H.S.' for Henrik Schouboe (Danish, 1876-1949) and painted circa 1915.
Henrik Schouboe first studied at the Copenhagen's Royal Academy of Fine Arts from 1894-1901 and, from 1903-1910, in Italy and Paris. He was awarded numerous stipends and scholarships including the Larssen (1902-3) and the Akademie Scholarship in 1908. In 1906, he had exhibited for the first time at the Charlottenborg where his submitted entry was purchased by the leading Danish painter of the time, Kristian Zahrtmann, for his personal collection.
Schouboe continued to exhibit both domestically and internationally for over thirty years and was the recipient of a variety of prizes, medals and juried awards including the purchase of his 1908 Charlottenborg entry, 'Young Couple in a Landscape', by the State Museum of Art for inclusion in the Danish national collection. Schouboe's work is held in the permanent collections of numerous museums including Copenhagen, Aabenraa, Maribo and the Aalborg Art Museums. We are pleased to offer a delicate and psychologically penetrating portrait of this beautiful and determined girl on the cusp of womanhood.
Reference:
Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 30, p. 269; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 12, p. 520; Weilbach, Dansk Kunstnerleksikon, the Castle and Cultural Agency, Copenhagen; Dansk Kunst (Charlottenborg), 1927: Taf. 27, 1928: Taf. 38, 1929: Taf. 46; S. Michaëlis i: Art VII, 1905-06; Vilh. Wanscher i: Kunstbl. 1909-10, 71f; Harald Giersing...
Category
1910s Post-Impressionist Portrait Paintings
Materials
Canvas, Oil
'Young Bretonne', Paris, Salon d’Automne, Section d'Or, Post-Impressionist Oil
By Jais Nielsen
Located in Santa Cruz, CA
A vibrant, early 20th century oil study of a young Breton girl shown regarding the viewer with a stern and penetrating gaze.
Signed lower right 'Jais' for Jais Nielsen (Danish, 1885...
Category
1910s Post-Impressionist Portrait Paintings
Materials
Oil, Canvas
'Study of a Young Woman', Karlsruhe, Berlin, Danish Post-Impressionist, Benezit
By Alfred Hermann Helberger
Located in Santa Cruz, CA
Initialed lower right 'A.H.'; signed verso, "Alfred Helberger", inscribed "Gertrúd" and dated 1914.
Bearing the original 1962 exhibition label from the Senator fur Folksbildung, Ber...
Category
1910s Post-Impressionist Portrait Paintings
Materials
Canvas, Oil, Board
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SIZE: 68cm x 60cm inc frame
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Post-impressionist portrait paintings for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist portrait paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add portrait paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Jacques Zucker, Suzanne Vattier, Ignacio Gil Sala, and Spencer Pryse. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist portrait paintings, so small editions measuring 3.55 inches across are also available. Prices for portrait paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $128 and tops out at $1,200,000, while the average work sells for $2,280.
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