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Raymond Debieve
The Dream

1974

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    Located in London, GB
    'Grand Prix Racer II', French School, oil on board (circa 1960s). The 'good ole' days' of Formula One (or Grand Prix) racing are depicted in this thrilling ...
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    Grand Prix Racer II
    $618 Sale Price
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  • Grand Prix Racer
    Located in London, GB
    'Grand Prix Racer', French School, oil on board (circa 1960s). The 'good ole' days' of Formula One racing are depicted in this thrilling mid-century...
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  • Untitled Cubist Figure
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    Located in London, GB
    'Untitled Cubist Figure', oil on board, by STM (circa 1970s). A vibrant modern painting inspired by Picasso and Braque, the artist uses angles, lines and...
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    Oil, Board

  • The Chess Match
    By Raymond Debieve
    Located in London, GB
    'The Chess Match', oil on cardstock paper, by Raymond Debiève (1973). Rich colours, bold, painterly brush strokes and an unusual subject for a work of art, Debiève has created this s...
    Category

    1970s Modern Portrait Paintings

    Materials

    Oil, Board

    The Chess Match
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  • Portrait of Woman with Irises
    By Raymond Debieve
    Located in London, GB
    'Portrait of Woman with Irises', oil on cardstock paper (1976), by Raymond Debiève. Here the artist paints a young woman holding a bunch of enchanting iris flowers in his post-cubist...
    Category

    1970s Modern Portrait Paintings

    Materials

    Oil, Board

  • Outstanding in His Field
    By Raymond Debieve
    Located in London, GB
    'Outstanding in His Field', oil on cardstock paper, by Raymond Debiève, 1976. The artist depicts a salt-of-the-earth farmer seated on a fence post, arms crossed with a look of wholeh...
    Category

    1970s Modern Portrait Paintings

    Materials

    Oil, Board

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    Jim’s of Lambertville is proud to offer this artwork: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...
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  • "Portrait of a Woman in Profile, " Oil Painting on Board signed Walter Moskow
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  • "Modernist Portrait, Boy Seated " Mid Century Oil Painting on Board
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  • Self Portrait, Oil on Board, Signed and Dated, 1925, American Modernist
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  • Warm Toned Modern Portrait of a Medieval Woman
    Located in Houston, TX
    Warm toned modern portrait of a medieval woman wearing red dress against a blue background. Signed "Charles Campbell" at bottom right corner. Matted in linen and framed in black and gold frame. Dimensions Without Frame: H 20 in. x W 15 in. Artist Biography: Charles Campbell has been hailed as one of the more distinctive and imaginative contemporary American Painters of our time. In a highly individual style he combined rich vibrant colors with elaborate textures and composition. His paintings, described as modern by conservatives, and considered conservative by Avant-Garde groups, have their own unique balance of design. Charles was a quiet man who tended to make strong social statements in his paintings, some subtle, some obviously satirical, others full of fantasy and humor. A perfectionist, (he has destroyed over two-thirds of his work during his career), he painted every day until his eyes gave out and then often did some sculpting. His aim, he said, was to "Express my vision of the world in the purest possible terms." As a young man he drew inspiration from Daumier, particularly his outstanding draftsmanship. He also learned a great deal from Renoir in his handling of paint and tonal variations. El Greco's contribution is seen in the intensity and luminosity of many of Campbell's paintings, just as Picasso's line and description of the human form can be seen in others. Charles Campbell was born in Dayton, Ohio, but spent most of his boyhood in Springfield, Ohio. At 17 his family moved to Cleveland where he enrolled in the Cleveland School of Art (now the Cleveland Institute of Art), and spent five years there, receiving a B.A. degree in 1928. He taught one year at this school, but decided against the profession because he felt he had no calling for it. He was caught up in the 1930s Depression like thousands of his fellow artists and worked in WPA producing several murals. Following that he got a stake together and bummed about the country in a jalopy for a year, looking at the land and the people in the land during those very rough years in our history. He spent six months in an ancient house in Texas, painting, writing, doing a great deal of reading and thinking about what was going on, both in his own head and in the world. He returned to Cleveland and was taken on by the Treasury Art Project, producing easel paintings until 1942. At that time Campbell married and left for Los Angeles. Up until his departure from Cleveland, Campbell had established himself locally as an outstanding young painter, winning many prizes and awards. His early work was exhibited in the traveling shows in most of the major museums of the country. The Cleveland Museum and Whitney Museum own examples of his work of that period. After his move to Los Angeles, Campbell dropped out of the museum circuit and thereafter exhibited only in private galleries surviving wholly on the sale of his work. In 1952 the Campbells moved to the French Quarter in New Orleans...
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