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Portrait Of Sir Francis Drake (1540-1596)

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    By Gerard van Honthorst
    Located in Blackwater, GB
    Portrait Of Prince Rupert of the Rhine, Duke of Cumberland (1619-1682), 17th Century School of Gerrit van Honthorst (1592-1656) 17th Century portrait of Prince Rupert Of the Rhine...
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  • Portrait Of A Lady In A Fur Lined Hood, 19th Century
    By Gustave Jean Jacquet
    Located in Blackwater, GB
    Portrait Of A Lady In A Fur Lined Hood, 19th Century by Gustave Jean Jacquet (French, 1846-1909) sales to $450,000 Large 19th Century portrait of a la...
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    Oil, Panel

  • The Coronation Of The Virgin, 17th Century
    By Guido Reni
    Located in Blackwater, GB
    The Coronation Of The Virgin, 17th Century After Guido RENI (1575-1642) Fine Huge 17th Century Italian School Old Master depiction of the co...
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  • Suicide, 19th Century
    Located in Blackwater, GB
    Suicide, 19th Century Unusual European School Oil On Panel 19th century European School interior scene of an artists suicide, oil on panel. Beautifully painted melancholy interior...
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    Oil, Panel

  • Portrait Of Jeanne III d'Albret (1528-1572), 16th Century
    Located in Blackwater, GB
    Portrait Of Jeanne III d'Albret (1528-1572), 16th Century French School Court Portrait - oil on panel Fine 16th century French Old Master portrait of Jeanne III, Queen regent or Navarre, oil on panel. Rare and early depiction of the Queen regent in court attire by a French court painter circa 1550. Jeanne d"Albret married Antione De Bourbon to become the Duchess of Vendome. Her son Henri would be come Henri III...
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  • The Livestock Market, 17th Century
    By Karel Breydel
    Located in Blackwater, GB
    The Livestock Market, 17th Century School of Karel BREYDEL (1678-1733) - rare 17th Century Cattle/Livestock Market Fine large 17th century Dutch/Flemish livestock market landscape,...
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  • Silverstone Yellow Jasmine - Original Oil Painting of Woman and Floating Flowers
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    Located in Chicago, IL
    ARTIST STATEMENT I'm currently working with figures and portraits and combine human forms with botanicals to explore our relationship with natural elements. Capturing the movement of the figure or an expression of a living soul presents endless possibilities and inspiration enabling me to blend with different themes. I've studied classical methods of oil painting with a focus on the 17th century Dutch Masters. The subjects I am drawn to are individuals with character, athletic figures and blooming floral arrangements with elegance and ethereal beauty. The reference for my work comes from my direct observation of natural day light in my north light studio illuminating and blanketing the form of my subjects. I am fascinated and challenged by the process of transforming a flat, blank canvas into the illusion of dimensional form, atmosphere and mood. That process is usually well thought out but sometimes painted direct and use intuition to complete my idea. Both of these methods present challenges but each way fills the void of the other and opens up the possibility of new visual ideas to meet my objective. BIOGRAPHY For Michael Van Zeyl, portraiture is much more than a one-sided translation of the artist’s point of view taking form in a subject. It’s an engaging visual dialogue that renders a soul in light, shadow and pigment, continuing the conversation for future generations to appreciate. While subtle observation and technical skill are only part of Michael’s gift, his experience has honed his craft to the highest standard. His talents were apparent by age seven and he spent subsequent decades mastering a wide range of painting techniques. In particular, 17th century Dutch and 19th century impressionist styles have resonated with him and surfaced in his own works. His formal training began at the American Academy of Art in Chicago, continuing on at Chicago’s Historic Palette & Chisel Academy and the Art Students League in New York, where he studied with the most accomplished artists who also paint directly from life under natural light. Michael is currently a faculty and board member at the Palette & Chisel and has been the club’s most popular instructor for several years. Michael’s work is already appreciated in many public and private collections, such as the United States District Court, University of Chicago, DePaul University School of Law, Chicago Theological Seminary and American Hotel Register. He has received awards from the Portrait Society of America, The Artists Guild, the Oil Painters of America and the 2014 recipient of the Dorothy Driehaus Mellin Fellowship for Midwestern Artists. EDUCATION 1987-1990 American Academy of Art, Chicago, IL 1999-2000 American Academy of Art, Chicago, IL - Life Drawing & Oil Painting Palette & Chisel Academy, Chicago, IL - Painting & Life Drawing Art Students League, New York, NY - Painting EXHIBITIONS 2017 “Anne Harris...
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