Stan Reszka

Stan Reszka Oil Paint on Canvas "A View over Istanbul", 1951

ca. 1951

Oil on Canvas, 1935 by Dietz Edzard ( German/French 1893-1963 ) Height: 17.99 in ( 45,7 cm ), Width: 12.99 in ( 33 cm ) With the artist's signature stamp at lower left. Framed. Prope...

Dietz Edzard ( German/French 1893-1963 ). Oil on canvas, 1935. With the artist's signature stamp at lower left. Framed. Property of the Estate of Dr. Max Stern sold for the benefit o...

Oil on canvas, circa 1950, by Suzanne Eisendieck ( 1906-1998 ) Signed lower left: SUZANNE EISENDIECK Dimensions: 22.04 x 17.51 in ( 56 x 44,5 cm ). Framed: 26.37 x 21.45 in ( 67 cm x...

Oil on canvas, around 1920. Mongrammed lower right: LB. Titled on the back: Arbeiter in Barmen. Framed. Measurements: 12.4 x 13.98 in ( 31.5 x 35.5 cm ). Framed: 17.13 x 18.74 in ( 4...

In this vibrantly textured oil painting, I explore the jubilant essence of autumn's splendor. Each brushstroke represents a joyful dance of leaves, swirling in the brisk air, encapsu...

Kiley Ames utilizes her signature pointillism technique for this beautiful, delicate composition.

Garden Of Eden Landscape with Flowers Unsigned, oil on canvas 21"x26 in Gold Leaf Frame Ivan Rabuzin was born in Novi Marof in 1921 as the sixth...

"A Young Girl Reading a Book" is a captivating portrait by Swedish artist Gustaf Arnolds. Arnolds was a prolific painter whose roots began in Vingåker and later in Ronneby from his teenage years. His educational journey in art took him through prestigious institutions such as Althins målarskola and the Tallbergska grafikskolan in Stockholm, followed by a significant period at the Konstakademien, Stockholm, between 1904 and 1909. His talent and dedication were recognized early on, earning him a scholarship to Paris, a city that would deeply influence his artistic direction. This particular work, likely painted shortly after his return to Sweden, reveals a profound influence from his time in Paris. It portrays a young girl absorbed in reading a book, a simple yet profound subject that Arnolds imbues with a sense of tranquility and introspection. The background hints at a serene landscape, dotted with quaint houses, a nod to the everyday beauty surrounding us. What sets this piece apart is Arnolds’ technique, reminiscent of pointillism but distinguished by longer, more expressive brush strokes that add a vibrant texture and depth to the canvas. This method showcases Arnolds' unique adaptation of the techniques he encountered during his Parisian studies, particularly during his interactions with Nils Dardel...